Behind her, leaning against a tissue box, is Little Miss Practical, wearing a parka, black, bulky boots and commando-style trousers with a matching green hooded top. Her arms crossed over her chest, her brows furrowed, she sighs loudly. For some reason unbeknownst to me, she is staring at the wall, clearly avoiding any eye contact.
Next to the potted petunia under the window, her knees drawn up to her chest, sits Dame Dervish. A clump of her reddish hair has escaped from her turban, and is casting a shadow on her face. Upon closer inspection, I notice she is chained to the radiator with handcuffs.
"What is going on here?" I ask, a trace of panic creeping into my voice.
"Tonight, while you were sleeping, we had an emergency meeting," says Miss Ambitious Chekhovian. "We reached the conclusion that it was high time for a shift in the regime. From this moment onward, I have changed my name to Milady Ambitious Chekhovian and I have taken charge of the Choir of Discordant Voices."
Suddenly Miss Highbrowed Cynic coughs.
"I beg your pardon, we have taken charge," says Milady Ambitious Chekhovian. "That means, Miss Highbrowed Cynic and I. Together, we have performed a coup d'etat."
This has got to be a joke, but all the finger-women look so serious and intense that it's better not to laugh.
"As the chairwoman of the executive committee," Miss Highbrowed Cynic joins in, "I am pleased to announce that we will soon introduce a new constitution that, for the next thirty-five years, will make it impossible to overthrow us. After that, our children will start to reign."
"Hey, that is a far cry from democracy," I object.
But Miss Highbrowed Cynic pretends not to hear. She is extremely agitated tonight and tries to conceal it, which makes her anxiousness even more pronounced, causing her to look as if she were high on amphetamines. "I am proud to announce," she says, "that as the new government our first act has been to consolidate peace and order in the house."
"I don't see any change," I say under my breath.
"Now that peace and order have been consolidated," continues Milady Ambitious Chekhovian, "our second act will be to send you away from this city."
"What. . Why. . Where am I going?" I ask, dumbfounded.
"To America," roars Milady Ambitious Chekhovian, enjoying her newfound power. "We are going to the New World, all of us."
"Okay, girls, that's enough," I say. "I am not going anywhere until you explain to me — in clear and proper terms — why you want me to go to America."
They go quiet for a moment, as if they were not expecting this reaction. Do they really believe they are army generals and cannot be questioned?
"This is not about America, it is about you. It could well have been anyplace, like Australia or Japan," says Milady Ambitious Chekhovian. "What matters is that you need to leave Istanbul at once."
Miss Highbrowed Cynic smacks her lips approvingly. "We are going to America because it just so happens that we applied for a fellowship in your name. Congratulations! You have won. Now get packed!"
I feel a lurch in my stomach, only now realizing how serious they are.
"We have decided that you should take this trip in order to grow as a writer," Miss Highbrowed Cynic adds. "It will be inspiring for you to get away for a while. We are doing this for your own good."
"For my own good," I repeat.
If she heard the scorn in my voice, Milady Ambitious Chekhovian doesn't seem to be bothered by it. "I will be honest with you," she says. "We have been planning this coup d'etat for a while. But it was you— with your recent irrational behavior — who accelerated the process."
"What irrational behavior are you referring to?" I ask as calmly as I can manage.
"Lately, your state of mind has not been well," says Milady Ambitious Chekhovian, her voice shaky with emotion. "All these years, we have slaved away so that you could excel as a novelist. We never took off, we never fooled around. People might think novels pop off an assembly line, but they don't. Behind every book, there is toil. There is sweat and pain."
"All right," I say. "Why do you bring this up now?"
Milady Ambitious Chekhovian raises her chin and straightens her shoulders, like the military hero she has become. "Did we do all this for nothing? How dare you throw away the years of sweat in one fell swoop?"
"Wait a minute, I am not throwing away anything," I object. "Where are you getting all of this?"
"From your behavior, of course. I have been watching you for some time. Don't think I haven't noticed!"
"Noticed what?" I bellow. I am not calm anymore, and don't try to be.
"I can very well see that you're considering having a baby."
"Oh my God, is that what this is about?" I ask.
"Yes, sir," she says. "You are wondering: 'Could I become a mother? What kind of mother would I make? I'm getting older. My biological clock is ticking.' All these harmful thoughts are bouncing around your head! I don't see this going anywhere good. Do you think I didn't notice the way you were looking at that baby the other day?"
"How did I look?" I ask suspiciously.
"With sparkling eyes. ."
"What is wrong with that, is it—" I try to defend myself, but Milady Ambitious Chekhovian cuts me off immediately.
"There can be only two reasons why a woman looks with sparkling eyes at another woman's baby: (a) she wants to be a baby again; (b) she wants to become a mother. In your case, I am afraid it's the latter."
Miss Highbrowed Cynic joins in. "Obviously, if you stay around here, you will be led astray."
"Led astray from what?" I ask, incredulous.
"From your literary trajectory, of course!" Miss Highbrowed Cynic and Milady Ambitious Chekhovian exclaim in unison. "From being a writer and an intellectual. . Your path is to write and read."
I am more amazed by their show of solidarity than by the things they are spouting. When did these two become such chums?
I turn to Miss Highbrowed Cynic, managing a smile. "I thought you weren't against motherhood. You said it made no difference. You said, one way or another, we are always miserable."
"Exactly," she says, nodding. "I have now decided that it is better to be a miserable writer than a miserable writer, housewife, spouse and mother."
My head starts to spin. What about Little Miss Practical, I wonder. She's been unusually silent. Noticing my inquisitive gaze, she guiltily plays with the zipper of her parka.
"What is your take on this?" I ask. "I thought you were on the side of liberal democracy and free market economy."
"True, a junta isn't my cup of tea," she admits. "But I'm down for it, under the extenuating circumstances."
"What extenuating circumstances?"
"Well, at first I wasn't thrilled with the coup. But then I saw the benefits. Life in America is far more stable and orderly. My needs will be better met. How pragmatic is that!"
"That is called opportunism, not pragmatism," I say.
"There is no need to get upset," says Miss Highbrowed Cynic. "If we take the time to read Habermas's theory of communicative action, we will see that we all can coexist. Since system rationality and action rationality are not the same thing, as autonomous finger-women agents we can relate to one another through communicative reasoning and develop mutual understandings."
"Yo, I don't know what she is talking about but I couldn't agree more," says Little Miss Practical.
I can't believe what I'm hearing. I always thought the members of the Choir of Discordant Voices were, well, discordant, but apparently the military takeover has brought them together.
It is then that I look at Dame Dervish, who is still sitting on the floor with a brooding expression and concern-filled eyes. She is the only one not wearing a military outfit.