I said, “Did Gray drink a lot before Georgia went to Peru?”
“Hardly at all.””
“Then he'll probably stop when he's ready to.”
“Do you think so?” There were tears in Dora's eyes, and her small hands were clenched white-knuckled over her breasts.
Por Dios, I thought, she's in love with him. She's the one who Sam meant when lie said there were those who hoped Georgia would never come back from Peru. “I'm sure of it,” I said firmly. Then, to get her mind off Gray, I said, “Dora, what's wrong with Arturo Melendez?”
“Wrong?”
“He doesn't speak.”
Dora shook her head. “Oh, that's just the way Arturo is. He's quiet, and with a stranger here, he's bound to act more shy than usual.”
It seemed more than shyness to me; and Dora was so wrapped up in Gray's problems that she didn't make a particularly good observer. I decided to try to draw Arturo out during dinner; he was an exceptionally talented artist, and one who I felt deserved more recognition than he'd gotten.
As things worked out, though, any further conversation with Arturo was impossible. The talk around the picnic table turned into a running argument between Dora and Gray, with Sam desperately introducing neutral topics that both of them ignored. Gray kept the bourbon bottle right beside him, and every time Dora made a critical comment, he refilled his glass; the level of liquor rapidly dropped to less than two inches. When Dora found she couldn't get a rise out of Gray, she started in on Sam's poor eating habits. Arturo ate silently, his eyes cast down and his expression closed, seemingly unaware of what was going on around him.
I was sitting next to him, and I studied him covertly, glad of someone to divert me from the tiresome bickering going on across the table. When he finished what was on his plate, he kept his eyes down, as if the smeared pottery surface was an object of fascination. After a couple of abortive attempts to speak to him about his work, I finally concluded that what I was dealing with was a seriously depressed person.
It wasn't unusual; I'd seen it before in other minority artists. It was a state born of repeatedly having to drag one's emotional guts out and spread them on the canvas, only to later be dismissed as amusingly ethnic but essentially unimportant. Arturo, I decided, had been living in the shadow of the Anglo art establishment for too long, and it was now beginning to erode his personality. It was time he got out into the sun where he would receive recognition for his considerable gifts-and that was something the museum and I could help him with.
By the time dessert was served, the meal had degenerated thoroughly. Sam's beautiful chocolate mousse was greeted with silence. Gray seemed more interested in the remainder of his bourbon. Dora was sulkily spooning out her fresh fruit salad. Arturo declined dessert with a shake of his head. I felt so sorry for Sam that I took an extra-large helping and wolfed it down, in spite of the fact I wasn't really in the mood for sweets.
After Sam finished his mousse, he passed cigarettes around, and everyone but Gray and I lighted up. Gray made a caustic remark to Dora about how health-conscious people shouldn't smoke. She countered by pointing out that at least she didn't quit and then take it up a few days later like he did. Sam watched them anxiously, and I could see he was searching for a way to divert them from what promised to be a full-blown quarrel. Suddenly his face brightened, and he said, “What a dunce I am! I forgot to tell you all the reason Elena has honored us with her presence.”
They all looked at him: Gray's eyes were bleary, Dora's impatient, and Arturo's seemed to be looking inward.
“She has made an incredible find.” Sam went on, describing in glowing terms John Quincannon's papers and the story they told. No one looked very impressed.
“So, what're you gonna do,” Gray said, “go out an' dig up this treasure, get rich?”
His words sounded like an exaggerated parody of a drunk, and I wanted to smile. Controlling the impulse, I said, “I doubt it's still hidden. Probably Quincannon found it and restored it to the family.”
“Then why isn't there any record of it?” Sam said.
“Yeah. Just think, Elena,” Gray said, “you could have your own li'l arcological expedition right here. I know about those things; I could help you.”
Dora glanced anxiously at him.
“Dig it up,” he said, waving his glass. “Dig it all up.”
“Gray-” Dora said.
“Ah, shaddup.”
“Gray!”
“Let Elena talk, will you?”
Quickly I said, “I must admit I did entertain some thoughts of finding the artifacts when I stopped off at the ruins-”
“Gray, you've been a drunk for quite some time now, but you've never been a rude drunk-”
He reached agitatedly for his glass and knocked it over. The bourbon flowed across the table and into his lap. “Shit!” he said, and jumped up.
I felt a tug at my sleeve. Arturo was looking shyly at me. “The ruins-you have been there?”
I was surprised. These were the first words he had spoken to me. “Yes, just today.”
“I often go there. They are muy tranquilo. I like to sit there and imagine how it was in the days when our people were strong and respected.”
Respect. Respecto. Acepcion de personas. In either language, in any shade of meaning, it was a concept my people mentioned time and time again. We had almost wrung the word dry of any significance, almost worn out the idea by talking about it. And had we achieved it? In some areas, perhaps. But not in the really important ways, as evidenced by Arturo and his debilitating depression.
I said to him, “Will you go there with me sometime?”
He hesitated, then nodded. “I should like that.”
“Bueno. The next time I'm here I'll come for you.”
He smiled and dropped his gaze again.
Gray was still mopping at his liquor-soaked jeans, and Dora was still glaring at him, a bright spot of red on either cheek. Sam seemed relieved when I declined another helping of mousse and said I needed to get back to Santa Barbara. I took down his phone number and promised to call him the next afternoon for the information about the Velasquez woman, and then I took my hurried leave.
As I crossed the square, the village was bathed in spring twilight; it softened the more squalid aspects of the shabby buildings, made the trees seem fuller, the vegetation more lush. I caught the faint scent of apple blossoms, the gentle strains of piano music from one of the nearby houses. A dog barked and then was silent. A mother called her child and received a glad answering shout. Las Lomas was the image of peace and tranquillity-which only went to prove how deceptive appearances can be.
FOUR
Monday noon I arrived at the museum, the marriage coffer once more wedged into the passenger side of my car. The parking lot of the nineteenth-century adobe in the city's historical district looked strangely deserted; there were only three cars, all of which belonged to volunteers. Leaving the chest where it was, I entered the building by the door off the loading dock and went down the tiled corridor to the office wing. The secretary's desk across from my office was cleared, the typewriter covered. I stopped and frowned until I remembered that Emily-like me-was on vacation.
Neither Susana Ibarra nor Rudy Lopez were in their cubicles, and the door to the office of Linda Trujillo, our education director, was closed. Where was everyone? I wondered. It was lunchtime, but the staff took their breaks at staggered intervals. Concerned, I made a quick tour of the galleries; they, the gift shop, and the entrance were all manned by our ever-reliable volunteers. It seemed they took their duties more seriously than my staff.
I crossed the inner courtyard, noting that no one had bothered to turn on the water in the little blue-tiled fountain, and checked the office wing again, lit turned out Linda was there after all; I could tell by the strains of the classical music she often played while writing copy for the fact sheets we make available to our visitors. But where were Susana and Rudy? Apparently while el gato was away, los ratones had decided to play. And el gato was not at all pleased with that.