Zack releases my hand, then subtly breathes in my scent before stepping back to continue his appraisal. His gaze, now cool and calculating, sweeps the length of my body. He’s searching for a reaction, sizing me up. He sees what I want him to see, what he saw when we worked together before: a no-nonsense professional who is dedicated, capable, all about the mission. Denying my powers and disguising my beauty have become second nature to me.
Over the centuries I’ve become an expert at concealment, at blending in. My dark hair may be long, but it’s never loose. I use a simple band to pull it back; some days I wind it into a tight bun. I wear sunscreen. No mascara. No lipstick. No makeup. Period. Today’s suit, like all of my suits, is black and tailored. The white cotton twill blouse is classic, conservative. I don’t accessorize. I don’t wear jewelry. I don’t wear silk where a man can see it.
Zack’s eyes, an intense dark brown ringed with gold, linger a fraction of a second too long on my collarbone. I can’t help myself. For one fleeting moment, I remember the feel of his mouth there. Suddenly, I’m conscious of the rise and fall of my chest. My throat is dry. I push the memory aside. The last thing I need to be doing right now is dwelling on what happened in Charleston. I know I should say something. I just have no idea what. Zack breaks the ice.
“It’s been a while,” he says.
“Yeah. So, how are you?” Before he has a chance to answer, I add, “I should introduce you to the others.”
Zack lifts his hand in the air and shouts out, “Zack Armstrong, new guy.”
There’s a collective “Hey, Zack.”
He turns back to face me square on. “I’m itching to get started. What have you got for me?”
I take a step closer and lower my voice. “That’s it? You have nothing else to say to me?”
He matches my tone. “I was hoping to postpone the awkward ‘What are you doing here?’ conversation for as long as possible. At least until lunch?”
Since I’m not anxious to go down that road, either, I gesture to the desk facing mine. “Have a seat. This one’s yours.”
When he sits, I check my reflection in the window behind him. The glamour I rely on is firmly in place. The lock on my powers under control. He shouldn’t be able to see through the wholesome, plain-Jane façade to discover what’s underneath, what’s real. Thanks to Liz, no one should.
“You heard what the man said.” He leans back in his chair and spreads his arms wide, giving me a glimpse of what I know to be a well-muscled chest under the fabric of his shirt. “I’m all yours.” His look is serious, expectant. “What can I do?”
A thousand possibilities rush through my mind. Not one of them has anything to do with the case.
Focus, Emma.
I pull a sheet from the file and give Zack the rundown. “Amy Patterson has been missing for two weeks. She’s thirty years old, an artist. She lives alone. We got the case this morning.”
Zack pulls a pen and a small notebook from his inside coat pocket. “What kind of an artist?”
I quickly scan the report. “Painter, Expressionist, mixed media mostly.”
“Kidnapping gone bad?” he speculates.
“Could be. She’s successful. But there’s no known family and, according to her manager, no request for ransom.”
Zack sets the pen and notebook down, centering them deliberately on the empty desk. “Who reported her missing?”
“The manager, Bernadette Haskell. She’s known Amy for years. Haskell owns the gallery in La Jolla where Amy’s art is exclusively exhibited, and handles Amy’s gallery bookings and commissions worldwide. I spoke to her earlier this morning. She said Amy rarely leaves her apartment. She both lives and works there. Plus, she has a huge show coming up in New York. And before you ask, yes, she called there to see if Amy might have gone ahead to check the space out.” I shake my head. “She’s not in New York, either.”
His brow furrows. “Why is the FBI involved in a straightforward missing-person case? Shouldn’t the local police be handling this?”
I nod. “They should. They are. But Haskell has a friend in the district attorney’s office, and he’s calling in a favor. The relationship between Haskell and Patterson was more than purely business. Over the years, Patterson became like a daughter to this woman. SDPD hasn’t made much progress. Officially, we’re just reviewing the casework.”
“Unofficially?”
“The fact that she’s missing hit the papers yesterday. The story is getting a fair amount of press. The DA wants us to close the case. It’s an election year and he’s out to win the hearts and minds of the voters. Something with this amount of visibility, if handled right, could cinch what is sure to be a close election.”
“Politics as usual. Where do you want to start?”
“SDPD already covered the usual stuff. They checked the psych wards, hospitals and morgues. There haven’t been any recent credit card charges or bank withdrawals.”
“What about log-in access for things like email, social networks and other accounts?”
“Nothing for a couple weeks.”
“I almost hate to ask, but could this be a publicity stunt of some kind?”
I remember the sense of urgency and concern in Haskell’s voice when we spoke. “My gut says no, but I don’t think we should rule anything out.”
Zack nods.
“According to Haskell, it’s not unusual for Amy to go incommunicado when she’s finishing a project. But it’s highly unusual that she’d up and leave town without telling her. And Patterson’s car is still in the building’s parking garage.”
“I assume they checked local taxi and car services?”
“Yup. That turned up zip, too.”
“No signs of a struggle in her apartment?”
I push back from my desk. “Not according to the police report. I haven’t personally searched the place yet. It hasn’t been declared a crime scene. No sign of foul play. Haskell said she couldn’t get away from the gallery this morning. She’s the only one there. But she’ll give us the keys so we can check the place out on our own. She’s expecting us.”
He rises. “Want me to drive?”
“Sure. The Haskell Gallery is on Prospect Street. I can give you directions.”
Zack follows me toward the elevator. “I know where Prospect is.” He punches the call button. The doors slide open instantly. He holds them and waits, allowing me to enter first.
He did most of the driving in Charleston, which made sense. We were in his territory. San Diego is mine.
“You aren’t one of those guys who pretends they know where they’re going because they’re too stubborn to take directions from a woman, are you?”
We face forward. The doors close.
“Do I look like one of those guys?”
The elevator makes its descent. Our reflections stare back at us in the polished steel of the panel doors. Zack’s expression remains neutral.
“Looks can be deceiving. Sometimes you think you know a person, then you realize you don’t really know them at all.”
He nods. “I suppose that’s true.” There’s a hint of sadness in his tone. Zack’s shoulders tense—a reaction so brief I doubt he’s even aware he reacted at all. “Everyone has secrets.”
He makes his way toward the exit, and I wonder again what really brought him to San Diego. I wonder why he left his pack behind in South Carolina. I wonder if he’s joined one here. Mostly I wonder if he’s been wondering about me.
We walk through the foyer of the FBI building into the light of day. I pause, close my eyes and tilt my face up toward the sun. How many more days will pass? How many more women will I have to save? I silently recite the same words I do every time I go out on a new case. Redemption could be one rescue away.