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The tone needs to be direct.

I need to talk to you directly, I need to address the subject as it were, but something stops me.

Is this another kind of neuropathy, a new frailty, am I no longer able to talk directly?

Was I ever?

Did I lose it?

Or is the subject in this case a matter I wish not to address?

When I tell you that I am afraid to get up from a folding chair in a rehearsal room on West Forty-second Street, of what am I really afraid?

22

What if you hadn’t been home when Dr. Watson called—

What if you couldn’t meet him at the hospital—

What if there’d been an accident on the freeway—

What would happen to me then?

All adopted children, I am told, fear that they will be abandoned by their adoptive parents as they believe themselves to have been abandoned by their natural. They are programmed, by the unique circumstances of their introduction into the family structure, to see abandonment as their role, their fate, the destiny that will overtake them unless they outrun it.

Quintana.

All adoptive parents, I do not need to be told, fear that they do not deserve the child they were given, that the child will be taken from them.

Quintana.

Quintana is one of the areas about which I have difficulty being direct.

I said early on that adoption is hard to get right but I did not tell you why.

“Of course you won’t tell her she’s adopted,” many people said at the time she was born, most of these people the age of my parents, a generation, like that of Diana’s parents, for which adoption remained obscurely shameful, a secret to be kept at any cost. “You couldn’t possibly tell her.”

Of course we could possibly tell her.

In fact we had already told her. L’adoptada, m’ija. There was never any question of not telling her. What were the alternatives? Lie to her? Leave it to her agent to take her to lunch at the Beverly Hills Hotel? Before too many years passed I would write about her adoption, John would write about her adoption, Quintana herself would agree to be one of the children interviewed for a book by the photographer Jill Krementz called How It Feels to Be Adopted. Over those years we had received periodic communications from women who had seen these mentions of her adoption and believed her to be their own lost daughter, women who had themselves given up infants for adoption and were now haunted by the possibility that this child about whom they had read could be that missing child.

This beautiful child, this perfect child.

Qué hermosa, qué chula.

We responded to each of these communications, we followed up, we explained how the facts did not coincide, the dates did not tally, why the perfect child could not be theirs.

We considered our role fulfilled, the case closed.

Still.

The recommended choice narrative did not end, as I had imagined it would (hoped it would, dreamed it would), with the perfect child placed on the table between us for lunch at The Bistro (Sidney Korshak’s corner banquette, the blue-and-white dotted organdy dress) on the hot day in September 1966 when the adoption became final.

Thirty-two years later, in 1998, on a Saturday morning when she was alone in her apartment and vulnerable to whatever bad or good news arrived at her door, the perfect child received a Federal Express letter from a young woman who convincingly identified herself as her sister, her full sister, one of two younger children later born, although we had not before known this, to Quintana’s natural mother and father. At the time of Quintana’s birth the natural mother and father had not yet been married. At a point after her birth they married, had the two further children, Quintana’s full sister and brother, and then divorced. According to the letter from the young woman who identified herself as Quintana’s sister, the mother and sister lived now in Dallas. The brother, from whom the mother was estranged, lived in another city in Texas. The father, who had remarried and fathered another child, lived in Florida. The sister, who had learned from her mother only a few weeks before that Quintana existed, had determined immediately, against the initial instincts of her mother, to locate her.

She had resorted to the internet.

On the internet she had found a private detective who said that he could locate Quintana for two hundred dollars.

Quintana had an unlisted telephone number.

The two hundred dollars was for accessing her Con Ed account.

The sister had agreed to the deal.

It had taken the detective only ten further minutes to call the sister back with a street address and apartment number in New York.

14 Sutton Place South. Apartment 11D.

The sister had written the letter.

She had sent it to Apartment 11D at 14 Sutton Place South via Federal Express.

“Saturday delivery,” Quintana said when she showed us the letter, still in its Federal Express envelope. “The FedEx came Saturday delivery.” I remember her repeating these words, emphasizing them, Saturday delivery, the FedEx came Saturday delivery, as if maintaining focus on this one point could put her world back together.

23

I cannot easily express what I thought about this.

On the one hand, I told myself, it could hardly be a surprise. We had spent thirty-two years considering just such a possibility. We had for many of those years seen such a possibility even as a probability. Quintana’s mother, through a bureaucratic error on the part of the social worker, had been told not only our names and Quintana’s name but the name under which I wrote. We did not lead an entirely private life. We gave lectures, we attended events, we got photographed. We could be easily found. We had discussed how it would happen. There would be a letter. There would be a phone call. The caller would say such and such. Whichever one of us took the call would say such and such and such. We would meet.

It would be logical.

It would all, when it happened, make sense.

In an alternate scenario, Quintana herself would choose to undertake the search, initiate the contact. Should she wish to do so, the process would be simple. Through another bureaucratic error, a bill from St. John’s Hospital in Santa Monica had reached us without the mother’s name redacted. I had seen the name only once but it had remained imprinted on my memory. I had thought it a beautiful name.

We had discussed this with our lawyer. We had authorized him, should Quintana ask, to give her whatever help she wanted or needed.

This too would be logical.

This too would all, when it happened, make sense.

On the other hand, I told myself, it now seemed too late, not the right time.

There comes a point, I told myself, at which a family is, for better or for worse, finished.

Yes. I just told you. Of course I had considered this possibility.

Accepting it would be something else.

A while back, to another point, I mentioned that we had taken her with us to Tucson while The Life and Times of Judge Roy Bean was shooting there.

I mentioned the Hilton Inn and I mentioned the babysitter and I mentioned Dick Moore and I mentioned Paul Newman but there was a part of that trip that I did not mention.

It happened on our first night in Tucson.

We had left her with the babysitter. We had watched the dailies. We had met in the Hilton Inn dining room for dinner. Halfway through dinner — a few too many people at the table, a little too much noise, just another working dinner on a motion picture on just another location — it had struck me: this was not, for me, just another location.