In the afternoon, the Wheelmen, smart in their striped jackets and knickers, put on a show. They rode backwards, seated on the handlebars; four men got onto one bicycle, tangled together like affectionate acrobats, and pedaled an eighth of a mile down the wagon road; a line of cyclists coasted down a gentle slope by the creek, their bellies on the seats, their feet pointing out behind; they rode every way a person could contort and still manage to push the pedals and steer. The performance met with such success that they did several of the tricks a second time. Afterwards they gave free rides to the young ladies, filling their arms with chintz and white ruffled cotton as the girls tried to balance on the narrow handlebars.
Cowhands from the nearby ranches grew restless and green-eyed, watching the girls flock around the cyclists, crying prettily for another turn, and they set up a riding course of picnic baskets and tree stumps. Their show of fancy horsemanship brought the dimples and adoring glances back from the Wheelmen, but the cowboys’ opposing offers of free horseback rides were not so well received; most of the girls had grown up around horses. The cowboys were deluged with tots anxious to grow into cowboys themselves, and spent a disgruntled hour or so riding ecstatic children down the meadow and back.
Near sunset the musicians took their places on the completed bandstand and tuned up. The soft lights and the discordant sounds drew the picnickers in from the meadow and the fringe of evergreens that flanked it. By the time the first star of evening had risen in a mother-of-pearl sky, and the breeze had died away to a zephyr, the people were all gathered around the dance floor, their blankets spread on the grass.
Imogene and Sarah were near the steps opposite the musicians’ stand. Sharing their blanket were two of the bishop’s girls, Fanny May Enor and Emma Hazlet. When the call to choose partners came, the two girls feigned great indifference and talked animatedly between themselves, watching the comings and goings of booted feet out of the corners of their eyes. Under the pressure of being chosen or left to sit, Sarah grew as nervous as the schoolgirls and confined her eyes to her folded hands. Boys nudged each other and giggled, but they were the choosers, and those fearing rejection could choose not to take the chance. Girls had only the power to veto, and for the ugly and the shy it was no consolation.
Couples passed, climbing the steps arm in arm, some stopping to plunk small children in a box behind the accordionist for safekeeping before taking to the floor. On the blanket spread by the steps, only Imogene was at her ease with the frilly dresses and bouncing lights. And only Imogene was asked to dance. Mac entrusted his hat to Sarah and led the schoolteacher onto the floor.
Toe-tapping music and swaying lights finally overcame even the most reticent swains, and by moonrise all the girls were dancing. Evelynne Bone had even taken a stately turn around the floor with Judge Curler before one of the wags watching told her he was called “Judge” only because he could drink more than any two men and still look sober. Disappointed in love, Evelynne had retired to spend the rest of the evening pleading a headache.
Nearly everyone danced. There weren’t enough women, so some of the men tied handkerchiefs around their arms to signify that they were “ladies” for a square, and, out of the way, under the lanterns, the children danced their own versions of what they saw. A burly shopkeeper, with his partner literally on his arm, danced a dignified square with his four-year-old daughter.
The moon, three-quarters full, flooded the meadow with silver light, and the dance floor, with its colored lanterns, shone like a fairy ring.
Sarah and Imogene were resting after a square, clapping in time with the music, watching the stars rise over the black bulk of the mountains, when suddenly Sarah stopped and clasped her hands to her breast. Beyond the dancers, pale and otherworldly in the moonlight, Nate Weldrick rode up the dirt track from town. In the cold light, the claybank stallion showed a dull pewter.
“Sarah? What’s the matter?” Imogene asked. Sarah pointed a rigid finger toward the approaching horseman.
Nate rode out of sight behind the pavilion, reemerging into the moonlight a few minutes later on foot. Both women had forgotten the noise and the lights and the dancing.
“Miss Grelznik! You two moonstruck? This is the third asking.”
They looked up into Fred’s friendly face. He had his arm thrust out in a welcoming hook. “I haven’t had a dance yet. Come on, as soon as they get swept, we’ll be setting new squares.”
Distracted, Imogene shook her head. “I’m tired. Thank you, though, Fred.”
“Not enough dances in this part of the country for anybody to get tired. Especially the gals. In some counties it’s the law they got to bring an extra pair of shoes, because the boys are going to dance them through one pair before midnight.” Fred had pulled Imogene up and walked her halfway to the dance floor. The music started, and holding her arm firmly, he ran to form the side of a square.
Imogene swirled around the floor, her feet attending to the calls, her eyes and mind on the darkness beyond the lanterns.
Fanny May and Emma were gone to the dancers, and Sarah sat alone. She watched Nate as he worked his way around the circle of people. Spots of color burned high on her cheeks. Nate’s eyes raked over the rows of blankets, searching from face to face.
Sarah pulled her knees up and hugged them, forcing herself to concentrate on the kaleidoscopic patterns of the square dance.
“Sarah?” Nate was beside her, his hat in his hand, the familiar smell of pomade mixing with pine pitch, sweat, and the fresh smell of the night. “Sarah, could I have the next dance?”
Sarah shook her head, her eyes steadfastly on the dancers.
“Mind if I sit down? I been riding all day.”
“No…I mean…please…” Sarah hugged her knees tighter.
With a grunt, he sat down anyway, his feet stuck awkwardly in front of him where his boots wouldn’t spoil the blanket. “It’s a pretty night, no denying that.” He watched her covertly, her smooth cheek rosy in the soft light of the paper lanterns.
“You look even prettier than when I saw you last time.” He laughed. “It’s been a while.”
Sarah’s little teeth nibbled at her upper lip.
“Of course, you were in a bit of a tizzy then.” He laughed again, remembering.
“Wolf died.” The words burst from her, loud enough that the people nearest turned to stare.
Nate stopped laughing. “Wolf died?”
“Your son. My Wolf. He’s dead these six months.” She watched him closely, her eyes fixed on his.
“Jesus.” Nate rubbed his hand over his face. “Jesus, I’m sorry. That’s too bad. He wasn’t a bad kid. What did he die of?” he asked gently.
“He died because he was put out in the rain with no coat! Put out like a dog! He got a chill and he died,” Sarah said coldly. “Because of you.”
The dance finished and Imogene fled from the floor. In the spill of yellow light she could see Nate talking with Sarah. She reached the blanket just as Sarah sprang up and ran off into the dark confusion of wagons. She started after her, but Nate Weldrick caught her arm. “Miss Grelznik, Sarah will wait a minute. I got to talk to you. She’s running away from me, thinking I killed that boy. You know that ain’t so.”
Imogene tried to pull away, but he hardened his grip and held her. “I got money now,” he went on. “That’s where I been. I got money and I bought a little spread south of here. Big enough to raise a family on and make a living. I been building her a cabin and it’s done now. You tell her, by God!”
Imogene wrenched her arm free. “I don’t know what you are talking about.”
“You know.”
Mac came out of the darkness from the direction of the wagons at the same time that Fred reached them from the dance floor. Mac spoke first. “I found little Sarah crying her heart out, all hid back there in the dark.” His eyes lit on Nate. “Nate. You’re back. It’s about damn time. Have you been annoying Sarah?”