He wakes up hungry and feeling as if he has been inside for too long. He leaves the dog in the room with some dog food and water and heads out on foot to look for a restaurant. He takes the map with him to mark the locations of relevant places and people, a preventive measure against the pathological forgetfulness he has had since he was a child. He passes two bars offering steak and cheese sandwiches, then a buffet with hot meals and ice creams. A pizza parlor on the main avenue has a special all-you-can-eat price that night. The attractive round wooden tables are almost all taken, and three waitresses glide calmly past, serving the customers, who are colorfully lit by hanging oriental lanterns in the shapes of vases and stars. He picks a table for two in the outside area, near the sidewalk, the seat for which is a comfortable sofa with its back to the wall. The waitress who serves him is a tall brunette with skin peeling from too much sun, pouting lips, and shoulder-length curly hair. Knowing that her hair alone is probably enough to recognize her by, he nevertheless focuses on her oval face and slanting eyes. Sometimes he wonders if women in general are as beautiful to other men as they are to him, inwardly suspecting that his incapacity to remember any human face for more than a few minutes gives them extra appeal that others might think was just his eyes playing tricks on him. Because beauty is fleeting, he has learned to see it everywhere. This woman, however, must be beautiful to everyone. She is used to being looked at like this and returns his stare with a combination of politeness and tiredness, activating a perfunctory smile. With the rising inflections typical of small-town Santa Catarina, contaminated with sarcasm or incredulity, she asks if he wants the all-you-can-eat.
Are the pizzas the same as the ones on the menu?
What do you mean?
Do they use the same ingredients as they do on the pizzas on the à la carte menu? Or is the cheese on the all-you-can-eat ones not as good?
She lets out a hearty laugh, changing to co-conspirator with surprising ease.
Just between you and me, the cheese isn’t as good.
Okay. I won’t be having the all-you-can-eat, then. It’s my birthday. I’ll have a half-margherita, half-pepperoni, please.
Well now. It’s your birthday. Happy birthday!
She chews on some gum that was hidden in a corner of her mouth.
And a beer.
She finishes taking his order and leaves. It is a while before she returns with his beer. He focuses on her face again.
You should wear your hair up.
Come again?
It’s beautiful down. But I can imagine it up. Do you ever wear it like that?
Sometimes.
The way it is now it hides your face a bit.
Sometimes hiding’s a part of the game.
She leaves bashfully, and he quickly downs his beer with satisfaction.
Later he strolls, belly full, down the main avenue and through the cross streets, marking on his map a café, a hardware store, a Laundromat, and a Uruguayan grill, until he realizes that many of the establishments are transitory and open and close with the summer season. Taking a look around, he sees that many have already closed after Carnival, and some of the windows are covered with brown paper or cardboard. A handwritten sign in an ice cream-parlor window says that it will continue operating during the winter on another street. Everything that isn’t summer is winter. A sign on the Laundromat door says it will reopen only in December. A bookstore, a corner shop, and several boutiques selling women’s clothes appear to still be in operation but have already closed for the day, and an Internet café is turning out the last few clients from its computer terminals. People are still drinking beers in snack bars, and there is a hot dog stand in the supermarket parking lot with clients sitting on little plastic stools on the sidewalk. There is a European-style pub called Al Capone. Adolescents smoke and shout on the lawns of the empty summer-rental houses. He returns along the main avenue and stops just before the seaside boulevard at the Bauru Tchê, a snack bar operating out of a trailer with a tarpaulin covering half a dozen metal tables. He takes a seat and orders a beer. A small TV over the counter is showing a documentary about Pantera on MTV. Phil Anselmo is banging the mike against his forehead until he bleeds and Dimebag Darrell is soloing. A drunk of indeterminate age and a fat teenager are glued to the program. At another table an old man and two youths in baseball caps who look like locals are drinking beer. The old man is talking, relaxed in his chair, while the youths listen.
Ninety percent of the world’s evil is the rich guy paying for the poor guy to do it, he says. The young men nod in agreement.
A boy of about ten, the snack bar owner’s son, comes to clean his table even though it doesn’t need it. He wipes it down with ostensive efficiency, removing the bottle and putting it back when he is done. He thanks him. The boy says, You’re welcome, and races back to the counter.
The kid begs to work, says his father at the counter. I’ve never seen anything like it.
The accent of the old man at the next table is hard to understand, and the blaring Pantera video clips don’t help, but now he is saying that the Department of Public Prosecution owes him two million reais. His two listeners nod.
The boy comes back and looks at him.
Heard the one about the pool table?
No.
Leave him alone, says his father without taking his eyes off the money he is counting.
What’s green on top, has four paws, and if it falls on your head, it’ll kill you?
A pool table?
How did you know? the boy hollers, and dashes back behind the counter, cackling with laughter.
Leave him alone, repeats his father.
He has two beers while joking with the boy, eavesdropping on the conversation at the next table, and watching people going past on the sidewalk. On the TV, Dimebag Darrell is shot dead on stage by a crazy fan. He is a little tipsy when he gets up to leave. He pays the manager, a friendly, tired-looking man with deep bags under his eyes and stubble growing on his chin.
My family used to own Rua da Praia in Porto Alegre, the old man is telling the youths in baseball caps as he leaves. I’ve got the deed to prove it. The youths nod.
He walks along the seaside toward the fishing village and the hotel. The waves make a crashing sound like breaking tree trunks. He carries a flip-flop in each hand and feels the wet sand on his feet. The idea that the day is ending disturbs him. Behind Vigia Hill, speckled with the lights of houses and lampposts, looms precisely the emptiness that he came here to look for. It’s too early to find it. He has fantasized about a long or even infinite search, and it is frustrating to be reminded so soon of that which he would rather keep pretending not to know, that the feeling of emptiness he yearns for is dormant inside him, that he takes it with him wherever he goes. It’s like a surprise party announced in advance or a joke that is explained before it is told. He remembers the boy in the bar’s joke. He hadn’t laughed at the time, but now he does so, absurdly.
The dog has eaten her food and drunk all her water. He refills her water dish while she watches him from her favorite rug on the sticky tiled floor of the hotel room. He brushes his teeth and throws himself onto the bed, wearing only his underwear. The room smells of cement and fabric softener. He listens to the waves breaking two hundred yards away. He hears motorbikes at high speed and the prevailing silence.