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A soft hot haze, lilac, burnt gold, yellow, lay under the trees in the wood. The birds sang, dragonflies hovered above the briars. The butterflies were all gone. Summer was ending. Rosie waited for me in the shadow under Cotter's wall, sitting with her head dreamily drooping, her lithe brown legs folded under her, as I sometimes see her still in dreams, leaning on one taut curved arm, twisting and twisting a stalk of grass around her fingers. She gave me from under her long lashes that glance of inexplicable resentment which never failed to reduce me to a trembling ingratiating jelly. Inexplicable? No. One needed only to hear our accents to begin to understand. Class sat silent and immovable between us like a large black bird.

We walked through the goldengreen wood. The leaves were turning already. At a sudden bend in a long-untrodden path we came abruptly, magically, to the edge of the lake, and stopped and gazed out across a prospect of summer and peace, the ashblue water, the house, the windows brimming with light, and two little figures walking slowly up the steps to the front door. Birchwood always took itself too seriously, turning its face away from the endless intricate farce being enacted under its roof, but on its good days, when one was willing to accept it on its own terms, it was magnificent. Rosie twisted her mouth thoughtfully, squinting at all that quiet grandeur, and produced with a wry flourish a comment that seemed somehow the most fitting one imaginable.

‘If my granny seen me now, she'd kill me.’

Yes indeed, and if mine saw me. We wandered along the lake shore to the summerhouse, soberly musing on the punishments our furtive venery could call down upon us. She sat down in the ancient rocking-chair on the porch and stared past me with narrowed eyes.

‘All them swanks, she said suddenly, and sniffed, all that envy, that violent longing. I frowned, pretending that I had not understood her, but I knew well what she was after. Here was a perilous situation. The country was up in arms. Every day there were reports of our people burned out of their farms, of constabulary men beaten up, of magistrates shot in the streets. It all seemed far away at first, then an old man spat on Aunt Martha in the town, and Josie, to her great amusement, answered a dreadful banging on the front door one early morning and found one of our own chickens nailed to it, and now here was I, faced with a miniature rebellion of my own. I understood her well enough. Did she seriously think that I would let her meet my family, those mysterious and splendid swanks? Good god. There flashed before me a picture of the two of us advancing down the drawing room toward Granny Godkin on her throne by the fire, a Granny Godkin whom the prospects of fury and derision she perceived in the uprising had rejuvenated, whose shrill broken voice had begun to ring again through the house with something like its old authority, and as that horrible thought was exploding within me slowly I slowly clambered up the railing, grasped the clogged drainpipe above and hung before her, swaying slightly, a solemn baboon. She regarded me with a sullen eye, then flung herself from the chair and kicked open the door of the summerhouse. I flopped to the floor and followed her.

This place, cluttered more than ever with migratory bits and sticks from across the lake, we had not dared to enter before. It was a perilous forbidden chapel in our wood locked to us by the spell of Granny Godkin and her wicked cards. Our visit, therefore, was something of an occasion, and prompted in me frightful thoughts. We climbed the curving stairs at the back to a little room above, where there was a broken bed, two crippled chairs, and a curlicued gilt mirror, filthy but intact, a patient spy which now inclined its purblind eye upon my country darling, who poked among the junk with wrinkled nose. I hovered behind her like a nervous vampire and kissed her hot neck. She hardly noticed me, but twisted absently out of my reach and with graceful flamingo steps danced to the window, singing.

Chase me Charlie I've got barley Up the leg of me drawers.

But there, by the glass, in the misty light, her mood shifted and she turned, suddenly transformed, and her scattered drugged smile touched me here and there like a small furry blind animal. She took a slow step, another, swimming through air, and without a word put her arms around me, and I seem to have fallen over backwards slowly, lost in that world contained in the tender roseate canthus of her eye. Perhaps it was love, after all. Beyond and above her blurred left temple a tiny redhaired phantom rippled into the depths of the mirror. She sensed my fright, and looked wildly over her shoulder at the glass. We crawled on hands and knees to the window, laid our noses on the sill and cautiously peered out. Down by the lake's edge Michael stood, looking toward the trees. Did I glimpse there a figure retreating into the leaves, an arm lifted in a hieratic gesture of farewell? I went down the stairs. Michael, coming in at the door, halted with the light behind him.

‘O, it's you,’ he said coolly. ‘Gave me a fright.’ Rosie went down past me, her head bowed, hands behind her, busy with her curls. As she passed him by, Michael glanced at her and then at me and permitted himself a brief grin. We went, all three, out into the glowing noon.

‘Well, I'm off,’ Rosie muttered, without looking back.

Michael and I stared at each other, teetering, as it were, on the edge of a revelation, and, who knows, we might have bared our hearts had there not come at that moment, beside us, or so it seemed, the shattering blast of a shotgun followed by a scream. Rosie was crouched by the edge of the trees with her head in her hands, and off to her left there was Papa, legs braced wide apart, smoking gun to his shoulder, a ridiculously stylised illustration of the archetypal hunter. Rosie sank to her knees, cowering in fright, with her arms still around her head. She lifted one elbow and peered out at him from under it. He looked from her to us, to the girl again. His moustache twitched, and one eyebrow jumped up his forehead. He lowered the gun, stood undecided for a moment, and then backed off into the trees, bowing under the boughs. Rosie began to howl. Michael softly laughed.

14

SUMMER ENDED OFFICIALLY with the lighting of a fire in the drawing room. Rain fell all day, big sad drops drumming on the dead leaves, and smoke billowed back down the chimneys, where rooks had nested. The house seemed huge, hollow, all emptiness and echo. In the morning Granny Godkin was discovered in the hall struggling with an umbrella which would not open. She was going down to the summerhouse, rain or no rain, and when they tried to restrain her she shook her head and muttered, and rattled the umbrella furiously. In the last weeks, after her brief vibrant interval of fanged gaiety when the prospect appeared of a peasant revolt, she had become strangely withdrawn and vague, wandering distractedly about the house, sighing and sometimes even quietly weeping. She said there was no welcome for her now at Birchwood -a remark I wish to stress, for reasons which I will presently disclose-and spent more and more time down at the lake despite the autumnal damp. Often Michael and I would see her sitting motionless by the table in the summerhouse, her head inclined and her eyes intently narrowed, listening to the subtle shifts and subsidences within her, the mechanism of her body winding down.

‘But you'll catch your death,’ Mama cried. ‘It's teeming.’

‘What?’ the old woman snapped. ‘What? Leave me alone.’

‘But-’

‘Let me be, will you.’

Mama turned to my father. ‘Joe, can you not…? She'll get her death…’ As always when she spoke to him now her voice dwindled hopelessly, sadly, and in silence her eyes, moist with tenderness and despair, followed him as he shrugged indifferently and turned away wearily to shut himself into the drawing room.