“Wonder how smart Ramsey is,” said Petra. “Any particular reason he wouldn't be in his office?”
“You're thinking he rabbited already? No, we can't assume that. He's not filming. All this year's shows are already in the can.”
“His show specifically, or all of the shows?”
“All the main ones,” said Stu. “He could be playing tennis, soaking in the Jacuzzi. Or on a chartered jet to the south of France.”
“Wouldn't that be inopportune.”
“Indeed. Hey, maybe we should shoot our way out of this.”
Forty-five minutes later, they got off the freeway at Calabasas Road and took a curving road north, into the Santa Susanna Mountains. Smooth, rolling slopes sported groves of live oaks that had survived progress. The trees were acutely sensitive to overwatering, and irrigation had killed hundreds of them before someone had caught on and designated them protected.
Fires had fun out here, too, Petra knew, racing through dry brush and chaparral, devouring the big vanilla retro-Spanish houses that seemed to be the thing in upscale, West Valley neighborhoods. No matter how much money went into them, they never looked anything but retro.
They passed several tracts of vanilla now, some behind gates. Twin-paddock horse setups, small corrals alongside tennis courts, and stone-and-waterfall swimming pools. The air was good, the lots were generous, and once you got away from the freeway, it was quiet. But Petra knew it wasn't for her. Too far from bookstores, theaters, museums, L.A.'s meager cultural mix. Too calm, also. Cut off from the pulse.
Not to mention the commute- two hours of your life each day spent studying the white lines on the 134, wondering if this was success.
Calabasas was popular with what Petra, secretly a snob, thought of as the nonthinking rich: athletes, rock stars, overnight entrepreneurs, actors like Ramsey. People with long blocks of leisure and a melanoma-be-damned view of sunshine.
Petra suspected the free time caused problems. A recent Parker Center memo had warned of white Valley teenagers starting to emulate the inner-city gangbangers. What did kids do out here except get into trouble?
Back in her artist days, she'd sometimes fantasized about what her life would be if she ever made it big- twenty thousand a canvas, no need for commercial jobs. Half the year in L.A., half in London. It had never come to that, of course. She'd sketched and T-squared twelve hours a day just to pretend she was contributing financially to the marriage, telling Nick what he earned was his. How noble. How stupid.
“Here we are,” said Stu.
RanchHaven sat atop a knoll planted with golden poppies. High, scrolled gates on pink columns. Behind the wrought iron were the biggest haciendas they'd seen so far, scattered thinly on multiacre lots. An unmarked Dodge was parked on the side of the road, twenty yards before the gates. No-frills wheels and multiple antennae made it every bit as obtrusive as Stu and Petra's Ford.
They pulled up behind it and two men got out. One was Hispanic, forty-five, five-ten, heavy-set, with a gigantic swooping black mustache and a tie full of birds and flowers. His partner was white, much younger, same height, thirty pounds lighter, also with lip hair, but his 'stache was clipped and yellow-gray. Both wore gray sport coats. Black and navy slacks, respectively. The white deputy's tie was narrow and maroon, and he had a pleasant boyish face just short of handsome.
They introduced themselves as De la Torre and Banks. Greetings all around; nice and friendly so far.
“What exactly happened?” said De la Torre.
Stu filled them in.
“Ugly,” said Banks.
Petra said, “Your boss never told you?”
Banks shook his head. “We were told Ramsey's wife had been killed, but not how. The order was to get here, wait for you. We were also told it wasn't our case; we should just be here so later no one could say we weren't. Where'd it go down?”
“Griffith Park.”
“Just took my kids to the zoo there last Sunday,” said Banks, shaking his head. He looked bothered, and Petra wondered how long he'd been in Homicide.
“Think he did it?” said De la Torre.
Stu said, “Our info is he beat her up last year and they got divorced soon after.”
“There's a couple of high riskers for you.”
“One thing for sure,” said Stu. “It was no street-idiot mugging. Mega-wounds, mega-fury. Someone took cash out of the purse but left credit cards and her jewelry. We figure someone she knew or, less probably, a sex fiend. Whoever it was either drove off in her car or took her there in his.”
“What did she drive?” said Banks.
“Porsche 911 Targa, four years old, black. We put a want out for it.”
“To some people, that's worth killing for.”
“Maybe,” said Stu, “but stabbing her two dozen times for wheels? Why bother?”
Silence for a few seconds.
“Cash, no jewels,” said De la Torre. “Attempted fake-out? Ever watch Ramsey's show? I did. Once. Stinks.”
Petra said, “It would be good to know if he ever caused problems around here.”
“We can check with the locals for you,” said Banks, offering her a brief, puzzling smile.
“That would be great.”
“So exactly how do you want to proceed?” said De la Torre. “I mean, seeing as we're just here for the chorus line, we don't want to screw up your solo.”
“Appreciate it,” said Stu.
“So what's the plan?”
Stu looked at Petra.
“Low profile,” she said. “No treating him like a suspect, no biasing the case prematurely.”
“Ramsey's an actor, so everyone's got to put on a performance- don't you just love this town?” said Banks. “Okay, we'll just hang behind, be discreet. Think you can do that, Hector?”
De la Torre shrugged and said, “Me no know,” in a cartoon Mexican voice.
“Hector's an intellectual,” said Banks. “Earned a master's degree last summer, so now he thinks he's entitled to have opinions.”
“Master's in what?” said Petra.
“Communications.”
“Thinks he's going to do sports on TV one day,” said Banks. “Or the weather. Do the weather for them, Hector.”
De la Torre smiled good-naturedly and looked up at the sky. “High pressure hitting a low pressure coming down and encountering a medium pressure. Possibly leading to precipitation. Also, actors beating on their wives, possibly leading to murder.”
Both unmarkeds pulled up to the pink column. The gates had a green pseudo-patina. On the left column was a talk-box and a sign that said DELIVERIES. Twenty feet up the drive on the other side of the gate was a guardhouse.
Stu leaned out, pushed the button on the box and said, “Police for Mr. Cart Ramsey.”
The uniformed guard stuck his head out and came forward. Stu's badge was out, and by the time the gates slid open, Petra could see from the guard's body language that he was ready to cooperate.
“Help you?” he said. Older guy, round gut, deep tan, lots of wrinkles, hair dyed beige. Walkie-talkie and baton, but no gun.
“We need to talk to Mr. Ramsey,” said Stu. “Privately. I guess you understand how highly Mr. Ramsey and his neighbors value privacy.”
The guard's eyes widened. “Oh, sure.”
“So we can count on you, Officer… Dilbeck, to be discreet?”
“Sure, sure- should I call ahead to tell him you're coming? Usually, that's what we do.”
“No thanks,” said Stu. “As a matter of fact, please don't. Tell me, Officer, has Mr. Ramsey entered or exited RanchHaven today?”
“Not during my shift- that's from eleven o'clock on.”
The normal thing would be to ask who'd been on night shift. Instead, Stu said, “Thanks. How do we get up there?”