Winkler Heinrich
Wolf, Christa
Wolf, Friedrich
Wolf, Markus (Mischa)
Wolfe, Thomas
Wolff, Theodor
Wolgemuth, Wolfgang “Wo Wo,”
Wollenberger, Vera Women
and Allied troops
as entertainers
as labor force(fig.)
as WWII conscripts
espionage work
food riots
prostitution
rape by Russian soldiers
Rosenstrasse resistance
Wooding, Sam
Work camps
World Jewish Congress
A World Transformed(Bush)
World War I
declaration of war
defeat and revolution
philosophy and ideology during
postwar misery in Berlin
shortages of food and manpower
World War II
Allied conquest of Berlin
declaration of war
deportation of Jews
Hitler’s preparations for
official end
postponement of Germania construction
See alsoNazis; Third Reich
World Youth Games
Wortley, Edward Stuart
Wozzeck(Berg)
Wrangel, Friedrich von
Wright, Orville
Wyden, Peter
Xenophobia
See alsoAnti-Semitism
Young, James E.
Young Plan
Zaisser, Wilhelm
Zehlendorf
Zeppelin, Ferdinand von
Zetkin, Clara
Zeughaus
Zhukov, Georgi
Ziegler, Adolf
Zille, Heinrich
Zilli, Timo
Zionism
Zola, Emile
Zolling, Theophil
Zuckmayer, Carl
Die Zukunft
Zweig, Arnold
Zweig, Stefan
A NOTE ON THE AUTHOR
David Clay Large, professor of history at Montana State University, is a specialist in modern German history. Among his books are Germans to the Front: West German Rearmament in the Adenauer Era; Where Ghosts Walked: Munich’s Road to the Third Reich; and Between Two Fires: Europe’s Path in the 1930s. He divides his time between Bozeman, Montana, and San Francisco, California.
A NOTE ON THE TYPE
This book was typset in Caslon 540, a typeface derived from William Caslon’s eighteenth century types. The popularity of these types led to a practically endless range of Caslon copies; among them Caslon 540, from American Type Founders in 1902, and Caslon 3, a slightly bolder face also from ATF in 1905, which was later modified for use with Intertype and Linotype technologies. Both designs have the warm, solid, straightforward style that has made Caslon popular for over 200 years; these Caslons, however, have shorter descenders, and higher contrast, features that enable them to hold up better with the faster presses and the new varieties of paper introduced at the turn-of-the-century.