Anyway, I sat there at the death table, writing letters from my deathbed, when there was a knock on the door.
“Come in,” I yelled, knowing the door was locked, and smiled when it rattled against the frame.
“It’s locked,” a female voice said and it was a female voice I recognized.
“Norma?” I asked as I unlocked and opened the door.
She was beautiful. She had either gained or lost twenty pounds, one braid hung down a little longer than the other, and she had ironed her shirt until the creases were sharp.
“Honey,” she said. “I’m home.”
I was silent. That was a rare event.
“Honey,” she said. “I’ve been gone so long and I missed you so much. But now I’m back. Where I belong.”
I had to smile.
“Where are the kids?” she asked.
“They’re asleep,” I said, recovered just in time to continue the joke. “Poor little guys tried to stay awake, you know? They wanted to be up when you got home. But, one by one, they dropped off, fell asleep, and I had to carry them off into their little beds.”
“Well,” Norma said. “I’ll just go in and kiss them quietly. Tell them how much I love them. Fix the sheets and blankets so they’ll be warm all night.”
She smiled.
“Jimmy,” she said. “You look like shit.”
“Yeah, I know.”
“I’m sorry I left.”
“Where’ve you been?” I asked, though I didn’t really want to know.
“In Arlee. Lived with a Flathead cousin of mine.”
“Cousin as in cousin? Or cousin as in I-was-fucking-him-but-don’t-want-to-tell-you-because-you’re-dying?”
She smiled even though she didn’t want to.
“Well,” she said. “I guess you’d call him more of that second kind of cousin.”
Believe me: nothing ever hurt more. Not even my tumors which are the approximate size of baseballs.
“Why’d you come back?” I asked her.
She looked at me, tried to suppress a giggle, then broke out into full-fledged laugher. I joined her.
“Well,” I asked her again after a while. “Why’d you come back?”
She turned stoic, gave me that beautiful Tonto face, and said, “Because he was so fucking serious about everything.”
We laughed a little more and then I asked her one more time, “Really, why’d you come back?”
“Because someone needs to help you die the right way,” she said. “And we both know that dying ain’t something you ever done before.”
I had to agree with that.
“And maybe,” she said, “because making fry bread and helping people die are the last two things Indians are good at.”
“Well,” I said. “At least you’re good at one of them.”
And we laughed.
INDIAN COUNTRY
Low Man Smith stepped off the airplane in Missoula, Montana, walked up the humid jetway, and entered the air-conditioned terminal. He was excited that he was about to see her, Carlotta, the Navajo woman who lived on the Flathead Indian Reservation. All during the flight from Seattle, he’d been wondering what he would first say to her, this poet who taught English at the Flathead Indian College, and had carried on a fierce and exhausting internal debate on the matter. He’d finally decided, just as the plane touched down, to begin his new life with a simple declaration: “Thank you for inviting me.”
He practiced those five words in his head—thank you for inviting me—and chastised himself for not learning to say them in her language, in Navajo, in Dine.
He was a Coeur d’Alene Indian, even though his mother was white. He’d been born and raised in Seattle, didn’t speak his own tribal language, and had visited his home reservation only six times in his life. His mother had often tried to push Low Man toward the reservation, toward his cousins, aunts, and uncles — all of those who had survived one war or another — but Low Man just wasn’t interested, especially after his Coeur d’Alene father died of a heart attack while welding together one of the last great ships in Elliott Bay. More accurately, Low Man’s father had drowned after his heart attack had knocked him unconscious and then off the boat into the water.
Low Man believed the Coeur d’Alene Reservation to be a monotonous place — a wet kind of monotony that white tourists saw as spiritual and magic. Tourists snapped off dozens of photographs and tried to capture it — the wet, spiritual monotony — before they climbed back into their rental cars and drove away to the next reservation on their itineraries.
The tourists didn’t know, and never would have guessed, that the reservation’s monotony might last for months, sometimes years, before one man would eventually pull a pistol from a secret place and shoot another man in the face, or before a group of women would drag another woman out of her house and beat her left eye clean out of her skull. After that first act of violence, rival families would issue calls for revenge and organize the retaliatory beatings. Afterward, three or four people would wash the blood from their hands and hide in the hills, causing white men to write editorials, all of this news immediately followed by capture, trial, verdict, and bus ride to prison. And then, only then, would the long silence, the monotony, resume.
Walking through the Missoula airport, Low Man wondered if the Flathead Reservation was a dangerous place, if it was a small country where the king established a new set of laws with every sunrise.
Carrying a suitcase and computer bag, Low Man searched for Carlotta’s face, her round, purple-dark face, in the crowd of people — most of them white men in cowboy hats — who waited at the gate. Instead, he saw an old Indian man holding a hardcover novel above his head.
“I wrote that book,” Low Man said proudly to the old man, who stood with most of his weight balanced on his left hip.
“You’re him, then,” said the old man. “The mystery writer.”
“I am, then,” said Low Man.
“I’m Carlotta’s boss, Raymond. She sent me.”
“It’s good to meet you, Ray. Where is she?”
“My name is Raymond. And she’s gone.”
“Gone?”
“Yeah, gone.”
Low Man wondered if gone carried a whole different meaning in the state of Montana. Perhaps, under the Big Sky, being gone meant that you were having lunch, or that your car had run out of gas, or that you’d broken your leg in a fly-fishing accident and were stranded in a hospital bed, doped up on painkillers, eagerly awaiting the arrival of the man you loved more than anything else in the world.
“Where, exactly, is gone?” asked Low Man.
The old man’s left eye was cloudy with glaucoma. Low Man wondered about the quality of Raymond’s depth perception.
“She got married yesterday,” said the old man. “She and Chuck woke up before sunrise and drove for Flagstaff.”
“Flagstaff?” asked Low Man, desperately trying to remember when he had last talked to Carlotta. When? Three days ago, for just a minute, to confirm the details of his imminent arrival.
“Arizona?” Low Man asked.
“Yeah, that’s where she and Chuck grew up.”
“Who is Chuck?”
“That’s her husband,” said Raymond.
“Obviously.”
Low Man needed a drink. He’d been sober for ten years, but he still needed a drink. Not of alcohol, no, but of something. He never worried about falling off the wagon, not anymore. He had spent many nights in hotel rooms where the mini-bars were filled with booze, but had given in only to the temptations of the three-dollar candy bars.
“Ray,” said Low Man. “Can we, please, just put a hold on this conversation while I go find me a pop?”