"Doc, what is it? What is it?" He sounded frightened. "Did something happen?"
He came over and put his hands on my shoulders, and it was the first time he'd ever done that in all the years I'd known him.
"Tell me. What are all these body diagrams and shit on the bed. Is Lucy okay?"
"Leave me alone," I said.
"Not until you tell me what's wrong!"
"Go away."
He removed his hands and I felt coolness where they had been. I felt our space. He walked across the room. I heard him pick up the faxes. He was silent.
Then he said, "What the shit are you doing? Trying to make yourself crazy? Why the hell do you want to be looking at something like this?" His voice rose as his pain and panic did. "Why? You've lost your mind!"
I wheeled around and lunged for him. I grabbed the faxes. I shook them in his face. Copies of body diagrams, and toxicology and submitted evidence reports, the death certificate, toe tag, dental charts, what had been in his stomach, all of it drifting and scattering over the rug like dead leaves.
"Because you just had to say it," I yelled at him. "You just had to open your big, rude mouth and say he wasn't dead! So now we know, right? Read it your goddamn self, Marino."
I sat down on the bed and wiped my eyes and nose with my hands.
"Just read it and don't ever talk to me about it again," I said. "Don't you ever say anything like'that again. Don't you say he's alive. Don't you ever do that to me again."
The phone rang. He snatched it up.
"What" he blurted out. "Oh, yeah?" he added after a pause. "Well, they're right. We are making a fucking disturbance, and you send fucking security up, I'll just send 'em right back down 'cause I'm a goddamn-fucking cop and I'm in a goddamn-fucking-shitty mood right now!"
He slammed down the receiver. He sat down on the bed next to me. Tears filled his eyes, too.
"Now what do we do, Doc? Now what the hell do we do, huh?"
"He wanted us to have dinner together so we would fight and hate and cry like this," I muttered, tears slipping down my face. "He knew we would turn on each other and blame each other because there was no other way for us to let it out and go on."
"Yeah, I guess he profiled us;" Marino said. "I guess he did. Like he somehow knew it would happen, and how we'd act."
"He knew me," I muttered. "Oh, God, did he know me. He knew I would handle it worse than anybody. I'don't cry. I don't want to cry! I learned not to when my father was dying, because to cry was to feel, and it was too much to feel. It was as if I could make myself get dry inside like a dry pod that rattles, my feelings tiny, hard… rattling. I'm devastated, Marino. I don't think I can get over it. Maybe it would be a good thing if I got fired, too. Or quit."
"That ain't gonna happen," he said.
When I didn't reply, he got up and lit a cigarette. He paced.
"You want some dinner or something?"
"I just need to sleep," I said.
"Maybe getting out'of this room would be a good thing."
"No, Marino."
I knocked myself out with Benadryl and felt thickheaded and bleary when I forced myself out of bed the next morning. I looked in the bathroom mirror and saw exhausted, puffy eyes. I splashed cold water on my face and dressed and got a cab at seven-thirty, this time without any help from Interpol.
The Institut Mйdico-Lйgal, a three-story building of red brick and pitted limestone, was in the east section of the city. The Voie Expressway cut it off from the Seine, which this morning was the color of honey. The taxi driver dropped me off in front, where I walked through a small, lovely park with primroses, pansies, daisies and wild flowers, and old plantain trees. A young couple necking on a bench and an old man walking his dog seemed oblivious to the distinct stench of death seeping through the Institut's barred windows and black iron front door.
Ruth Stvan was well known for the unusual system she ran. Visitors were received by hostesses, so when the bereft came through the door, they were immediately intercepted by someone kind who helped them find their way, and one of these hostesses reached out to me. She led me along a tile corridor where investigators waited in blue chairs, and I understood enough of what they were saying to gather that someone had jumped out of a window the night before.
I followed my silent guide past a small chapel with stained glass where a couple was crying over a young boy inside an open white casket. Handling the dead here was different from what we did. In America, there simply wasn't time or funding for hostesses, chapels and handholding in a society in which shootings came in every day and no one lobbied for the dead.
Dr. Stvan was working on a case in the Salle d'Autopsie, designated as such by a sign over automatically opening doors. When l walked in, I was overwhelmed by anxiety again. I shouldn't have come here. I didn't know what I would say. Ruth Stvan was placing a lung in a hanging scale, her green gown splashed with blood, glasses speckled with it. I knew her case was the man who had jumped. His face was smashed, feet split open, shin tones driven up into his thighs.
"Give me one minute, please," Dr. Stvan said to me.
There were two other cases going on, those doctors wearing white. On chalkboards were names and case numbers. A Stryker saw was opening a skull while water ran loudly in sinks. Dr. Stvan was quick and energetic, fair and big-boned and older than me. I remembered that when we were in Geneva she had kept to herself.
Dr. Stvan covered her unfinished case with a sheet and pulled off her gloves. She began untying her gown in back as she walked over to me with sure, strong steps.
"How are you?" she asked.
"I'm not sure," I said.
If she thought this an odd answer, she didn't show it.
"Follow me, please, and we'll talk as I clean up. Then get a coffee."
She took me into a small dressing room and dropped her gown in a clothes bin. Both of us washed our hands with disinfectant soap, and she scrubbed her face, too, and dried it with a rough, blue towel.
"Dr. Stvan," I said, "obviously I'm not here for a friendly chat or to dabble into what your M.E. system is like over here. We both know that."
"Of course," she replied, meeting my eyes. "I'm not friendly enough for a social visit." She smiled a little. "Yes, we met in Geneva, Dr. Scarpetta, but we didn't socialize. It's a shame, really. There were so few women back then:'
She talked as we walked along the corridor.
"When you called, I knew what it was about because I'm the one who asked you here," she added.
"It makes me a little nervous to hear you say that," I replied. "As if I'm not nervous enough."
"We're after the same things in life. If you were me, I'd be visiting you, do you see? I would be saying, we can't let this continue. We can't let other women die this way. Now in America, in Richmond. He's a monster, this Loup-Garou: "
We stepped inside her office, where there were no windows, and stacks of files and journals and memos spilled from every surface. She picked up the phone and dialed an extension, and asked someone to bring us coffee.
"Please, make yourself comfortable, if that's possible. I'd move things out of the way but I've no place to put them."
I pulled a chair close to her desk.
"I felt very out of place when we were in Geneva," she said, her mind apparently jumping back to that memory as she shut the door. "And part of the reason is the system here in France. Forensic pathologists are completely isolated here and that's not changed and perhaps never will in my lifetime. We're allowed to talk to no one, which isn't always so bad because I like to work alone."
She lit a cigarette.
"I inventory the injuries and police tell the whole story, if they choose. If a case is sensitive, I talk to the magistrate myself and maybe I get what I need, maybe I don't. Sometimes when I raise the question, no lab is appointed for the tests, do you understand?"
"Then, in a sense," I said, "your only job is to find the cause of death."