Tucker smiled. "No branch line. But there's a picnic area not too far from here, along the main highway, with a phone booth at the end of it. Sit tight until I get back."
He pushed open the heavy copter door, jumped out, reached up and slammed the door shut. Fifteen minutes later he made his call from the booth in the picnic area. An hour after that, Jimmy Shirillo drove into the parking lot in his red Corvette, cut the engine and climbed out, smiling.
Another man got out of the low-slung car. He was at least twenty years older than Tucker, about Pete Harris's age, though he was slim and almost delicate-looking, like Shirillo, quite unlike the bearish Harris. He wore heavy-rimmed glasses with thick lenses, combed his hair back from his forehead and looked, from the neck up, much like a turn-of-the-century schoolmaster. From the neck down he looked not unlike a hippie, in bellbottom blue jeans and a rumpled blue work shirt with the cuffs rolled up. He looked at Tucker, smiled slightly, bent back into the Corvette to get his equipment which he had packed into a shoulder-slung leather satchel and a small metal suitcase.
Shirillo introduced them-Ken Willis, photographer-and let them shake hands. Willis's handshake was indifferent, as if he felt formalities of this sort were a waste of time. Close up, Tucker saw in him an impatience, a need to keep moving, a quality that was unsettlingly like his own.
"You know what we want?" he asked Willis.
"Jimmy told me the most of it."
To Shirillo Tucker said, "Are you sure of him?"
"Of course. He's my uncle, on my mother's side, by marriage."
"For one thing," Willis explained, "even if I were willing to sell out on you, I wouldn't know where the hell to go to do it. My line is mostly weddings and freelance nude photography for men's magazines."
"Good enough," Tucker said. "It's a fifteen-minute walk to the helicopter. Jimmy, you'll stay here with the car until we come back. You can pretend you got sleepy driving and pulled off for a nap-that is, if a cop stops and wants to know if you're just loitering. We'll be back before dark, I hope."
Shirillo returned to the car.
Tucker picked up Willis's heavy metal suitcase and said, "Across the highway. We'll wait until there aren't any cars coming before we try it. We don't want to stir up anyone's curiosity."
The big red summer sun had already touched the peak of the mountain on which the Baglio mansion rested, caressed the gentle ridgeline with bright fingers and slowly began to settle out of sight. Full darkness was still more than an hour away, the true sunset obscured by the mountainside, but even so they were going to have to scramble to get done everything they had come here for.
Norton took them over the roof of the huge white house, a dozen yards above the television antennae, peeled to the right when they had reached the end of the lawn and circled back, swept over the house from the opposite direction, even closer this time.
"Can you get it like that?" Norton shouted.
Willis shook his head vehemently, negatively. "I'll either have to hang out of the door or shoot through the nose glass here." He reached across the narrow dash and thumped his knuckles on the windshield. They made a hollow tok, tok, tok sound.
"I can stand her on end a little," Norton said.
"And do it going away from the sun," Willis said, "so there's no glare against the glass."
Tucker sat in the seat directly behind Norton, watching the mansion closely, waiting for the first sign of Baglio's bodyguards. He wondered what they'd think when they came dashing out and found a police helicopter buzzing their retreat.
Norton stood the helicopter on its nose at a thirty-five-degree angle, slanted enough so that they all slid forward on their seats, testing the belts that bound them in.
"Good," Willis said.
The photographer had loaded his camera, unfastened his seat belt and was now out of his bucket-form chair, leaning across the dash, his face pressed close to the window as he focused and shot one frame after another.
Paul Norton didn't like the fact that Willis wasn't strapped down, but he didn't say much about it. He concentrated on keeping the copter's flight path as even and steady as possible so that there was little chance of Willis being thrown around.
Below, two men came out of the front door of the white house and looked up at the circling craft, raised flattened hands to shield their eyes from the last direct glints of sunlight that touched the polished framework and the windshield of the copter as it fluttered in a tight little turn. They were, Tucker saw, the next thing to nonentities, two husky muscle types, their sports coats hanging open so that guns would be more quickly at hand.
Tucker leaned forward and said, almost in Norton's ear, "The glass isn't bulletproof, is it?"
"Plexiglass," Norton said. "It'll deflect a pistol shot pretty well, even if we were close enough for them to use handguns. Even when it cracks under rifle fire, it can throw the slug away first."
Tucker remained forward in his seat, bracing himself against the back of Norton's seat, staring down through the tilted nose window. "I think we have enough front-to-back shots. Let's try cruising it from end to end."
Norton obliged, brought the copter around in a whine of engine noise, coasted the length of the mansion while Willis busily used his camera.
Baglio himself had come out of the house and stood in front of the pillared promenade in the circular driveway, looking up at the copter. Right now he would be wondering whether they knew that Bachman was in the house or whether this was only routine police harassment. He would be wondering, too, how he could get Bachman out of the mansion under their noses if they should land with a search warrant. Tucker hoped that, when Norton took them away from here without landing, Baglio didn't panic and have Bachman killed and buried. It would be so easy for him to have the driver tucked away in a grave beneath the pine trees upslope of the house. Of course, Bachman might already be dead. He might have talked and been put to sleep without the proper honors.
Tucker said, "Can you take her down and parallel the house so Willis can get some ground shots of all four sides?"
"Sure," Norton said.
He leveled the machine and, when they were behind the mansion, took it down within five feet of the lawn while the photographer took his shots through the side window. When they came around in front of the house, where Baglio and his two men were standing, the hoods danced quickly back out of the way of the chopping blades that were still much too high to reach them but which must have looked sobering anyway. They were too busy, then, to notice the copter's occupants.
"Now up," Tucker said. "Let's get some shots of the house in perspective, the entire lawn and the perimeter of the forest."
When that was done, Norton said, "Next?"
"That's it," Tucker said. "Let's get back to home base."
By the time they landed on the grassy floor of the forest clearing nearly two miles from Baglio's mansion, Willis had packed away all of his gear and was ready to go. The moment the chattering rotors began to stutter down into silence, he pushed open his door and jumped out, reached back inside and dragged his two cases of equipment after him.
"Wait a moment," Norton said as Tucker pushed Willis's seat forward and made to follow the photographer.
"Yeah?"
Norton said, "Obviously, you're going in there. Since you told me to be ready for four passengers-and since I've only heard about three of you so far-it seems likely you're going in to get back a man of yours."
Tucker said nothing.
Norton continued: "Wouldn't they be expecting something like this-the copter and all?"
"No," Tucker said. "They're expecting small-time tactics, if they're expecting anything at all. They're very secure up there, or think they are. Besides, I'm sure they were altogether misled by the police insignia on the copter."