The experts on the panel made notes. It had been an excellent dance, thematically and technically, a good start on this role. Maybe this would work out. Now Stile’s portion of the stage darkened. Red’s illuminated. Hers was a very feminine set, with draperies and mirrors and a plush feather bed made up on the elevated rear section of the stage, and her costume fit right in. “Meanwhile, the Princess Budur, Moon of Moons, renowned for her beauty and accomplishments in a kingdom on the far side of the civilized world, has experienced similar difficulties. She has refused all suitors, finding none she likes, because she prefers to marry for love rather than prestige or convenience. Her father is furious, and has confined her to quarters until she becomes more amenable to reason. Now, alone, she performs the Dance of Blighted Hope, symbolizing her unrequited longing for true romance.”
Red danced. She wore a lovely red outfit with a full-circle skirt and gems that gleamed in the lights, huge rubies, making her motions sparkle. She was. Stile realized reluctantly, a beautiful woman, well-formed and healthy. Alone, her size was not apparent; she looked normal, as did Stile. Her life of malice had left her physically untouched.
She was an excellent dancer, too. Her symbolism came through exquisitely. She spun precisely, so that her skirt flared out and lifted to show perfectly proportioned legs. She made eloquent gestures of love-longing that could not be misinterpreted; her face became radiant with hope and pitiful with disappointment. Was she a consummate ac-tress, or did she really feel these emotions? Stile felt un-comfortable doubt; it was awkward to maintain his hate at full intensity in the face of this exquisite presentation. At last she collapsed in complete abandoned grief, ending the dance. Never had Hope appeared more Blighted, or a fate less deserved.
The audience burst into applause again. Stile realized with misgiving that Red had outdanced him. She had conveyed more emotion in a more effective manner than he had. He was going to have to work for this Round! To further enhance his discomfort, he realized now that if Red made it to Citizenship, she would have much greater resources than she had had before, and would not need to remain on the defensive; she could probably hire execution squads to dispatch him at her convenience. She did not have to kill him here; it was sufficient merely to defeat him. His situation was looking worse as hers looked better.
“Both Kamar and Budur strip and sleep, for it is night,” the Narrator continued. Individual spotlights touched each person with gray light to suggest night, leaving the rest of the stage dark. Stile removed his costume and folded each piece carefully, as a prince would, then stretched out on the elevated back section of the stage, feigning sleep. There was surely more to this Dance than this! There had to be, for he was behind and needed to catch up.
“Now the tower in which Prince Kamar is confined happens to be haunted by a female afreet, a supernatural being of the tribes of the jinn,” the Computer Narrator continued. Stile smiled inwardly; how little the Computer knew that in Phaze, the alternate aspect of this planet, there really were tribes of jinn! This story could be literal, there. In fact it could be literal here, since Phaze overlapped Proton. Maybe the afreets were playing this out in this same spot at this moment. If they had any way to perceive what was happening here, without the use of the curtain....
“This afreetah has been away for the day, going about her business of stirring up assorted mischief in human affairs, but at night she returns. She passes through the stone wall and enters the tower chamber, as she is invisible and immaterial to whatever extent she chooses to be. Lo, she discovers the sleeping Prince Kamar on her bed and is amazed by the handsomeness of this mortal creature. She admires him for some time, deeply regretting that he is not her kind. Then she flies out to tell her friends of this wonder. She encounters a male afreet, who informs her that he has found a mortal who is prettier than hers. Affronted, she challenges him to a beauty contest. They will place the two mortals beside each other and compare them directly.”
There was a pause while the lights dimmed. Stile had to get up and cross the stage and lie down beside Red on her feather bed; the afreets had carried him there, the sleeping prince. His foreboding increased again; he did not like this close a contact with her. But he had to follow the script; any minor deviation would penalize him, and a major deviation could disqualify him. He remained beside Red in play-sleep, wishing he could simply shove her off the planet. His healing bullet-wound began to bother him—psychological, but indicative.
“The two afreets study the unconscious mortals,” the Narrator said. “Each person is a virtually perfect specimen, and the afreets are unable to determine a winner. Finally they hit upon a scheme—let the mortals themselves decide which one is the prettiest. The afreets will wake each in turn and watch their reactions; the one who is least affected will win, since that means the other must be less beautiful.” Like the harmonica contest. Stile thought; the one who changed least, won. He was becoming curious to know the outcome of this tale.
The light brightened so that the audience could see the scene clearly: prince and princess sleeping naked beside each other. This would have had no significance in ordinary Proton life, but after the elaborate costumes of the play the suggestion of intimacy was strong. There was a moment of surprised silence. Then someone snickered. The mirth quickly spread across the hall. Stile knew what it was. He had experienced this sort of thing all his life. The disparity in the size of the actors had become apparent, now that they were together. The Computer did not care, and the panel of experts could handle it, but the audience was less sophisticated. Which was why the audience had no vote in the determination of a winner, here.
“The Pygmy and the Amazon!” someone said, and the laughter swelled.
Abruptly a stasis field dropped over them all. No one could move, on stage or in the audience, though all could hear. Prolonged, such a field could cause bodily harm and eventually death; for a short period it was merely uncomfortable, since bodily functions slowed almost to a halt.
“Single warning,” the Computer said emotionlessly. “Further interference from the audience or inappropriate reactions will result in expulsion of the audience.” The stasis lifted. The audience was now completely sober. There would be laughter only if the script warranted it, and no extraneous remarks. The Game Computer was a strict taskmaster; even a few Citizens had been caught in the stasis. They, however, made no protest; it was to their interest to have discipline maintained. Yet the damage had been done. The audience might be serious, now, but the dance had become ludicrous. Stile knew that behind those sober faces a maniacal laughter raged.
He fought to control his own embarrassment and anger. He drew on a device he had used long ago to reduce stage fright. He pictured each member of the audience as a gibbering demon, with huge pointed ears and a bare purple bottom, scratching at fleas, and whipping a barbed tail about to tickle his neighbors. He projected all the ludicrous feeling onto them, away from himself. I am a man; you are ape-things. Stare, you foolish creatures. Stew in your own drool.
It was not entirely effective, but it helped. He was aware of Red shivering with suppressed resentment beside him; this was striking her, too. To this extent, he agreed with her.
Yet there was nothing to do except continue. Pygmy and Amazon had a deadly serious Game to win. The panel of judges had not laughed, and that was the critical element of this scene. The play had to go on.
“Now the afreetah changes into a bug and bites Kamar on the leg,” the Computer said. “He wakes—“ Stile slapped his leg as if stung, and sat up. This was a place where the audience might legitimately have chuckled, but there was not a single gibber.