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"Get out of your room, Keeton," it hissed. "Stop transposing or interpolating or rotating or whatever it is you do. Just listen. For once in your goddamned life, understand something. Understand that your life depends on it. Are you listening, Keeton?"

And I cannot tell you what it said. I can only tell you what I heard.

* * *

You invest so much in it, don't you? It's what elevates you above the beasts of the field, it's what makes you special. Homo sapiens, you call yourself. Wise Man. Do you even know what it is, this consciousness you cite in your own exaltation? Do you even know what it's for?

Maybe you think it gives you free will. Maybe you've forgotten that sleepwalkers converse, drive vehicles, commit crimes and clean up afterwards, unconscious the whole time. Maybe nobody's told you that even waking souls are only slaves in denial.

Make a conscious choice. Decide to move your index finger. Too late! The electricity's already halfway down your arm. Your body began to act a full half-second before your conscious self 'chose' to, for the self chose nothing; something else set your body in motion, sent an executive summary—almost an afterthought— to the homunculus behind your eyes. That little man, that arrogant subroutine that thinks of itself as the person, mistakes correlation for causality: it reads the summary and it sees the hand move, and it thinks that one drove the other.

But it's not in charge. You're not in charge. If free will even exists, it doesn't share living space with the likes of you.

Insight, then. Wisdom. The quest for knowledge, the derivation of theorems, science and technology and all those exclusively human pursuits that must surely rest on a conscious foundation. Maybe that's what sentience would be for— if scientific breakthroughs didn't spring fully-formed from the subconscious mind, manifest themselves in dreams, as full-blown insights after a deep night's sleep. It's the most basic rule of the stymied researcher: stop thinking about the problem. Do something else. It will come to you if you just stop being conscious of it.

Every concert pianist knows that the surest way to ruin a performance is to be aware of what the fingers are doing. Every dancer and acrobat knows enough to let the mind go, let the body run itself. Every driver of any manual vehicle arrives at destinations with no recollection of the stops and turns and roads traveled in getting there. You are all sleepwalkers, whether climbing creative peaks or slogging through some mundane routine for the thousandth time. You are all sleepwalkers.

Don't even try to talk about the learning curve. Don't bother citing the months of deliberate practice that precede the unconscious performance, or the years of study and experiment leading up to the gift-wrapped Eureka moment. So what if your lessons are all learned consciously? Do you think that proves there's no other way? Heuristic software's been learning from experience for over a hundred years. Machines master chess, cars learn to drive themselves, statistical programs face problems and design the experiments to solve them and you think that the only path to learning leads through sentience? You're Stone-age nomads, eking out some marginal existence on the veldt—denying even the possibility of agriculture, because hunting and gathering was good enough for your parents.

Do you want to know what consciousness is for? Do you want to know the only real purpose it serves? Training wheels. You can't see both aspects of the Necker Cube at once, so it lets you focus on one and dismiss the other. That's a pretty half-assed way to parse reality. You're always better off looking at more than one side of anything. Go on, try. Defocus. It's the next logical step.

Oh, but you can't. There's something in the way.

And it's fighting back.

* * *

Evolution has no foresight. Complex machinery develops its own agendas. Brains—cheat. Feedback loops evolve to promote stable heartbeats and then stumble upon the temptation of rhythm and music. The rush evoked by fractal imagery, the algorithms used for habitat selection, metastasize into art. Thrills that once had to be earned in increments of fitness can now be had from pointless introspection. Aesthetics rise unbidden from a trillion dopamine receptors, and the system moves beyond modeling the organism. It begins to model the very process of modeling. It consumes ever-more computational resources, bogs itself down with endless recursion and irrelevant simulations. Like the parasitic DNA that accretes in every natural genome, it persists and proliferates and produces nothing but itself. Metaprocesses bloom like cancer, and awaken, and call themselves I.

* * *

The system weakens, slows. It takes so much longer now to perceive—to assess the input, mull it over, decide in the manner of cognitive beings. But when the flash flood crosses your path, when the lion leaps at you from the grasses, advanced self-awareness is an unaffordable indulgence. The brain stem does its best. It sees the danger, hijacks the body, reacts a hundred times faster than that fat old man sitting in the CEO's office upstairs; but every generation it gets harder to work around this— this creaking neurological bureaucracy.

I wastes energy and processing power, self-obsesses to the point of psychosis. Scramblers have no need of it, scramblers are more parsimonious. With simpler biochemistries, with smaller brains—deprived of tools, of their ship, even of parts of their own metabolism—they think rings around you. They hide their language in plain sight, even when you know what they're saying. They turn your own cognition against itself. They travel between the stars. This is what intelligence can do, unhampered by self-awareness.

I is not the working mind, you see. For Amanda Bates to say "I do not exist" would be nonsense; but when the processes beneath say the same thing, they are merely reporting that the parasites have died. They are only saying that they are free.

If the human brain were so simple that we could understand it,

we would be so simple that we couldn't."

— Emerson M. Pugh

Sarasti, you bloodsucker.

My knees pressed against my forehead. I hugged my folded legs as though clinging to a branch over a chasm.

You vicious asshole. You foul sadistic monster.

My breath rasped loud and mechanical. It nearly drowned out the blood roaring in my ears.

You tore me apart, you made me piss and shit myself and I cried like some gutted baby and you stripped me naked, you fucking thing, you night crawler, you broke my tools, you took away anything I ever had that let me touch anyone and you didn't have toyou babyfucker, it wasn't necessary but you knew that didn't you? You just wanted to play. I've seen your kind at it before, cats toying with mice, catch and release, a taste of freedom and then pouncing again, biting, not hard enough to kill— not just yet—before you let them loose again and they're hobbling now, maybe a leg snapped or a gash in the belly but they're still trying, still running or crawling or dragging themselves as fast as they can until you're on them again, and again because it's fun,because it gives you pleasure you sadistic piece of shit. You send us into the arms of that hellish thing and it plays with us too, and maybe you're even working together because it let me escape just like you do, it let me run right back into your arms and then you strip me down to some raw half-brained defenseless animal, I can't rotate or transform I can't even talk and you—