‘You fought your assailant off?’
‘I was out looking for Wenlock,’ Mahant spoke up. ‘I heard the shouting, the slash and clatter. I answered Wenlock’s cries of ‘Aux aide! Aux aide!’ By the time I arrived his assailant had fled; from that time on we decided to go armed.’
‘And you reported all this to Father Abbot?’
‘I might as well have talked to his stupid swan!’
‘And you have no idea of your attacker?’
‘No, he was dressed all in black, cowled and masked.’
‘Or why you were attacked, at that time, in that place?’
‘None whatsoever.’
‘Have any of you,’ Athelstan persisted, ‘relatives outside this abbey?’
‘Not that we know of, we are old soldiers. Some of us were married but now our wives are dead.’ Mahant’s voice turned wistful. ‘Whatever children we had lie cold beside them.’
‘As do two of your comrades?’
‘Brother, Sir John?’ Wenlock’s voice turned pleading. ‘We are finished, surely?’
‘I would like to inspect the chambers of the dead men.’ Cranston rose swiftly to his feet. ‘And that includes William Chalk’s.’ Cranston gestured towards the door. ‘Now, sirs. With you or without you. .?’
The anchorite, whom the old soldiers described as mad as a March hare, stared calmly through the aperture of his anker house on the south aisle of the abbey church. The monks had finished their hour of divine office. They’d left in a soft slither of sandal and the bobbing light of lantern horns. A cold breeze now seeped through an opened door to whip the remaining glow of candles and tapers. Gusts of sweet beeswax and incense still trailed. Here and there the silence was disturbed by the scurrying of mice and rats sheltering in this forest of stone against the savage cold outside. The anchorite wondered what he might see tonight. He’d heard of Hyde pricked to death near the watergate. The anchorite had tried to warn him. He’d seen Hyde leaving in pursuit of some monk — was it the Frenchman Richer? Then another shadow followed him — a monk, surely? The anchorite was certain of that. He’d seen the flitting blackness through the dark. He glimpsed the glint of steel, but that was life, was it not? Violent and turbulent, full of tension and strife, that’s why he sheltered in these sacred precincts with his precious manuscripts, his box of treasure and pallet of paints. He was an anchorite but an exceptional one. He performed one service for the Lord Abbot which few painters did. The abbot was a Grand Seigneur with all the powers of a lord, of Oyer and Terminer, of being Justice of Assize. He had the power of axe, tumbril and gallows and the anchorite served as the abbot’s hangman. In return Lord Walter had been good, allowing the anchorite, when the church was deserted, to leave his cell and paint visions of the life hereafter on the walls and pillars around his cell. Yet she, Alice Rednal, the sinister haunter of his life, had followed him here. The anchorite was sure of that. He’d seen Alice Rednal’s hard face pressed up against the aperture, features all ghoulish, hair as tangled as a briar bush, but that couldn’t be, surely? He’d hanged Rednal at the Elms in Smithfield. He had tolerated her taunting as they rattled along in the execution cart but he’d then watched her die. The anchorite moved back to his small carrel and chancery stool. He sat, picked up his quill pen, opened his journal and began to describe the nightmare which always plagued his sleep. Was this, he wondered, the cause of the recent horrid apparitions?
‘Suddenly, without warning,’ he whispered as he wrote, ‘I saw the witch, yes I did,’ the anchorite glanced towards his cot bed, ‘climbing on to me. It greatly shocked me. I was so terrified I could not speak. In one hand the harridan carried a wooden coffin and in the other a sharpened scythe. She put a foot upon my chest to restrain me.’ The anchorite pushed his journal aside and crept back towards the aperture. He peered through at the painting on the far pillar, the evocation of his own nightmare which haunted him day and night, awake or asleep. He had executed that. At the time he’d been proud of it, and so had the good brothers who’d called it a vivid ‘Memento Mori’. Now the anchorite was not so sure as he gazed out in the juddering light of a torch fixed in an iron sconce above the painting. He had depicted Death as that night-hag, her face gnawed away to gleaming white bone. He’d intended to paint black hollow eye sockets but instead he had given her red glaring eyes, her teeth jutting up loose in a large jaw, arms stretched out like scaly bat wings. The anchorite turned away then froze at the rustling of a robe and the slither of soft buskins. He hurried back to the anker slit. He was sure she was there — Alice Rednal had returned to haunt him. The anchorite wanted to scream but he could not, he dare not.
‘Go back to hell!’ he whispered hoarsely. ‘Go back I sent you there! Go back! In the name of the Lord and all that is holy I adjure you to return and stay there.’ He grasped the stoup of holy water which stood just within the doorway and feverishly threw a few drops about, but the cold pricking of his spine and the nape of his neck only deepened. She had come. The anchorite closed his eyes trying to summon up images of the Virgin and Child but he could not. All he could picture was a chamber full of flames and filth where venomous demons danced.
‘Hangman of Rochester, I promised you would see me again. Alice is here.’ The woman’s voice sounded like the hissing of a curling viper.
‘What do you want?’ the anchorite pleaded. ‘In God’s name, what do you want?’
‘Your soul!’
‘That is the Lord’s.’
‘Then your blood money.’
The anchorite glanced at the small silver-hooped casket crammed with precious coins.
‘Never!’ He turned, looked and recoiled at the face leering through the aperture, chalky white with glaring eyes.
‘Remember me?’ the voice hissed. ‘At the hanging tomorrow I will see you there, perhaps?’
The anchorite grabbed the pole he kept near his bed and turned to thrust it through the gap, but the phantasm had disappeared. The anchorite closed his eyes and fell to his knees, sobbing in prayer. .
THREE
‘Forsteaclass="underline" a violent affray.’
‘The day of their destruction draws near,
Doom comes on wings towards them. .’
The melodious chant of the black monks of St Fulcher rose and fell in the taper-lit darkness of their great oak-carved choir close to the high altar. Athelstan leaned against the raised stall and tried not to be distracted by the images clustering around him. The sculptures, the vivid wall paintings, the shimmering colour of stained-glass windows, the darkness brooding at the edge of flickering light, not to mention row upon row of black garbed monks, their faces hidden by cowls — all of these were a constant temptation to gaze around.
‘I have sharpened my flashing sword,’ the choir sang.
Athelstan smiled at the words of the psalmist. Coroner Cranston had decided to curb his sharpened thirst in the refectory of the guest house, though not before telling Athelstan that they would not be returning to the city that evening. Athelstan had reluctantly agreed. He wanted to return to St Erconwald’s. God knows he had enough work there but the business here was compelling. This great abbey absorbed him. In itself it was a small stone city. At its centre stood this hallowed cathedral with its transepts and arches, pillars and plinths, its great rood screen carved in the same fine oak as the latticed woodwork of the chantry chapels dedicated to this saint or that which ranged along each aisle. Athelstan would love to bring his parishioners around this church, show them the exciting wall paintings and frescoes, the great table tombs of former abbots, the elaborate pulpit surmounted by a gorgeous banner displaying the Five Wounds of Christ. Perhaps the swan-loving abbot would grant such permission? A Christmas treat with a feast of bread and ale in the abbey buttery? But not now!