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I’M GOING TO LEAVE YOU with a bit of theory to think about. It’s a sort of riddle. There are good Indians, there are bad Indians, and there are dead Indians. Which am I?
There can be more than one right answer.
THE BREW
I spent last Christmas in The Hague. I hadn’t wanted to be in a foreign country and away from the family at Christmastime, but it happened. Once I was there I found it lonely but also pleasantly insulated. The streets were strung with lights and it rained often, so the lights reflected off the shiny cobblestones, came at you out of the clouds like pale, golden bubbles. If you could ignore the damp, you felt wrapped in cotton, wrapped against breaking. I heightened the feeling by stopping in an ice cream shop for a cup of tea with rum.
Of course it was an illusion. Ever since I was young, whenever I have traveled, my mother has contrived to have a letter sent, usually waiting for me, sometimes a day or two behind my arrival. I am her only daughter and she was not the sort to let an illness stop her, and so the letter was at the hotel when I returned from my tea. It was a very cheerful letter, very loving, and the message that it was probably the last letter I would get from her and that I needed to finish things up and hurry home was nowhere on the page but only in my heart. She sent some funny family stories and some small-town gossip, and the death she talked about was not her own but belonged instead to an old man who was once a neighbor of ours.
After I read the letter I wanted to go out again, to see if I could recover the mood of the mists and the golden lights. I tried. I walked for hours, wandering in and out of the clouds, out to the canals and into the stores. Although my own children are too old for toys and too young for grandchildren, I did a lot of window shopping at the toy stores. I was puzzling over the black elf they have in Holland, St. Nicholas’s sidekick, wondering who he was and where he came into it all, when I saw a music box. It was a glass globe on a wooden base, and if you wound it, it played music, and if you shook it, it snowed. Inside the globe there was a tiny forest of ceramic trees and, in the center, a unicorn with a silver horn, corkscrewed, like a narwhal’s, and one gaily bent foreleg. A unicorn, tinted blue and frolicking in the snow.
What appealed to me most about the music box was not the snow or the unicorn but the size. It was a little world, all enclosed, and I could imagine it as a real place, a place I could go. A little winter. There was an aquarium in the lobby of my hotel, and I had a similar reaction to it. A little piece of ocean there, in the dry land of the lobby. Sometimes we can find a smaller world where we can live, inside the bigger world where we cannot.
Otherwise the store was filled with items tied in to The Lion King. Less enchanting items to my mind — why is it that children always side with the aristocracy? Little royalists, each and every one of us, until we grow up and find ourselves in the cubicle or the scullery. And even then there’s a sense of injustice about it all. Someone belongs there, but surely not us.
I’m going to tell you a secret, something I have never told anyone before. I took an oath when I was seventeen years old and have never broken it, although I cannot, in general, be trusted with secrets and usually try to warn people of this before they confide in me. But the oath was about the man who died, my old neighbor, and so I am no longer bound to it. The secret takes the form of a story.
I should warn you that parts of the story will be hard to believe. Parts of it are not much to my credit, but I don’t suppose you’ll have trouble believing those. It’s a big story, and this is just a small piece of it, my piece, which ends with my mother’s letter and The Hague and the unicorn music box.
It begins in Bloomington, Indiana, the year I turned ten. It snowed early and often that year. My friend Bobby and I built caves of snow, choirs of snowmen, and bridges that collapsed if you ever tried to actually walk them.
We had a neighbor who lived next door to me and across the street from Bobby. His name was John McBean. Until that year McBean had been a figure of almost no interest to us. He didn’t care for children much, and why should he? Behind his back we called him Rudolph, because he had a large purplish nose, and cold weather whitened the rest of his face into paste so his nose stood out in startling contrast. He had no wife, no family that we were aware of. People used to pity that back then. He seemed to us quite an old man, grandfather age, but we were children, what did we know? Even now I have no idea what he did for a living. He was retired when I knew him, but I have no idea of what he was retired from. Work, such as our fathers did, was nothing very interesting, nothing to speculate on. We thought the name McBean rather funny, and then he was quite the skinflint, which struck us all, even our parents, as delightful, since he actually was Scottish. It gave rise to many jokes, limp, in retrospect, but pretty rich back then.
One afternoon that year Mr. McBean slipped in his icy yard. He went down with a roar. My father ran out to him, but as my father was helping him up, McBean tried to hit him in the chin. My father came home much amused. “He said I was a British spy,” my father told my mother.
“You devil,” she said. She kissed him.
He kissed her back. “It had something to do with Bonnie Prince Charlie. He wants to see a Stuart on the throne of England. He seemed to think I was preventing it.”
As luck would have it, this was also the year that Disney ran a television episode on the Great Pretender. I have a vague picture in my mind of a British actor — the same one who appeared with Hayley Mills in The Moon-Spinners. Whatever happened to him, whoever he was?
So Bobby and I gave up the ever popular game of World War II and began instead, for a brief period, to play at being Jacobites. The struggle for the throne of England involved less direct confrontation, fewer sound effects, and less running about. It was a game of stealth, of hiding and escaping, altogether a more adult activity.
It was my idea to break into the McBean cellar as a covert operation on behalf of the prince. I was interested in the cellar, having begun to note how often and at what odd hours McBean went down there. The cellar window could be seen from my bedroom. Once I rose late at night, and in the short time I watched, the light went on and off three times. It seemed a signal. I told Bobby that Mr. McBean might be holding the prince captive down there and that we should go and see. This plan added a real sense of danger to our imaginary game, without, we thought, actually putting us into peril.
The cellar door was set at an incline, and such were the times that it shocked us to try it and find it locked. Bobby thought he could fit through the little window, whose latch could be lifted with a pencil. If he couldn’t, I certainly could, though I was desperately hoping it wouldn’t come to that — already at age ten I was more of an idea person. Bobby had the spirit. So I offered to go around the front and distract Mr. McBean long enough for Bobby to try the window. I believe that I said he shouldn’t actually enter, that we would save that for a time when McBean was away. That’s the way I remember it, my saying that.
And I remember that it had just snowed again, a fresh white powder and a north wind, so the snow blew off the trees as if it were still coming down. It was bright, one of those paradoxical days of sun and ice, and so much light everything was drowned in it so you stumbled about as if there were no light at all. My scarf was iced with breath and my footprints were as large as a man’s. I knocked at the front door, but my mittens muffled the sound. It took several tries and much pounding before Mr. McBean answered, too long to be accounted for simply by the mittens. When he did answer, he did it without opening the door.