‘This other man – can you describe him?’
‘Funny old thing,’ the printer said, ‘but I recognized him. He didn’t recognize me. Nobody recognizes the people who serve them.’
‘I do,’ Sherlock promised. ‘I will.’
‘Then you’re a better man than the rest. No, I used to work in a printer’s down Drury Lane way, before I got this place. Used to do a lot of work for the theatres: programmes, playbills, posters – you know the kind of thing. This bloke – the one who was outside – used to come in sometimes. He was associated with one of the taverns along there. Worked as a bouncer – throwing out people who were too drunk or too poor to pay, or those who started fights. The Shaftesbury, I think it was. We used to print up menus and posters and suchlike for them.’
‘Can you describe him?’ Sherlock asked, holding his breath.
The printer shrugged. ‘Small, like a whippet. Hair was long and stringy. Black beard. Wore a fuzzy coat. Asktrakhan, I think they call ’em. Don’t remember his name.’
‘Thanks,’ Sherlock said. ‘If I ever need a printer, I’ll remember you.’
He left, triumphant. He checked his watch: still an hour and a half before he had to meet Amyus Crowe. Time enough to check out the Shaftesbury Tavern perhaps? That way, at least he could tell Crowe not only that he’d identified the man who had hired the dead man, but that he’d tracked him down as well.
He asked a passing woman where Drury Lane was, and then headed off in that direction. It only took him ten minutes.
Drury Lane was lined with theatres and taverns. Some of the theatres were obviously music halls, showing numerous variety acts like jugglers and singers and escape artists. Some were more high-class, offering performances of classic plays. A few were playing host to musical recitals, and Sherlock found himself nostalgic for his violin playing when he saw that a woman named Wilma Norman-Neruda (a female violinist!) was playing at one of the theatres.
He found the Shaftesbury Tavern halfway down. It was next door to a theatre which was advertising a comic opera by F. C. Burnand and A. Sullivan called Cox and Box. It didn’t sound appealing.
Sherlock sat on a doorstep outside a tavern across the road, and settled down to wait. He slumped sideways, and rested his head against the door frame, to make it look as if he was asleep, but he was watching out all the time for a small man with long stringy hair.
It was probably three-quarters of an hour later that a man fitting the description he’d been given left the Shaftesbury by the front door. He was dressed exactly as the printer had described him. He glanced up and down the street, then set off to his right.
Sherlock followed. Maybe the man would lead Sherlock to where he lived. That would be something to give to Amyus Crowe!
The man led Sherlock down Drury Lane, across a place called Seven Dials and then down towards Trafalgar Square. Sherlock was beginning to recognize bits of London now, and he was busy committing as much as he could to memory. The man turned left when he got to Trafalgar Square, walking past the ornate brown frontage of Charing Cross Station and the Charing Cross Hotel. He walked fast, and Sherlock had to hurry to keep up.
At Aldwych he turned right, and Sherlock realized he was heading over the Thames, across Waterloo Bridge. He stopped at a booth at the end of the bridge and handed over some coins. Sherlock debated quickly with himself: should he follow, or should he just go back to see Amyus Crowe? But what was he going to tell Crowe? That he’d found the man and then lost him again? No, he had to go on – at least to the other side of the bridge to see which way the man went.
Sherlock scrabbled in his pockets for some coins. The toll was just a penny. He paid as he squeezed past the toll-collector and kept going, catching up with his quarry.
The small man just kept on walking, without looking backwards or to left or right.
At the other side of the bridge, he walked towards what Sherlock recognized as Waterloo Station, but instead of going into the station he turned left. Sherlock followed, trying to hide himself behind other people in case the man turned round.
He didn’t turn round, but he did suddenly turn right, into an archway.
When Sherlock got to the archway, he paused, and peered round the edge of the crumbling brickwork. The interior of the arch was in shadow, and he couldn’t see the man.
He took a step forward, then another, until he was half in and half out of the light. Still no sign of the man.
Sherlock turned round, ready to head back to meet Amyus Crowe.
The small man with the long, stringy hair was standing right behind him.
‘You’ve been following me,’ he said. ‘I want to hear you tell me why. And then, just for giggles, I want to hear you scream.’
CHAPTER FIVE
‘You got a penny, mister?’ Sherlock whined, trying to look smaller than he was. ‘I ain’t eaten for days. Just a penny for a piece of bread.’
‘Don’t come the coney-catcher with me,’ the man snarled. ‘I ain’t buyin’ it.’
‘All right,’ Sherlock said in his normal voice, straightening up. ‘So what is a coney-catcher, then?’
The man grinned. His teeth were black stubs. ‘You want to know what a coney is? A coney is a rabbit that’s been raised for the cooking pot, so it’s tame and won’t run away when you come to break its neck. A coney-catcher is a man who pretends to catch a coney – a man who makes something easy look difficult.’
‘Oh, a con man,’ Sherlock said.
‘Exactly. Now we’ve got that out of the way, why are you following me?’
‘I wasn’t following you!’ Sherlock protested.
The man raised a bushy eyebrow. ‘Remember, I can see through every garment of pretence you care to put on, sonny. You started following me outside the theatre, and you’ve been with me ever since. What I want to know is, why?’ He looked Sherlock up and down. ‘You’re not a flimp.’ He noticed Sherlock’s expression. ‘A pickpocket,’ he clarified. ‘So what is it you’re after?’
‘I’m not after anything.’
‘You followed me through London, across Waterloo Bridge and down here, into the tunnels.’
‘Coincidence,’ Sherlock said.
‘No such thing.’ He shrugged. ‘You don’t have to tell me now, if you don’t want to. I can just as easily beat it out of you. I’d enjoy that. It’s been a while since I did some serious damage to a body. I’ve been following instructions, keeping my head down. I ain’t seen the claret flow for a few weeks now, and I’m nostalgic.’
‘The claret?’ Sherlock asked, knowing that he wasn’t going to like the answer.
‘Blood, sonny. Blood.’ He slipped his hand into his pocket. When it emerged, he was holding two metal objects that clinked together. ‘Best as I can figure it, either you work for one of the local gangs and they want to know what’s going on in the theatre, or you’ve spotted something odd at the theatre and you’re hoping that you can sell a tale to the Peelers for a few coppers.’ He slipped the fingers of his right hand through one of the metal objects. It looked to Sherlock like a collection of rings, fastened together and covered with spikes which pointed outward, rising up from his knuckles. ‘Either way, your curiosity is going to cost you dearly.’ He slipped the other metal object over the fingers of his left hand, and raised his fists so that Sherlock could see. The sparse light gleamed off the metal spikes. His hands had been transformed into deadly weapons that could slice Sherlock’s face apart if they even came close. ‘Now, let’s make a start, shall we? I ain’t got long. Things to do, people to see.’