Margaret believed every word and so did Edith.
'Her grandmother told no one else. Margaret did, but her family didn't believe her. She was mad, they said.
They put her away in the loony bin. Left her there to rot.
Edith said it was an awful, awful place. She was the only person who ever went to visit her. She would go there without telling anyone. Only her husband. Until Margaret died. She believed her aunt. She told me, "Maybe I was wrong, maybe I was right. I couldn't risk it. 'They will not relent!' she said. Margaret saw something, something awful that persuaded her." And that was it -- she said no more about it.'
Nigel wondered who 'they' were. Someone or something so unspeakable that a woman would rather give away her firstborn to strangers than risk him coming to harm.
'That night was the only night she spoke about it,' the vicar added. 'She knew her son was all right and was doing well. That was comfort enough.'
How? Nigel thought. How could that possibly be a comfort? Here was a woman with no family, just a husband, who died well before her. Who had no other family.
Who had given away her only child. Whoever 'they' were must have terrified her to make such a sacrifice. The vicar appeared to read his mind.
'She was a very solitary woman. Happy keeping to herself. The church was her life, but she played no active part in it, to be honest. There were friends, there was the bingo hall and that was it. A woman of very simple tastes.'
'Did you ever speculate yourself about who the people were she was hiding away from?'
'Sure, but I came up with nothing other than a few wild ideas.' He drained his coffee mug. Who are the people putting his life at risk?'
We don't know.'
'Well, then. It's a mystery all round, isn't it?' He checked his watch. "I better be getting back or my wife will be starting to worry. Pains me to say it, but there are parts of my parish where it's best not to be after dark.'
Nigel stood and put on his coat. Your predecessor left no note or record as to who the adoptive parents were?'
He shook his head dolefully. 'No, and to be fair to you, Mr Barnes, I wouldn't pass it on even if he did. Look at it this way: you show up and tell a man in his mid-forties that not only was he adopted, but there are nameless people out there who want to kill him. I don't think that'd be wise, do you?'
'No, but he might prefer the truth to death.'
'Fair enough. But it's academic. There are no records.
Or at least, none I'm aware of.'
Nigel sighed. Without that there would no chance whatsoever of them tracking down Anthony Chapman or whoever he may be now. That also meant any pursuers would struggle, too. He started to head for the door, then stopped.
'The aunt who told her to give away her child. Did Edith say which asylum she was held in?'
The vicar nodded. 'Colney Hatch. She said it was hell on earth.'
14
Light beamed through the bay window at the front of Susie Danson's house, though Foster could see the room was empty as he walked up her path. At least it told him someone was home. He could see a piano and a violin on the stand. He'd never had her down as a music lover. Did she have kids? He was ashamed to say he couldn't remember.
He'd probably never asked. She was separated, he knew that. He was at the door by now, so rang the bell.
Ten seconds later Susie Danson opened the door, broad smile, lipstick blazing bright as ever. Her hair was up, gold earrings dangled from her ears and she was wearing a black dress that fitted snugly.
'Oh,' she said, her smile fading, replaced by a puzzled look. 'Grant.'
You look fantastic,' he said genuinely.
'Thanks.' She sounded nervous, looking more than once over his shoulder.
'Sorry to turn up unannounced. I did try calling, but no answer.'
'It's actually not the best time. I'm expecting someone any minute.'
"I won't take long,' Foster replied. But it was only then that he appreciated what was happening. She was waiting for a date. He felt a pang, a twinge he didn't recognize, deep in his stomach.
Jealousy. It had been a while since he'd felt anything like that. 'Oh,' he blurted out. 'I'm sorry'
She shook her head, as if remonstrating with herself.
'Look, come in,' she added and grabbed his shoulder and pulled him inside.
The house was warm and he could smell her scent heavy in the air. He watched her walk away down the hall and the pang grew stronger. Why didn't he ask her out all those years ago when he had the bloody chance? Because you're a cretin, he answered. And there was every chance she'd say no. As he followed, he put all that to the back of his mind - there was a job to do and he needed her help.
In the kitchen, bare yet beautifully furnished and lit, she went straight to the fridge and pulled out a beer, handing it to him with a smile. 'If I remember rightly, you like a drink or two. Red wine, isn't it? "As long as it ain't white,"
you used to say. I don't have any red, but is beer OK?' He nodded, impressed at her recall. White wine was for women and Antipodeans. As if to illustrate, she pulled out a bottle of white and poured herself a large glass. "I don't like drinking alone and your arrival has made me suddenly very thirsty.' She chuckled to herself.
'What's the joke?' he asked, taking a swig of beer.
She shook her head. 'Nothing,' and let out a sigh whose meaning he couldn't decipher. 'What's the emergency? I'd like you to tell me you've found Naomi.'
'No. Still missing.'
Susie grimaced.
You think she's dead, don't you?'
"I think there's a good chance she is,' she replied. 'If she's not, she very soon will be.'
'What if I told you that I think there's much more to this case than meets the eye?'
'Like what?'
'I've just been to a homicide in Essex. Three people murdered -- father, mother and son. Young daughter spared, though probably by accident because she was elsewhere.'
"I don't see the link.'
'They were distant relations to Katie Drake. I think this all has something to do with what happened in the past.'
Susie took a small sip of her drink, looked Foster in the eye. 'Everything has something to do with what happened in the past,' she said. 'Tell me about the crime scene.'
'The father and the son were shot in the head in their beds and dragged out into the garden. The mother was shot but left in her bed.'
'Shot? Completely different method of killing to Katie Drake.'
"I know. But dragged out into the garden?'
'I'd need to see the pictures, Grant. Visit the crime scene, look at post mortem reports.'
'But let's just say they were related. Let's just say that the man who murdered Katie Drake and abducted Naomi also killed these people. What would you say then?'
She shrugged. 'OK, I'll play along. The father and son, were they the related ones?'
'By blood, yes.'
'Then you might say that by dragging their bodies into the garden the killer is in some way showing what he has done to the world. If there is some dark secret in the past, then he's dragging it out into the light for all to see. But why he would choose to kidnap and not kill -- or at least, not kill Naomi - if he is avenging some past wrong is less clear. Maybe there is some information he wants to extract from her before he kills her, or she represents something.'
She held her hands out. 'Sorry, Grant. Get me some info from the crime scene and I'll be able to do a better job than winging it in my kitchen.'
Foster put his hand up to stop her apology. You've been a great help already. It's not my case so the info might not be too easy to get hold of, but I'll do my best.'
She grabbed her handbag and fished out a business card. 'They're the best ways to contact me, particularly the e-mail.'
He was just about to ask her what the occasion was that evening when the doorbell rang. She jumped almost a foot. 'Sorry,' she said. 'I'm not used to all these surprises.'