Jacques Solal stared at Lewis through his round-bellied spectacles, his irises huge and distorted through the glass. He was the worse for too much cognac.
"She hadn't got any enemies," he said, "not her. Oh maybe a few women jealous of her beauty..."
Lewis toyed with the wrapped cubes of sugar that had come with his coffee. Solal was as uninformative as he was drunk; but unlikely as it seemed Catherine had described the runt across the table as Phillipe's closest friend.
"Do you think Phillipe murdered her?"
Solal pursed his lips.
"Who knows?"
"What's your instinct?"
"Ah; he was my friend. If I knew who had killed her I would say so."
It seemed to be the truth. Maybe the little man was simply drowning his sorrows in cognac.
"He was a gentlemen," Solal said, his eyes drifting towards the street. Through the steamed glass of the Brasserie window brave Parisians were struggling through the fury of another blizzard, vainly attempting to keep their dignity and their posture in the teeth of a gale.
"A gentleman," he said again.
"And the girl?"
"She was beautiful, and he was in love with her. She had other admirers, of course. A woman like her —"
"Jealous admirers?"
"Who knows?"
Again: who knows? The inquiry hung on the air like a shrug. Who knows? Who knows? Lewis began to understand the Inspector's passion for truth. For the first time in ten years perhaps a goal appeared in his life; an ambition to shoot this indifferent ‘who knows?' out of the air. To discover what had happened in that room on the Rue des Martyrs. Not an approximation, not a fictionalized account, but the truth, the absolute, unquestionable truth.
"Do you remember if there were any particular men who fancied her?" he asked.
Solal grinned. He only had two teeth in his lower jaw.
"Oh yes. There was one."
"Who?"
"I never knew his name. A big man: I saw him outside the house three or four times. Though to smell him you'd have thought —"
He made an unmistakable face that implied he thought the man was homosexual. The arched eyebrows and the pursed lips made him look doubly ridiculous behind the thick spectacles.
"He smelt?"
"Oh yes."
"Of what?"
"Perfume, Lewis. Perfume."
Somewhere in Paris there was a man who had known the girl Phillipe loved. Jealous rage had overcome him. In a fit of uncontrollable anger he had broken into Phillipe's apartment and slaughtered the girl. It was as clear as that.
Somewhere in Paris.
"Another cognac?"
Solal shook his head.
"Already I'm sick," he said.
Lewis called the waiter across, and as he did so his eye alighted on a cluster of newspaper clippings pinned behind the bar.
Solal followed his gaze.
"Phillipe: he liked the pictures," he said.
Lewis stood up.
"He came here, sometimes, to see them."
The cuttings were old, stained and fading. Some were presumably of purely local interest. Accounts of a fireball seen in a nearby street. Another about a boy of two burned to death in his cot. One concerned an escaped puma; one, an unpublished manuscript by Rimbaud; a third (accompanied by a photograph) detailed casualties in a plane crash at Orleans airport. But there were other cuttings too; some far older than others. Atrocities, bizarre murders, ritual rapes, an advertisement for ‘Fantomas', another for Cocteau's ‘La Belle et La Bete'. And almost buried under this embarrassment of bizarreries, was a sepia photograph so absurd it could have come from the hand of Max Ernst. A half-ring of well-dressed gentlemen, many sporting the thick moustaches popular in the eighteen-nineties, were grouped around the vast, bleeding bulk of an ape, which was suspended by its feet from a lamppost. The faces in the picture bore expressions of mute pride; of absolute authority over the dead beast, which Lewis clearly recognized as a gorilla. Its inverted head had an almost noble tilt in death. Its brow was deep and furrowed, its jaw, though shattered by a fearsome wound, was thinly bearded like that of a patrician, and its eyes, rolled back in its head, seemed full of concern for this merciless world. They reminded Lewis, those rolling eyes, of the Weasel in his hole, tapping his chest.
"Le coeur humain."
Pitiful.
"What is that?" he asked the acne-ridden barman, pointing at the picture of the dead gorilla.
A shrug was the reply: indifferent to the fate of men and apes.
"Who knows?" said Solal at his back. "Who knows?"
It was not the ape of Poe's story, that was certain. That tale had been told in 1835, and the photograph was far more recent. Besides, the ape in the picture was a gorilla: clearly a gorilla.
Had history repeated itself? Had another ape, a different species but an ape nevertheless, been loosed on the streets of Paris at the turn of the century?
And if so, if the story of the ape could repeat itself once why not twice?
As Lewis walked through the freezing night back to the apartment at the Quai de Bourbon, the imagined repetition of events became more attractive; and now further symmetry presented itself to him. Was it possible that he, the great nephew of C. Auguste Dupin, might become involved in another pursuit, not entirely dissimilar from the first?
The key to Phillipe's room at the Rue des Martyrs was icy in Lewis's hand, and though it was now well past midnight he couldn't help but turn off at the bridge and make his way up the Boulevard de Sebastopol, west on to Boulevard Bonne-Nouvelle, then north again towards the Place Pigalle. It was a long, exhausting trudge, but he felt in need of the cold air, to keep his head clear of emotionalism. It took him an hour and a half to reach the Rue des Martyrs.
It was Saturday night, and there was still a lot of noise in a number of the rooms. Lewis made his way up the two flights as quietly as he could, his presence masked by the din. The key turned easily, and the door swung open.
Street lights illuminated the room. The bed, which dominated the space, was bare. Presumably sheets and blankets had been taken away for forensic tests. The eruption of blood onto the mattress was a mulberry colour in the gloom. Otherwise, there was no sign of the violence the room had witnessed.
Lewis reached for the light switch, and snapped it on. Nothing happened. He stepped deeply into the room and stared up at the light fixture. The bulb was shattered.
He half thought of retreating, of leaving the room to darkness, and returning in the morning when there were fewer shadows. But as he stood under the broken bulb his eyes began to pierce the gloom a little better, and he began to make out the shape of a large teak chest of drawers along the far wall. Surely it was a matter of a few minutes work to find a change of clothes for Phillipe. Otherwise he would have to return the next day; another long journey through the snow. Better to do it now, and save his bones.
The room was large, and had been left in chaos by the police. Lewis stumbled and cursed as he crossed to the chest of drawers, tripping over a fallen lamp, and a shattered vase. Downstairs the howls and shrieks of a well-advanced party drowned any noise he made. Was it an orgy or a fight? The noise could have been either.
He struggled with the top drawer of the teak chest, and eventually wrenched it open, ferreting in the depths for the bare essentials of Phillipe's comfort: a clean undershirt, a pair of socks, initialed handkerchiefs, beautifully pressed.
He sneezed. The chilly weather had thickened the catarrh on his chest and the mucus in his sinuses. A handkerchief was to hand, and he blew his nose, clearing his blocked nostrils. For the first time the smell of the room came to him.
One odour predominated, above the damp, and the stale vegetables. Perfume, the lingering scent of perfume.