“In my day, every man in His Majesty’s Navy had to know how to swim, from the admiral on down. Now half of ’em’ve never even been to sea. They sit in London, typing up authorizations. Come here, Kansas, I want to show you something.”
“The reason I came was to ask you-” Mike began, but the Commander had already disappeared down a hatch. Mike hesitated. If Mr. Powney showed up, Daphne wouldn’t know where he’d gone. Mike didn’t want to miss him. But he also needed to find out if the Commander would be willing to take him to Dover. If he would, it’d be the fastest way to get there, and it would solve the problem of how to get out onto the docks so he could interview the returning boats. And if they kept close to the shore, the Channel wouldn’t be all that dangerous.
Mike looked over at the head of the quay. The three old men were still lounging there. They’d tell Daphne where he was. If she can understand what they say, he thought, and climbed down after the Commander.
It was dark inside the hatch. Momentarily blinded, Mike groped for the rungs as he climbed down the ladder and stepped off it.
Into a foot of water.
What country, friends, is this?
Oxford-April 2060
THE SHIMMER WAS ALREADY SO BRIGHT POLLY COULDN’T see the lab or even the draperies, only the opening drop. She knew there wasn’t enough time to tell Badri and Linna to give her apologies to Colin, but she made the attempt. “Tell Colin what happened,” she shouted into the brightness, “that there wasn’t time to let him know. Tell him I’m sorry and that I said thank you for all his help, and I’ll see him when I get back,” but it was too late. She was already through.
In a cellar. In the near-darkness, she could only just make out a brick wall and a black door from which the paint was peeling badly. There were brick walls on either side, too, and a low ceiling, and behind her, three steps leading up to the rest of the brick-paved cellar, which was filled with barrels and packing cases. Ordinarily a cellar would be a good place to come through, but this was the Blitz, when cellars had been used as shelters. She stood still a moment, listening for the sound of voices-or snoring-in the part of the cellar she couldn’t see, but she couldn’t hear anything. She quietly tried the door. It was locked.
Wonderful. She’d come through in a locked cellar, and one that, as she peered more closely at it in the gloom, looked as though it had been locked a very long time. A spiderweb, with several dead leaves caught in it, was strung from the lower door hinge to the dirt floor, so unless there was a window she could climb out of, she’d have to wait here till the drop opened and make Badri find another site. And hope Mr. Dunworthy didn’t cancel her assignment in the meantime.
There’d better be a window, she thought, going up the steps. There was a scattering of dead leaves on them as well, and when she reached the top, she saw why. This wasn’t a cellar. It was the narrow passageway between two buildings, and the locked door she’d tried was a recessed side door into a building. The ledge above the passage would at least partially keep the drop’s shimmer from being seen from above, but what about the street at the end? If the shimmer could be seen from there, the drop would only be able to open when no one was about and would be effectively useless.
She squeezed down the passage past the stacked barrels to see, trying to protect her coat from being torn. And from getting filthy. The barrels’ tops were thick with dust, and drifts of dry leaves crunched underfoot. I hope I’m not in November instead of September, she thought, wedging past the next-to-last barrel. I’d better ascertain my temporal-spatial location. As soon as I’ve checked to see if the shimmer’s visible from the street.
But it wasn’t a street. It was an alley, also paved in brick, and it was lined with the windowless backs of brick buildings-warehouses? Shops? She couldn’t tell, but it didn’t matter. What mattered was that even if the shimmer was visible from here, no one could see it from the buildings facing it, and at night the alley wouldn’t have anyone in it.
She looked cautiously out into the alley. No one was in it. It was nearly as dark as the passage, too dark for 6 A.M. There must have been some slippage, or perhaps it was darker in the narrow alley than out on the street. She looked down the alley. The buildings at the alley’s end were blurred.
Not slippage. Fog. Which meant it might be any time of day. The coal-fire fogs of 1940s London could make midday as dark as night. But she was definitely in World War II because someone had drawn a Union Jack and scrawled, “London kan take it!” in chalk on the brick wall next to the passage. And the chances were excellent that she’d come through exactly when she was supposed to have. There’d been a thick fog in the early morning hours of September tenth.
She walked to the near end of the alley, listened a few moments for approaching footsteps, and then looked cautiously out. There was no one in either direction as far as the fog let her see, and no vehicles on the wider road that she could dimly see off to her left, which meant the all clear hadn’t gone yet. Which meant there’d been scarcely any slippage at all.
But she still didn’t know where she was. She needed to find out-and before the all clear, if possible-but before she left the alley, she needed to make certain she could recognize it and the drop. She walked back down to the passage, committing the buildings to memory. The one nearest the street had large double doors, and the one next to it a ramshackle wooden staircase leading up two dangerous-looking flights to a door with the same black peeling paint as the door in the drop. Next to it was the passage, though if not for the chalked “London kan take it” on the wall, she’d have missed it. The barrels hid not only the recess but the passage. An air-raid warden could look straight at it and not realize it was there.
If the wardens even checked the alley. It was as cobwebbed and leaf-strewn as the passage. Which was good.
She walked on down the alley, looking for other identifying features, but the buildings on both sides were of featureless brick except for the one second from the end, which was a black-and-white, half-timbered Tudor. Good: Tudor, “London kan take it,” rickety staircase, brown double doors.
Which she wouldn’t need, she realized as soon as she stepped out of the alley. A large poster was pasted on the wall next to the alley’s entrance-a cartoon of Hitler, with his trademark mustache and hank of hair over one eye, peeking round the corner of a building above the words “Be Vigilant. Report Anyone Behaving Suspiciously.”
It was good the all clear hadn’t gone. There’d be no one out on the streets to see her behaving suspiciously as she attempted to find out where she was. Which might be a problem. The contemps had taken down or painted over all of the street names at the beginning of the war to hinder the Germans in case of invasion. She’d have to hope she could find a landmark that would tell her where she was-a church spire or an Underground station or, if this was Kensington, the gates of Kensington Gardens. Not the railings-those had been taken down and donated to the scrap drive-but, depending on where she was, the Albert Memorial or the Peter Pan statue.
She needed to hurry. The fog was closing in, obscuring all but the nearest buildings, and shutting out what little light there was. An authentic London pea-souper, she thought, walking down to the wider road in the hopes of seeing a bit farther. But the fog was even thicker here, and growing gloomier by the minute. She could scarcely see down to where the road curved off to the right. And she’d been wrong about the all clear having gone, because two women emerged out of the fog like ghosts and crossed the road ahead of her, obviously on their way home from a shelter; one of them was carrying a pillow. They walked quickly down the road and were swallowed by the darkness.