I hope they’ll look after my orchids. They’re the only things in this house that I’ll miss. The rest can rot, for all I care, except for the china dogs, of course, for which I have special plans of my own.
But first of all, to get out of this room. The door is pinewood, and well-made. In a movie, perhaps, I could break it down. Real life demands a more reasoned approach. A multi-tool with a screwdriver, a file and a short-bladed penknife should help me deal with the hinges, after which I can make my exit unimpeded.
I take a last look at my orchids. I notice that the Phalaenopsis — otherwise known as the moth orchid — is in need of re-potting. I know exactly how she feels; I, who have lived for all these years in the same little, airless, toxic space. Time to explore new worlds, I think. Time now to leave the cocoon and to fly . . .
It occurs to me as I work on the door that I ought to be feeling better than this. My stomach is filled with butterflies. I’m even feeling a little sick. My iPod is packed in my travel bag; instead I turn on the radio. From the tinny speakers comes the bubblegum sound of the Rubettes singing ‘Sugar Baby Love’.
When I was a little boy, mistaking baby for B.B., I always assumed that those songs were for me; that even the folk on the radio knew that I was special, somehow. Today the music sounds ominous, a troubling falsetto sweeping across a fat layer of descending chords to a mystic accompaniment of doop-shoowaddies and bop-shoowaddies; and it tastes sour-sweet like acid drops, the ones that, when you were a child, you poked into the side of your mouth to make your tastebuds shudder and cramp, and if you weren’t careful, the tip of your tongue would slide over the boiled-sugar shell and snag on the sharp-edged bubbles there, and your mouth would fill with sweetness and blood, and that was the taste of childhood . . .
Nyaaa-haaaa-haaaa-ooooooooooooooh
Today there’s something sinister in those soaring, sustained vocals; something that tears at the insides like gravel in a silk purse. The word sugar is not sweet: it has a pink and gassy smell, like dentist’s anaesthetic, dizzy and intrusive, like something boring its way into my head. And I can almost see her there — right at this moment, here and there — and the Rubettes are playing at migraine volume in the Zebra’s tiny kitchen, and there’s a smell, a sickly-sweet, gassy smell that cuts through the scent of fresh coffee, but Ma doesn’t really notice that, because fifty years of Marlboros have long since shot her olfactory organs to hell, and only the scent of L’Heure Bleue cuts through, and she opens the door to the kitchen.
Of course I can’t quite be sure of this. I could be wrong about the radio station. I could be wrong about the time — she might still be in the car park, or by now it might even be over — and yet it feels completely right.
Perhaps there was something, after all, in Feather’s tales of walk-ins and ghosts and spirits and astral projection; because that’s how I feel now, lighter than air, watching the scene from a place somewhere on the ceiling, and the Rubettes are singing — aaaah-oop shoowaddy-waddy, doop-showaddy-waddy. And now I can see the top of Ma’s head, the parting in her thinning hair; the packet of Marlboros in her hand, the lighter poised above the tip; and I see the superheated air ripple and swell like a balloon inflated beyond its capacity, and she calls out — Hello? Is anyone there? — and lights a final cigarette —
She has no time to understand. I never really intended her to. Gloria Green is no wasp in a jar, to be caught and disposed of at leisure. Nor is she a seaside crab, left to die in the simmering sun. Her passing is instantaneous, and the hot draught sweeps her away like a moth — Pfff! — into oblivion, so that nothing, not even a finger, remains for blueeyedboy to identify, not even a measure of dust large enough to rattle inside a china dog.
From my room I can almost hear the dull cr-crumpf of the explosion, and it’s like crunching a stick of Blackpool rock, all sharp edges and toothache, and although there’s no way I can know for sure, I am suddenly certain, in a surge of wonder and indescribable relief, that I’ve done it at last. I’m free of her. I’m finally rid of my mother —
Don’t tell me you’re surprised, Albertine. Didn’t I tell you I knew how to wait? Did you believe, after all this time, that this could have been an accident? And did you really believe, Ma, that I didn’t know you were watching me, that I hadn’t clocked you from the first time you logged on to badguysrock?
She appeared on the scene some months ago in response to one of my public posts. Ma isn’t what you’d call computer-literate; but she accessed the Net through her mobile phone. After that, it can’t have been long before someone, somewhere, steered her towards badguysrock. My guess is Maureen, via Clair; or maybe even Eleanor. In any case, I’d expected it; and I’d expected to pay for it, too, though I knew she would never make any direct reference to my online activities. Ma can be strangely prudish at times, and some things are never mentioned. All your nasty stuff upstairs is about the closest we ever got to discussing the porn, or the photographs, or the fics that were posted on my site.
I have to admit I enjoyed the game: playing with fire; taking risks; taunting her to reveal herself. Sometimes I went a little too far. Sometimes I got my fingers burnt. But I had to know the boundaries; to see how hard I could push them both; to calculate the precise amount of pressure I could exert over the mechanism before it began to break down. An artist needs to understand the medium in which he works. After that, it was easy.
Don’t feel guilty, Albertine. You had no way of knowing. Besides, in the end she’d have gone after you, just as she did with those others. Call it self-defence, if you like. Or maybe an act of redemption. Anyway, it’s over now. You’re free. Goodbye, and thank you. If you’re ever in Hawaii, call. And please, look after my orchid.
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You are viewing the webjournal of blueeyedboy.
Posted at: 05.17 on Friday, February 22
Status: restricted
Mood: sick
Listening to: Voltaire: ‘Snakes’
At last. The door pulls away from the hinge. I’m free to leave. I pick up my bag. But the ache in my guts has worsened; it feels like a piece of bramble scoring my stomach lining. I go to the bathroom; I wash my face; I drink a glass of water.
God, it hurts. What’s happening? I’m sweating. I look terrible. In the mirror I look like a corpse: deep shadows around my eyes; mouth bracketed with nausea. What the hell is wrong with me? I felt so good at breakfast.
Breakfast. Ah. I should have known. Too late, I remember the look on her face; that look of almost-happiness. She wanted to make me breakfast today. Cooked me all my favourites. Stood over me while I ate it. The vitamin drink tasted different — and she said she’d changed the recipe.