"You talked Mr. Shelton into taking responsibility for a murder he didn't commit?" she said. "And this is the truth?"
Tabler gave up and put his head in his hands.
"The truth," said Jacob.
She didn't believe him. Sandra Whitherspoon and her husband had a twelve-year-old boy and an eight-year-old girl. Sandra Whitherspoon spent her days with children who lied and told the truth and mixed the two, sometimes skillfully. She could detect a child's lie, but she couldn't always prove it.
Truth or lie, she couldn't let the sudden confession pass.
Even if the boy testified in a trial, it wouldn't change the fact that Shelton had broken the law. The information did, however, cause her to rethink the idea of a quick placement of Jacob with his grandparents or anyone else.
She decided to order an immediate psychiatric evaluation.
He sat, hands still cuffed behind him, looking across the table at Aiden and Stella. The look was calm. He could have been a man waiting for the next Amtrak train to anywhere.
Stella nodded at Aiden, who read from a list.
"Bloodwood from your cabinet found on Asher Glick matched. You would have had to touch him."
"We hugged," the man said. "We were old friends."
"The same bloodwood dust was found in the tote bag in the church," Aiden continued.
"There are hundreds of shops in Manhattan that have bloodwood pieces and work in bloodwood flooring and paneling," he said.
This was all a game. He'd play with them until someone appeared to take him out of here. He wouldn't have to call. They would know by now.
"A newsstand owner has drawn a sketch of a man who went through his shop next to the Jewish Light of Christ, threatened the shop owner with death for him and his family if he told about your going through and out the back."
She handed him a copy of the sketch. He looked at it for a few seconds and handed it back without expression. Stella's phone vibrated. She reached into her pocket and flipped it open. It was Mac, who said he was on the way.
"I'd fill you in and let you handle it, but it would take time, and there is some information I can't give you, some information you don't want," he said.
"No problem," she said, looking at the man, whose eyes were on the sketch.
"I'm on the way," Mac said.
Stella and Mac understood each other, coworkers, friends. She flipped the phone closed.
"Looks a little like me," he said. "If, and I only say 'if,' I was in that shop, I didn't threaten the shop owner and I didn't go out of his back door and into the synagogue to kill that man."
"You ever been to Korea?" asked Stella.
He had been expecting this one too. He was well ahead of them.
"No," he said.
"And you don't speak Korean?" asked Stella.
"No," he said.
"The hospital footprints of Arvin Bloom just after he was born don't match yours."
"I don't think a bare footprint match has ever been presented to an American court," he said. "Feet change. Fingerprints don't."
"Don't you want to deny the suggestion that you're not Arvin Bloom?"
"I deny it," he said.
"The fingerprints on Arvin Bloom's identification do match yours," Aiden said. "What did you do for more than forty years?"
"Beachcomber," he said.
Stella and Aiden said nothing.
"In Tahiti," he went on.
"We found her," said Stella.
Bloom understood, but he showed nothing.
"Your wife," said Stella. "Shot in the head twice and stuffed in a zipped-up black body bag under the floor of your bedroom. You're a good woodworker."
"I'd like to make a phone call now," he said calmly.
Stella put her cell phone on the table in front of him, got up and took off the handcuffs. He rubbed his wrists and reached for the phone. Yes, they would later check the phone log and find the number he had called, but it would make no difference. He could have insisted on using a public phone, but that too would be traced. He could have insisted on privacy, but he didn't need it.
Stella remained behind him as he punched in the number. The phone rang and a recorded voice message said, "I'm sorry but the number you have dialed is no longer in service. If you think you have dialed incorrectly, please hang up and try again."
He closed the phone and placed it on the table.
This was wrong. Why had they cut him off? They knew he could make another call and copies of the documents would resound on the front page of the Times, lead off the evening news, cost a lot of people their government jobs.
"Hands," said Stella behind him.
This wasn't a perfect time, but he might not get another. And what did he have to lose? Neither woman was armed. Outside the door, to the left, down a short corridor, was an emergency exit door.
He struck out at the woman behind him, the woman who had shot him with a Taser. At the same time he pushed the table over on the other one.
He made the short dash to the door. Once on the street, he would know how to hide. He might have to do more killing, but he knew how to hide and how to survive.
He opened the door and Mac Taylor punched him hard. The blow broke his nose. The man who had been calling himself Arvin Bloom stepped back, didn't raise a hand to his nose. He charged Mac, who faked a punch to the head.
The man instinctively reached up to protect his broken nose. Mac's punch was to the man's solar plexus. The man went down hard, dazed, to a sitting position on the floor.
"You both okay?" Mac asked.
Stella was standing a few feet away, her Taser in hand.
"Sore shoulder," she said.
Aiden was picking up the table.
"I'm fine," she said.
Stella snapped the cuffs on behind the back of the man, whose nose was now gushing blood. He stood up.
"He doesn't give up," she said, leading the man back to the chair behind the table.
Aiden turned, reached into her kit and came up with large gauze pads. When the man was seated, she pressed the pads against his bloody nose.
"He can't afford to. His name is Peter Moser," said Mac, who leaned over, his face inches away from the man, and said, "I have another name you might be interested in: Harry Eberhardt."
They knew who he was and he knew who had told them. They had found Eberhardt, which meant that his ace in the hole, the documents, had been found and probably destroyed. No more leverage.
"How did you find him?" Moser said.
"You said that you'd sold the bloodwood cabinet yesterday," said Mac. "You didn't know who you sold it to. It was a heavy piece."
"It took at least two people to move it," said Aiden.
Moser looked up. He would find a way to get out of this. He had been in worse situations.
"We checked for fingerprints on the pieces near where the bloodwood cabinet had been. Lots of prints. One set in particular, fingers and palm, as if someone had put his hand against the wall to get some leverage to move the cabinet away from the wall. The print wasn't good enough to run through the system. The fingers and palm that made it were worn by acid and chemicals."
Moser was breathing heavily through his mouth.
"The print had traces of chemicals we don't usually find on fingerprints," Mac went on. "Monomethyl-p-aminophenol sulfate, acid, sodium hydroxide, potassium bromide. Know who uses those chemicals?"
Moser knew but said nothing.
"Photographers," Mac said. "They use it for developing and printing. Photographs are almost all digital now. Drugstores, photo supply stores do develop film, but the processing is all done by computerized machines. The only ones who still process their own film are professional photographers, the ones who do portraits, landscapes, homes, some weddings, fashion, upscale catalogues."
Moser didn't answer. Aiden, now wearing latex gloves, took the blood-soaked pad from Moser's nose, dropping it into a bag. The bleeding had slowed. She pressed a fresh pad on his nose. When it began to slip, she taped it to his face.