As I do next to all women who glow with this kind of femininity,
I feel like an impostor, a poor imitation of my gender. To her, womanhood comes naturally, like a yawn or sneeze, just as effortless. To me, womanhood is something I need to observe and study, learn and imitate, and still can never fully comprehend.
If the woman next to me were a cat, she would be lying in a gorgeous basket beside a heater, her eyes narrowed to slits, or she would be curled up on the lap of her owner purring in delight, flicking her tail to a rhythm of her own. If I were a cat, I would be sitting anxiously by the windowsill all day long, watching the cars drive by and the pedestrians pass, and I would run from the house at the earliest opportunity into the wide world outside.
On the other side of the woman, there is a boy around eight years old, and next to him, a younger boy who strikingly resembles his brother. Both boys are wearing the same jeans and navy striped T-shirt. They have the same toys in their hands. Muscular, dark green, fully equipped plastic commandos, armed in one hand with a grenade whose pin is ready to be pulled, in the other with a Kalashnikov. Both boys are chewing wads of gum as big as walnuts, blowing one bubble after another. Every time a bubble pops, I flinch — as if they have shot at someone with those plastic commandos. Another enemy gets cleared off the steamboat.
Their toys may assault, but the boys are introverted. They don't even lift their heads to look at their mother. They are particularly careful not to come eye to eye with her. I suppose it is not easy for boys of their age to have a mother who is that attractive.
Convinced that neither the boys nor their mother can help me in my quest to find paper, I turn to the man on my left. He has metal- framed glasses, a serious expression, and though he must be forty at most, the top of his head is already balding. The man's body language screams, "I AM A SALESMAN." He is holding a leather bag, in which I'm certain there is paper somewhere. When I ask, he kindly offers me more than a few sheets, each sporting the letterhead shooting star MARKETING LTD.
Thanking the man, I start to write, watching the ink dry as I move on. The letters pour forth as if of their own accord: THE MANIFESTO OF THE SINGLE GIRL.
I look at the paper in bewilderment. So this is what was on my mind.
The woman beside me edges closer, her head craned toward the paper on my lap. On Istanbul's steamboats you get used to people reading newspapers over your shoulder, but this woman is openly reading my notes. Though my first instinct is to try to cover what I've written, I soon accept the futility of looking for privacy in such a small, confined space and let her read.
1. Saying that loneliness is reserved for God the Almighty, and thus expecting everyone to pair up for life is one of the biggest illusions invented by Man. Just because we embarked on Noah's Ark in twos doesn't mean we have to complete the entire trip in pairs.
I'm writing and the woman is reading. At one point she leans so far onto my right shoulder that her hair touches my face. I inhale the scent of her shampoo, tangy and fruity. She seems to be having problems deciphering my notes, and, given my handwriting, I don't blame her. I make an effort to write more clearly.
2. How is it that in traditional societies, people who dedicated their lives to their faith and swore never to marry were revered by all, but in today's culture being a "spinster" is almost a disgrace, a pitied condition?
3. How is it that, even though marriage needs a woman and a man, and being unmarried is a condition that applies to both sexes equally, the term spinster has different — and more negative— connotations than bachelor?
My neighbor pulls out a pack of trail mix from her bag, shares half of it with her sons and turns her attention back to my writing, munching as she reads. Amid salty peanuts, roasted yellow chickpeas and pumpkin seeds, I write and she looks on, happily entertained.
4. Women who have been "left on the shelf" should have their dignity returned and be applauded for daring to live without a man to watch over them.
5. Those who use the expression "the female bird builds the nest" don't understand the bird. It is true that birds build nests, but with every new season they abandon the home they have made to erect a new one in a different place. There is no bird that stays in the same nest for the entirety of its life.
I notice the woman briefly shudder. The hair on her arms stands up as if the day were not pulsing with heat.
6. Change and changeability are life's alphabet. The vow to stay together "till death do us part" is a fantasy that runs against the essence of life. Besides, we don't die only once. It is worth remembering that human beings die many deaths before dying physically.
7. Therefore one can promise only to love at this very moment and nothing beyond that.
8. If I must resort to marriage as a metaphor, I can claim that literature is my husband and books are my children. The only way for me to get married is either to divorce literature or to take a second husband.
9. Since divorcing literature is out of the question and since there is no man among mankind who would agree to become "husband number two," in all likelihood, I will be single all my life.
10. Herewith this piece of paper is my manifesto.
I lean back and wait for the woman to finish reading. She is lagging behind, mouthing the words syllable by syllable like a schoolgirl who has just learned the alphabet. The gentle breeze that licks the deck carries the scent of the sea toward us and I taste salt on my tongue. After a few seconds the woman leans back and heaves a sigh, really loud.
I can't help but feel curious. What did she mean by that? Did she agree with me? Was it a sigh that meant, "You are so right, sister, but this is the way the world is and has always been"? Or did she rather want to say, "You write all this crap, honey, but real life works differently"? I have a feeling it is the latter.
Suddenly I am seized by an urge to needle her. This woman is my Other. She is the kind of woman who has gladly dedicated her life to her home, to her husband and to her sons. Since youth she focused her energy on finding an ideal husband and starting her own family, became a mother before saying farewell to her girlhood, gained weight for the cause, has aged before her time, has allowed her desires to turn into regrets and become sour inside. This woman, with her canned dreams, comfortable social status and bygone aspirations, is my antithesis. Or so I want to believe.
"For a woman, any woman, the right way to engender is through her uterus, not through her brain."[1] That is what some of the leading male novelists in my country believed. They claimed fiction writing as their terrain, an inherently manly task. The novel was a most rational construct, a cerebral work that required engineering and plotting, and since women were, by definition, emotional beings, they wouldn't make good novelists. These famous writers saw themselves as "Father Novelists" and their readers as sons in need of guidance. Their heritage makes me suspect that in order to exist and excel in the territory of literature, I, too, might have to make a choice between uterus and brain. If it ever comes to that, I have no doubt as to which one I will choose.
1
Peyami Safa (1899–1961): a renowned Turkish writer who lived in Istanbul and was known for his novels, editorials and journalism.