Dictating his novel to Ava, Steadman was always reminded of the consolations of storytelling, and how it had never been much different from this, the people in ornate halls, and little huts, and around the fires at cave entrances, relating stories of desire and its consequences, whole tales for a single occasion, bright eyes fixed on the narrator, the storytelling explicit and simple, tales of travel and discovery, of startling encounters, of adultery and deceit, the satisfactions of revenge, the reverses of fantasy.
He was afraid of them, the clothes, Steadman dictated, for the way they transformed the body, like a mask or a blindfold or makeup. Afraid, too, because they excited him — the danger of that.
She picked this up, continuing, She realized that she had bought them for him, not herself, knowing that he wanted secretly to submit. Wearing them, she would tie his hands and slip off the black panties. She said firmly, “Put them on.” But he was helpless and so she did it for him, slowly, complimenting him on his prettiness. Then the lipstick. He would protest but be so aroused, she knew —
“That’s enough,” he said.
“Just as you were getting interested.”
“Whose book is this?”
His face was serene, for she had thought of something new — she was expert, she was full of suggestions. He was reminded of how he would have failed in Ecuador without her: she had made all the difference then in her doctoring; she was making all the difference now as his listener and his lover. They had approached this fantasy before but had never ventured further into its details, the mention of lingerie and makeup. Thinking out loud was one of the pleasures of dictation: you could say anything, you could rewind it and erase it; it was just a story, it was vapor.
But Ava was much more than someone taking notes as he talked into the tape recorder. She was truly the doctor, watching over the man in a drug trance. Steadman, the writer, more confident than he had ever been, was reassured by her presumption. His success had begun with his dictation. He had used a typewriter and his travel notes to write Trespassing, but that was the distant past. Now he never wrote. He drugged himself and talked instead, and his novel, The Book of Revelation, was lengthening, engrossing him, a truer expression of the world he knew than Trespassing had ever been. Though the words were his, he never touched a pen or a keyboard, never made a note — that was Ava’s work. He spoke his books in the dark, in his trance state. In the dark, words mattered so much more.
“How about a drink?” he asked.
There was no reply. Had Ava left the room? Their routine was such a fixed sequence he could not remember whether she had excused herself or announced the fact of her leaving. But it was the same most days, that break between the end of his writing day and the onset of night. The idea was that they would have something to think about before meeting again. Reflecting on the last of the dictation, he found it supremely pleasurable to sit in this twilit part of the day alone. Ava’s elusiveness excited him and made him curious.
Deftly searching the coffee table where they kept the tape recorder, and using his hands like feelers, he discovered a cold bucket with a bottle of wine in it. Next to it was an empty glass on a tray.
He needed variation, for the day was so orderly. There was his work, and then the end of his work, this teasing incomplete fantasy, Ava taking notes and repeating them back to him. Ava’s vanishing and the appearance of the wine signaled the end of dictation. The glass of wine meant the suspension of all work, the day at an end. At daybreak or earlier — for he could see in the dark — work would start again.
In this solitude he sipped his wine, liking the solidity of the house, the smell of books and carpets, the whiff of wood smoke from the fire, the aromas from the kitchen, always lamb or fish stews and chowders, and bags of fresh salads sent up every morning from a restaurant in Vineyard Haven, grateful for the off-season business.
The pale yellow Chablis in his glass was so rich that when he tipped his glass to sip, and righted it, he saw it was viscous, showing its legs sliding on the side of the glass. He tasted its sunshine on his tongue, in his throat, and its warmth relaxed him.
Some evenings Ava helped him off with his clothes, like a mother undressing a child, her clothes brushing his nakedness, her sleeves against his bare skin, nannying him with expert hands.
“I like that.”
He could tell that she liked it, too, and though at these times there was no sexual pressure in her fingers, he could feel that she enjoyed touching him, her hands familiar and warm. This was especially so when she methodically shaved him, bringing a pinkness to his cheeks with the shaving brush and scented soap, lathering his stubble, sliding the razor and making a satisfying burr as the hairs were scraped away. And every two weeks she gave him a haircut, with clippers and a straight razor, standing quite close to him, leaning her slender thighs against him, her breasts brushing him. She was not just deft hands but a whole confident body, somewhat off balance.
Some nights she would wash his hair with a light touch, so gentle and yet with assured finger pressure. And then she would give Steadman a towel and help him into his robe. But tonight he bathed alone. The tub was full, the bathroom was fragrant with a scented candle. He could not eat until he had bathed and changed his clothes and had a drink or two. In clean clothes he was preparing himself for the next part of the day, and was a new man. It was all as deliberate as the ritual of dictating his book. He could not rush from his day of writing in his studio to Ava’s suite. It was important that he pause and savor the interval. He needed to think deeply about what was to follow.
He groped his way to the dining room and praised it to himself in a murmur: the flowers, the candles, the chair pulled out from the table, the serving dishes steaming, everything arranged so that it was within his reach — the food, the wine, the single place setting at the head of the table.
While he sat there eating he knew that Ava was preparing herself in her room. He had tried every combination at mealtime. Earlier on in his experiments in blindness they had eaten together, but after the meal and all their familiar talk he felt sated and weary. They talked, they drank, they were friendly. But Steadman found that such congeniality killed his desire. Besides, Ava said, she needed to be away from him, too; to be on her own a bit after being with him all day alone, taking dictation.
The soup tonight had been freshly made in town, pureed tomato soup with herbs, the tomatoes simmered in wine and basil and this red pulp with a pink froth and a mass of golden seeds bubbling on top, and blended, then pushed through a sieve, becoming crimson. That was one of the pleasures of the Vineyard, fresh food from gardens and greenhouses, the soft ripe tomatoes, the tender eggplant, the crisp green peppers, whole baskets of deep green basil.
After the soup, he found another dish and lifted the lid. A braised lamb shank lay on a bed of risotto on the thick platter, the tender meat resting on the thick buttery rice, with florets of broccoli. Steadman served himself and ate slowly, chewing the tender sinews of lamb, licking his lips. The whole meal stimulated him, the bite of garlic, the citrus notes of the wine. He brushed flecks of food from his cheeks. He felt big and warm and pink, slightly tipsy and content. From this mood to sex seemed a simple transition.
He loved eating and drinking alone in a dining room of flower-scented air. It was like celebrating his own sort of mass in which a sexual surprise was the final part of the rituaclass="underline" meeting a willing stranger. After a day of food and talk he needed solitude, the bath, being touched, the promise of sex, the seclusion of his own large house with the high perimeter wall.