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AVIS WALKS IN THE gray dawn and studies Brian, his face mild in sleep. She rises, dresses for work, makes her determined way to the kitchen, wondering again how her children fared in the storm. The windows seem to be washed in green light, glittering with heat. The hurricane knocked down enormous fronds, spilled the stripling palms over, punched open new holes in the canopy; sunlight pours through in solid cylinders. She scans the treetops, the delicate, rummaging fingers of palm leaflets — everything heat-stunned. In the emptied backyard, the iron cage is lying on its side, door flapped open, a body with its soul turned loose. She thinks again of Solange. The world seems filled with the beloved missing. Inside the marble kitchen, she closes her eyes and can almost imagine knocks on a chapel door in Haiti, the child’s voice. Her skin is covered in dots of ice. A swirl of vertigo. She would have torn the planks off the doors, torn off her own skin. She would have murdered the man in his sleep to have answered that cry. With shaking hands, she moves away from her view of the cage, calls Stanley and leaves a message. She tries to suppress the pleading in her voice: “Let me know how you came through? Just a quick call. Anything. Your father and I want to know.”

Now she rolls the waistband of her apron over, hitches her hands at her hips. There’s a backup generator designated specifically for her kitchen — the stove and refrigerator hum in their stations, still alive. She begins to call customers, but half don’t answer. From those that do, Avis hears of more power outages, learns that restaurants and stores will be closed for the rest of the week. Her fingers curl, riffling through her folder: the largest current order—ficelles with a core of nutmeg and chopped bittersweet — bread and chocolate — is for the Marine Academy on Virginia Key. But the schools are closed. A distraught woman at Endographics (bimonthly dulce de leche macarons) tells her, voice shaking, that a bougainvillea fell through the window, throwing purple-budded branches across her desk, destroying her computer and files. Everyone sounds stunned, in post-hurricane shock. Avis reaches her friend, the chef in Coconut Grove: he says he plans to set up his kettle grill on the sidewalk in front of his restaurant and cook the contents of his freezers for the locals: all contributions welcome.

Brian hovers near the door, dressed in his soft weekend clothes, and he gestures toward the front. “Up for taking a look?” They leave the house, stepping over branches, staring at their lawn and the broken trees. They walk down their street past the big intersection with LeJeune, scanning the neighborhoods. Miami appears to be shut down — the traffic lights are out, the storm drains matted with debris, the avenues swamped. There are heaps of wet branches blocking the streets, beautiful old trees split into pieces or just overturned, root ends up. Neighbors move slowly across their lawns, dazed. Blooms and fruits and leaves are stripped away, a kind of dense black vegetal and bark matter sprayed across lawns and sidewalks.

After an hour or so of wandering through the streets, they return to the house to escape the sun’s blare. Their own yard is covered with bramble but neither of them feels ready to take that on just yet. “How would you feel about doing a little something in the kitchen?” Avis asks tentatively. Brian laughs. He used to assist her before they had children, before she hired helpers, but she was impatient with him: he made mistakes — forgot to time the roasting almonds, or failed to sift the cake flour, or let the chocolate seize. Still, he accepts an apron and ties it on, smiling at the sense of occasion. He rests his knuckles on his hips. “Ready as I’ll ever be.”

The first recipe is ancient, written on a card in her mother’s sloping hand — though her mother never actually made it. A list: eggs, brown sugar, vanilla, flour, chocolate chips. Over the course of the day, Avis and Brian fill the cooling racks with cookies: oatmeal raisin, molasses, butterscotch, peanut butter, and chocolate chip. Humble, crude, lightly crisp and filigreed at the edges, butter, salt, and sweetness at the centers. Avis samples batches with Brian. They stand near each other, immersed in the good, clean silence of work.

That afternoon, as the sun points low, potent rays across the yards, Avis and Brian pack the cookies into bakery boxes, stack them on the backseat and floor of the SUV, and set off. The traffic lights are still out and intersections are chaotic, drivers interpreting traffic protocol at will. Even though it’s barely a mile away, the narrow, rustic lanes of the Grove are even more backed up and flooded than the streets in the Gables: they have to reverse several times and hunt for a passable route. There’s been a storm of mosquitoes since the hurricane, and the heat makes everything seem slow and elastic, like a recording played at the wrong speed. Several times, they roll down the windows and give cookies wrapped in napkins to people dragging shrubs and limbs, raking lawns, sweeping sidewalks, slicing and sawing through piles of stumps, vines, brackish rafts of debris. A man in a sweat-stained T-shirt drops his garden hose and accepts the cookie, looking as if he might cry. When they finally get to Commodore Plaza, they spot Jean-Françoise in a white butcher’s jacket tending a series of smoking grills in the middle of the street. Before him, a subdued group waits with paper plates, humble as a soup line. People sit on the curb and in battered aluminum lawn chairs. Waiters hand out dinner rolls, assemble small salads, grill fingerling potatoes, onions, and artichokes. The marrow scent of grilling meat mingles with billows of wet leaves, hot tar — someone’s half-finished roof roasting. A glass pitcher is on the pavement, stuffed with curling twenties and fifties and personal checks. Jean-Françoise’s smile is a white spark in his silhouette; he raises the flat of his spatula in a kind of martial greeting. “She arrives!” The late sun fills the street, a translucent mesh of light. He looks almost devilish in the yellow light, turning steaks and guzzling wine from a spotted water glass.

The people waiting on line murmur, excited by her white boxes. Brian and Avis deliver their stacks and try to refuse dinner, but the waiters bring them glasses of burgundy, porcelain plates with thin, peppery steaks redolent of garlic, scoops of buttery grilled Brussels sprouts, and a salad of beets, walnuts, and Roquefort. They drag a couple of lawn chairs to a quiet spot on the street and they balance the plates on their laps. Some ingredient in the air reminds Avis of the rare delicious trips they used to make to the Keys. Ten years after they’d moved to Miami they’d left Stanley and Felice with family friends and Avis and Brian drove to Key West on a sort of second honeymoon. She remembers how the land dropped back into distance: wetlands, marsh, lazy-legged egrets flapping over the highway, tangled, sulfurous mangroves. And water. Steel-blue plains, celadon translucence.

She and Brian had rented a vacation cottage in Old Town, ate small meals of fruit, cheese, olives, and crackers, swam in the warm, folding water. Each day stirring into the next, talking about nothing more complicated than the weather, spotting a shark off the pier, a mysterious constellation lowering in the west. Brian sheltered under a celery-green umbrella while Avis swam: the water formed pearls on the film of her sunscreen. They watched the night’s rise, an immense black curtain from the ocean. Up and down the beach they heard the sounds of the outdoor bars, sandy patios switching on, distant strains of laughter, bursts of music. Someone played an instrument — quick runs of notes, arpeggios floating in soft ovals like soap bubbles over the darkening water.

Now the wind comes up, fanning them with music, laughter carried up from the street, then washing them with silence again. The stars are very gentle, faraway as old thoughts.