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Nathan said nothing, and in a little while Maglore asked him, 'Have you begun your exploration of Runemanse?'

'Your rooms, yes.'

'My rooms?' Maglore arched an eyebrow. 'Do you always take people at their word?'

Nathan shrugged — he hoped not negligently — and said, 'Only liars may not be taken at their word, master.'

Maglore blinked and slowly nodded, then laughed and slapped his thigh. 'Aye! It must be true! Well, well

— and so you are good at word games! And we shall get along famously. I look forward to many long conversations with you, Nathan. Except now I have things to do. A creature of mine lies damaged in its vat and I have repairs to make, lest a deal of hard work is wasted. And so I say again: go and explore the manse, or seek out your room and rest, and when I call for you come to me. Ah, but when I call, then make haste! Never keep me waiting, Nathan. Now, do you understand all?'

'Yes, master.'

Maglore turned away, and at once turned back. 'Perhaps I have already warned you, but if not I do so now: avoid my lieutenants if you can, for they are impatient men and unkind. Aye, and you must also avoid my women, who are patient beyond words and only too kind! And if you follow my meaning and my advice, all will be well…'

Runemanse was a queer mixture of rocks, mainly volcanic, whose outer sheath was of quartz and feldspar fused to granite. Many of its caverns were natural, formed from cysts of expanding gas trapped in the ancient magma as lava cooled to rock. But where softer pumice had formed in the primal flux, there the Seer Lord's thralls were at work even now, tunnelling in the body of the place like maggots in an apple.

Nathan found his 'room' (a small cyst or cavelet, in fact, situated directly below Maglore's own expansive apartments but unconnected except through the central stairwell with its hideous guardian), set back from the perimeter of the great hall at the furthest reach of a corridor hewn through the fibrous pumice of an old lava run. There were several other rooms off that corridor; their low, arched entries lacked doors but were equipped on the inside with screens of animal skin stretched over cartilage frames, which kept their interiors private from the view of casual passers-by. Nathan's room, however, had a wooden door with a peephole and a latch… but no key. Still, it was privacy of a sort.

Directed there by a slender young female thrall — a waif-like creature no less than Nicolae, but a vampire for all that, whose eyes were luminous in the darker places and cunning when Nathan found them observing him — he quickly examined his accommodation, or more literally his prison: a room four paces by five, paved with featureless, irregular slabs, with a bed under the high window and a small curtained area containing a crude commode and chamber pot. Low-burning gas jets in the walls gave flickering light but very little of warmth.

From the bed he stepped up into the deep, curtained window embrasure, opened the drapes and found the gap barred. Just as well; beyond the bars the drop was vertical and terrific! Looking out, the view was almost exactly the same as from Maglore's kitchen window overhead, which solved the problem of orientation. Then, climbing down again, Nathan found his vampire guide sitting on the rough blankets of his bed. He had left her outside the open door, without indicating that he desired company. But these creatures had minds of their own, and came and went like smoke.

Thank you for bringing me here,' he told her. 'But now I intend to sleep.'

'Well,' she indicated his bed with a languid hand, 'you have a bed. It's good for sleeping, among other things.' Her smile was enticing as she slowly unfastened her blouse, showing Nathan the inner curves of her breasts. But her flesh was sallow, and her eye-teeth long, white and sharp. Fascinated, he stared at her where she stretched like a kitten, and saw the stains of her aureoles under thin material forced up into sharp, twin peaks by the stiffening of her nipples.

He got down from the bed, looked towards the door. 'You had better go.' His voice was shaky.

'Or what?' Hers was sultry, hot, teasing. 'How will you punish me, if I don't?' She lay back, lifted her dress, showed Nathan how she was naked underneath, and everything displayed. Then, spreading her legs wantonly, she ran her fingers through her bush. Her dark flesh quaked and opened like a small mouth, moist and pouting, so that from where Nathan stood two paces away, still he could feel its sweet suction — and its venom.

'Go now,' he said, hardening his voice, 'at once, or risk Maglore's wrath!'

'Hah!' she was up on her feet in a moment. 'But we thought you were fresh from Sunside, a young lad bursting with seed. We did not know that Maglore had bought you from Zindevar, who has doubtless kept you as a gelding in Cronespire, where your sole duty has been to oil the creaking leather of her flaccid teats! And did she steal your dark Gypsy colours, too, as well as your manhood, you pale trembling whelp?'

'Out!' Nathan went to the door, held it open.

'What?' She was furious now: her nostrils flaring, eyes blazing crimson, mouth a writhing, hissing, cursing gash. 'Do you really spurn me? Do you dare? I see that you do! Fuck you then, you pallid, sapless freak!' She swept by him and out of the room.

It had been the first of Nathan's several encounters with Maglore's women; in respect of which, it seemed that both Nicolae and the Seer Lord were perfectly correct…

Nathan was mentally and physically exhausted. Fully clothed, with all three of his blankets covering him, he did eventually sleep but it was a long time coming. In the end he only succeeded after reminding himself that awake or asleep Runemanse was a place fraught with terrors, and that like it or not and for as long as he stayed here he must sleep and replenish himself at frequent intervals. Then, as he felt himself slipping from eerie awareness into the darkness of equally weird dreams, he remembered to cloak his telepathic mind with the vast and incomprehensible swirl of the numbers vortex, hopefully to protect it from the incursions of other minds with similar abilities.

In this way he shrouded his secret mind at least, which in any case would be cluttered with the debris of his waking hours and hard to decipher. But where telepathy is communication between living, physical minds, deadspeak is something else entirely. Only the minds of the dead were tuned to it, and Nathan's mind, of course…

Nathaaan! The dead voice was only a whisper at first, a sigh in the dark, uneasy drift of subconscious wandering. But as Nathan heard it, focused upon it, and drew closer to its source, so all other memories, pseudo-memories and dream-clutter were brushed aside; and the voice grew stronger. Nathaaan? It was a clotted gurgle, a dead and rotten thing, and despite its incorporeality, it was still the very 'embodiment' of evil. So that Nathan was instinctively aware that this was a voice from the pit.

'Who are you?' he asked it breathlessly, as his sleeping body grew cold and the short hairs stood erect on the back of his neck. 'What… are you?'

Ask what I was, the thing answered, its voice mournful now and racked with a sob. For that is something 1 can tell you, aye, and perhaps even show you. But as for what 1 am… why, 1 am no longer anything! Or if anything at all, an old dead thing in his lightless grave, blind and shrivelled and leathery as the mummified Thyre in their cavern mausoleums. That is what 1 am.

The Thyre? What do you know of them?' Nathan remembered his vow: he would never reveal his knowledge of the desert folk to the outside world. But it seemed that this one already knew of them. Something of them, at least.

Do I know of them? Ah, better than you think! Why, for fifty long years I have lain here in my solitude and listened to them through the long blind night: the echoes of their dead thoughts, drifting in from their dusty tombs, over Sunside and the barrier mountains, and down into Turgosheim. They are dead things no less than I myself, and so in my solitude I am privy to their thoughts. Except they are unkind and will not speak to me, and I no longer try to speak to them. But you… are different. You are alive, Nathan! Your works have definition in the land of the Jiving. You can make change, can bring things into being! Whereas I myself and all the dreaming Thyre, because we are only dead things, can change nothing.