The minute she steps out of the elevator, Maxine can hear Daytona Lorrain down the hall and through the door, set to high-dramatic option, abusing the office phone again. She tiptoes in about the time Daytona screams, “I’ll sign them muthafuckin papers then I’m outta here, you wanna be a dad, you take care of that whole shit,” and slams the phone down.
“Morning,” Maxine chirps in a descending third, sharping the second note maybe a little.
“Last call for his ass.”
Some days it seems like every lowlife in town has Tail ’Em and Nail ’Em on their grease-stained Rolodex. A number of phone messages have piled up on the answering machine, breathers, telemarketers, even a few calls to do with tickets currently active. After some triage on the playback, Maxine returns an anxious call from a whistle-blower at a snack-food company over in Jersey which has been secretly negotiating with ex-employees of Krispy Kreme for the illegal purchase of top-secret temperature and humidity settings on the donut purveyor’s “proof box,” along with equally classified photos of the donut extruder, which however now seem to be Polaroids of auto parts taken years ago in Queens, Photoshopped and whimsically at that. “I’m beginning to think something’s funny about this deal,” her contact’s voice trembling a little, “maybe not even legit.”
“Maybe, Trevor, because it’s a criminal act under Title 18?”
“It’s an FBI sting operation!” Trevor screams.
“Why would the FBI—”
“Duh-uh? Krispy Kreme? On behalf of their brothers in law enforcement at all levels?”
“All right. I’ll talk to them at the Bergen County DA, maybe they’ve heard something—”
“Wait, wait, somebody’s coming, now they saw me, oh! maybe I better—” The line goes dead. Always happens.
She now finds herself reluctantly staring at the latest of she’s lost count how many episodes of inventory fraud involving gizmo retailer Dwayne Z. (“Dizzy”) Cubitts, known throughout the Tri-State Area for his “Uncle Dizzy” TV commercials, delivered as he is spun around at high speed on some kind of a turntable, like a little kid trying to get high (“Uncle Dizzy! Turns prices around!”) schlepping closet organizers, kiwi peelers, laser-assisted wine-bottle openers, pocket rangefinders that scan the lines at the checkout and calculate which is likely to be shortest, audible alarms that attach to your TV remote so you’ll never lose it, unless you lose the remote for the alarm also. None of them for sale in stores yet, but they can be seen in action any late night on TV.
Though he has approached the gates of Danbury more than once, Dizzy remains gripped in a fatality for sublegal choices, putting Maxine herself on moral pathways that would make a Grand Canyon burro think twice. The problem being Dizzy’s charm, at least a just-off-the-turntable naïveté that Maxine can’t quite believe is fake. For the ordinary fraudster, family disruption, public shame, some time in the joint are enough to get them to seek legal if not honest employment. But even among the low-stakes hustlers she is doomed to deal with, Dizzy’s learning curve is permanently flatlined.
Since yesterday an Uncle Dizzy’s branch manager out on Long Island, some stop on the Ronkonkoma line, has been leaving increasingly disoriented messages. A warehouse situation, inventory irregularities, something a little different, fucking Dizzy, please. When will Maxine be allowed to kick back, become Angela Lansbury, dealing only with class tickets, instead of exiled out here among the dim and overextended?
On her last Uncle Dizzy field visit out there, Maxine came around the corner of a towering stack of cartons and actually collided with whom but Dizzy himself, wearing a Crazy Eddie T-shirt in eye-catching yellow, creeping around behind some auditing team, average age of twelve, their firm being notorious for hiring solvent abusers, videogame addicts, diagnosed cases of impaired critical thinking, and assigning them immediately to asset inventory.
“Dizzy, what.”
“Oops, I did it again, as Britney always sez.”
“Look at this,” stomping up and down the aisles taking and lifting sealed cartons at random. A number of these, to somebody’s surprise maybe, not Maxine’s, seemed, though sealed, to have nothing inside. Gee. “Either I’m Wonder Woman here, or we’re experiencing a little inventory inflation?… You don’t want to stack these dummy cartons up too high, Dizzy, one look at the bottom layer and how it isn’t buckling under all the weight on top? usually a pretty good tipoff, and, and this kid auditing team, you should really at least let them clear the building before you bring the truck up to the loading dock to shift the same set of cartons over to the next fucking branch store, see what I’m saying…”
“But,” eyes wide as fairground lollipops, “it worked for Crazy Eddie.”
“Crazy Eddie went to jail, Diz. You’re headed for another indictment to add to your collection.”
“Hey, no worries, it’s New York, grand juries here will indict a salami.”
“So… right now, what do we do? I should be calling in the SWAT team?”
Dizzy smiled and shrugged. They stood in the cardboard-and-plastic-smelling shadows, and Maxine, whistling “Help Me Rhonda” through her teeth, resisted the urge to run him down with a forklift.
She glares now at Dizzy’s file for as long as she can without opening it. Spiritual exercise. The intercom buzzes. “There’s some Reg somebody here don’t have an appointment?”
Saved. She puts aside the folder, which like a good koan will have failed to make sense anyway. “Well, Reg. Do get your ass on in here. Long time.”
2
Couple years in fact. Reg Despard looks considerably hammered at by the interval. He’s a documentary guy who began as a movie pirate back in the nineties, going into matinees with a borrowed camcorder to tape first-run features off the screen, from which he then duped cassettes that he sold on the street for a dollar, two sometimes if he thought he could get it, often turning a profit before the movie was through its opening weekend. Professional quality tended to suffer around the edges, noisy filmgoers bringing their lunch in loud paper bags or getting up in the middle of the movie to block the view, often for minutes of running time. Reg’s grip on the camcorder not always being that steady, the screen would also wander around in the frame, sometimes slow and dreamy though other times with stunning abruptness. When Reg discovered the zoom feature on his camcorder, there was a lot of zooming in and out for what you’d have to call its own sake, details of human anatomy, extras in crowd scenes, hip-looking cars in the background traffic, so forth. One fateful day in Washington Square, Reg happened to sell one of his cassettes to a professor at NYU who taught film, who next day came running down the street after Reg to ask, out of breath, if Reg knew how far ahead of the leading edge of this post-postmodern art form he was working, “with your neo-Brechtian subversion of the diegesis.”
Because this somehow sounded like a pitch for a Christian weight-loss program, Reg’s attention began to drift, but the eager academic persisted, and soon Reg was showing his tapes to doctoral seminars, from which it was only a step to shooting his own pictures. Industrials, music videos for unsigned bands, late-night infomercials for all Maxi knows. Work is work.
“Looks like I’m catching you at a busy time.”
“Seasonal. Passover, Easter week, NCAA playoffs, St. Patrick’s on a Saturday, da yoozh, not a problem, Reg—so what have we got here, a matrimonial?” Some call this brusque, and it has lost Maxine some business. On the other hand, it weeds out the day-trippers.