The characters and events portrayed in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author.
Text copyright ©2012 Robert Pobi
All rights reserved.
No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher.
Published by Thomas & Mercer
P.O. Box 400818
Las Vegas, NV 89140
ISBN-13: 9781612182131
ISBN-10: 1612182135
For my mother and father, who taught me to swing for the fence.
Contents
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Author’s Notes
Acknowledgments
About the Author
One need not be a chamber to be haunted;
One need not be a house;
The brain has corridors surpassing
Material place.
—Emily Dickinson—Poem 670
But fix thine eyes below; for draweth near
The river of blood, within which boiling is
Whoe’er by violence doth injure others.
—Dante Alighieri— The Divine Comedy, Inferno—Canto XII
1
Day Four
Montauk, Long Island
Two hundred feet below the rolling metal surface of the Atlantic, a handful of ghosts skittered along the ocean floor in a jerky seesaw roll, furling and unfurling in a diluvial ballet. They were dragged forward by the storm raging overhead, still together after miles of progress across the rock-strewn bottom. Soon the gentle slope of the sea floor would change pitch, the earth would drop away into black, and the ghosts would tumble down into the deep. There they would be picked up by the Gulf Stream to be dragged up the Eastern Seaboard, past Massachusetts, finally washing out into the North Atlantic. Maybe they would be consumed by the creatures that swam in the dark world of the cold waters—maybe they would simply decay and be forgotten—but it was certain they would never be touched by daylight or warmth again.
Debris littered the ocean floor around them and the sounds of the world coming apart at the seams echoed overhead. An army of lawn furniture, scabs of roofing tiles, plywood, tires, an old Barbie doll, golf bags, a dented refrigerator, oil paintings, a battered Dodge Charger—banged along in the current with them, heading straight out to sea. Of all the detritus, the Charger moved the slowest, tumbling over and over on its side, one door gone, the lights somehow still glimmering like the eyes of a dying robot. Barbie moved quickest, staying upright with the help of her buoyant plastic injection-molded breasts and the bubble of air trapped in her ancient, empty head.