I listen to my voice echo in the empty room. Harrison doesn’t answer me.
I keep looking at the shoreline. I lose myself in thought for a moment and notice that my headache is lifting.
“Maybe it is possible,” I say, answering my own question.
“Annie?”
I turn around to see Gray standing behind me with an odd expression, something between amusement and worry. We are alone.
“Who are you talking to?” he asks.
The headache I had is gone, but it is replaced with a rush of panic. As I walk past him, he reaches for my arm, but I slip by. I lift the three pieces of paper from the couch, two receipts from the grocery store and a baby picture of Victory. Not a check, not old pictures of Vietnam.
I sweep the room again with my eyes, wondering if Detective Harrison will come out of the kitchen with a fresh cup of coffee. But no. I crumple the papers and shove them into my pocket. I walk to the front window and see that Gray’s car has blocked the driveway. I can’t bring myself to ask if another car was parked on the street when he arrived.
“Annie,” Gray says, walking over to me. His tone is more insistent now. “Who were you talking to?”
I find it difficult to answer; the words won’t come. I’m in a tunnel of dawning, swallowed by a stone-cold understanding of my own twisted psyche, a realization that Ray Harrison was exactly who I needed him to be.
“Do you remember Ray Harrison?” I ask, trying to keep my voice level. I find I can’t bring myself to meet his eyes. I lean against the window’s edge for support.
He looks confused for a minute, seems to search his memory for the name. Then, “The cop? The one who answered the 911 call-the one with all the questions?”
I nod slowly. “Did you ever see him again-after he came that morning?”
Gray frowns. “Me? No. Why would I?”
I hear blood rushing in my ears. “Did you ever give him any money?”
Gray releases a little laugh. “No,” he says, surprised. “Of course not.”
I walk over to the back of the house, look at the ocean and the white sand. The ground beneath me seems soft, unstable.
“Annie, what’s this about?”
“The night-” I begin, then stop. I was going to say the night you killed Briggs but I don’t want to say those words out loud. “When you said all threats had been neutralized, you meant Briggs.”
Gray is behind me, his hands on my shoulders now. “Why are we talking about this?”
“Just answer me,” I say quickly.
I hear him release a breath. “Yes, that’s what I meant.”
I lean against him, my back to his front. “What’s happened?” he whispers.
But I can’t bring myself to say the words. I can’t bring myself to tell him about the Ray Harrison I knew. Not now, not when my husband has started to believe in my sanity for maybe the first time.
“Annie,” Gray says, insistent now as he spins me around to face him, lifts my face to his. He looks frightened; it’s not an expression I’m used to seeing on him. “What’s going on? Who were you talking to when I came in?”
I force a smile, a bright and happy one, and I see his fear start to melt away, his eyes brighten.
“I don’t know,” I say lightly. “I must have been talking to myself.”
Epilogue
Victory and I walk up Eleventh Street from our brownstone on Tompkins Square Park, heading for school. It is a crisp fall day in New York City, the sky a crayon drawing of blue air and puffy white clouds. Cabdrivers lean on their horns, birds sing in the trees lining the streets, children yell on the playground as we approach. Victory is chattering about how much she likes her new shoes and book bag. She wonders, “Do you have snack and naptime at your new school, too?” I tell her, “No, enjoy it while you can.” Naptime is one of the many casualties of adulthood.
I leave her at the bright green doors and watch as she runs down a happily muraled hallway to her teacher, a lovely older woman with graying hair, café au lait skin, and the lilt of a Jamaican accent. She has the warmest smile for my daughter.
“Victory!” Miss Flora exclaims. “I love your shoes!”
“Thank you!” says Victory, shooting a pleased glance back my way. I don’t feel the terrible twinge I used to feel when I leave my daughter. Not yet a year after we have left Florida, I feel like we own this life we live in New York. I won’t be dying again until it’s my time for good. Hopefully, I have a while.
I continue down Eleventh and turn left on University Place, on my way to class at NYU. I blend in easily with the crowd of tourists and shoppers and students, New Yorkers of every size and color and style. I am home here in a way that I have never been in Florida. I love the cold air and the changing leaves, the smell of the vendors’ honey-roasted nuts, the rumble of the subway beneath my feet.
We have left Gray behind in the brownstone, affectionately referred to as the money pit. We bought it cheap by New York City standards, but we’ll be renovating indefinitely, tearing it apart inside to re-create it, to make it ours. This is something with which I’m quite familiar. In the meantime Gray is using the top floor as the office for his private-investigation firm. He already has a few clients. I’ll be happy if his desk doesn’t fall through the ceiling onto our bed below.
I enter the white building on University Place and wait for the elevator. I had to fight hard to get into this school, but good test scores, a compelling essay, and a little bit of begging made up for a blotchy transcript, a GED, and a degree from a Florida community college. I am studying for my master’s in psychology. I’m also conducting an internship with the Ophelia Foundation (believe it or not), which is dedicated to helping young girls who have experienced abuse, abandonment, and trauma. I find the work healing in ways I couldn’t begin to explain. With all my vast experience, I consider myself uniquely qualified for this profession.
I move with the throng into the large classroom and find a seat toward the back. I take my notebook and my new pen, a gift from Gray, out of my bag. Today we’ll be discussing trauma and the various ways in which the personality seeks to defend and heal itself. The other day my professor made an interesting comment: “No one ever talks about issues like dissociative identity disorder, fugue, or psychotic breaks in anything but the most negative light. No one ever talks about how the personality does this type of thing to protect itself, to save itself, or how powerful and effective it is.”
I must say I agree. I have a therapist now, one with whom I’m actually honest, and we’ve been over the events of my life again and again-rehashing without judgment the things I’ve done, the things that have been done to me, and how I ultimately saved myself. We’ve talked about all the players, the archetypes both real and imagined, and the roles they have played in my illness and recovery. The Terrible Mother. The Absent Father. The Rescuer. The Destroyer. The Lost Girl.
The truth is that I may never be fully able to discern between the actual events-or people-in my recent life and the dreams created by my psyche to heal itself. Sometimes I’m not sure it matters. Take Ella, for example: Other than Gray, she’s the only true friend I’ve ever had. Though, naturally, her sudden and total disappearance from my life makes her suspect. I suppose it’s possible that, like Ray Harrison, she was a person I met, someone I knew in passing, and that the fuller relationship we shared was something created in my mind, a fantasy established to fulfill some deep need in my psyche. It’s equally possible that she was someone who worked for Drew, someone hired to keep tabs on me; this is what Gray believes, though he has no evidence or knowledge to support his theory. Sometimes I search my memory for clues that might have indicated that my friendship was a fantasy-like the white shock of hair my imaginary Ray Harrison had, or the searing headaches that were the inevitable backdrop to my encounters with him. But there’s nothing like that. Whatever the case, Ella Singer was friend enough that I feel her loss deeply. And that means something in this world. It means a lot.