Garvey halted, and took stock of his situation. If he went back the way he'd come the route would only confouna him again; if he went ahead, through the chamber and towards the light, he might cut the Gordian knot and be delivered back to his starting point. The swift wit of the solution pleased him. Cautiously, he crossed the chamber to the door on the other side and peered through. Another short corridor presented itself, and beyond that a door that let on to an open space. The pool! Surely the pool!
He threw caution to the wind, and moved out of the chamber and along the passage.
With every step he took, the heat intensified. His head thumped with it. He pressed on to the end of the passageway, and out into the arena beyond.
The large pool had not been drained, unlike the smaller. Rather, it was full almost to brimming - not with clear water, but with a scummy broth that steamed even in the heat of the interior. This was the source of the light. The water in the pool gave off a phosphorescence that tinged everything - the tiles, the diving board, the changing rooms, (himself, no doubt) with the same fulvous wash.
He scanned the scene in front of him. There was no sign of the women. His route to the exit lay unchallenged; nor could he see sign of padlock or chains on the double-doors. He began towards them. His heel slid on the tiles, and he glanced down briefly to see that he had crossed a trail of fluid - difficult, in the bewitched light, to make out its colour - that either ended at the water's edge, or began there.
He looked back towards the water, curiosity getting the better of him. The steam swirled; an eddy toyed with the scum. And there! His eye caught sight of a dark, anonymous shape sliding beneath the skin of the water. He thought of the creature he'd killed; of its formless body and the dangling loops of its limbs. Was this another of that species? The liquid brightness lapped against the poolside at his feet; continents of scum broke into archipelagoes. Of the swimmer, there was no sign.
Irritated, he looked away from the water. He was no longer alone. Three girls had appeared from somewhere, and were moving down the edge of the pool towards him. One he recognized as the girl he had first seen here. She was wearing a dress, unlike her sisters. One of her breasts was bared. She looked at him gravely, as she approached; by her side she trailed a rope, decorated along its length with stained ribbons tied in limp but extravagant bows.
At the arrival of these three graces the fermenting waters of the pool were stirred into a frenzy, as its occupants rose to meet the women. Garvey could see three or four restless forms teasing - but not breaking - the surface. He was caught between his instinct to take flight (the rope, though prettifled, was still a rope) and the desire to linger and see what the pool contained. He glanced towards the door. He was within ten yards of it. A quick dash and he'd be out into the cool air of the corridor. From there, Chandaman was within bailing distance.
The girls stood a few feet from him, and watched him. He returned their looks. All the desires that had brought him here had taken heel. He no longer wanted to cup the breasts of these creatures, or dabble at the intersection of their gleaming thighs. These women were not what they seemed. Their quietness wasn't docility, but a drug-trance; their nakedness wasn't sensuality, but a horrid indifference which offended him. Even their youth, and all it brought - the softness of their skins, the gloss of their hair - even that was somehow corrupt. When the girl in the dress reached out and touched his sweating face, Garvey made a small cry of disgust, as if he'd been licked by a snake. She was not fazed by his response, but stepped closer to him still, her eyes fixed on his, smelling not of perfume like his mistress, but of fleshliness. Affronted as he was, he could not turn away. He stood, meeting the slut's eyes, as she kissed his cheek, and the beribboned rope was wrapped around his neck.
Jerry called Garvey's office at half-hourly intervals through the day. At first he was told that the man was out of the office, and would be available later that afternoon. As the day wore on, however, the message changed. Garvey was not going to be in the office at all that day, Jerry was informed. Mr Garvey is feeling unwell, the secretary told him; he has gone home to rest. Please call again tomorrow. Jerry left with her the message that he had secured the ground-plan to the Pools and would be delighted to meet and discuss their plans at Mr Garvey's convenience.
Carole called in the late afternoon.
'Shall we go out tonight?' she said. 'Maybe a film?'
'What do you want to see?' he said.
'Oh, I hadn't really thought that far. We'll talk about it this evening, shall we?'
They ended up going to a French movie, which seemed, as far as Jerry could grasp, completely lacking in plot; it was simply a series of dialogues between characters, discussing their traumas and their aspirations, the former being in direct proportion to the failure of the latter. It left him feeling torpid.
'You didn't like it...'
'Not much. All that brow-beating.'
'And no shoot-out.'
'No shoot-out.'
She smiled to herself.
'What's so funny?'
'Nothing...'
'Don't say nothing.'
She shrugged. CI was just smiling, that's all. Can't I smile?'
'Jesus. All this conversation needs is sub-titles.'
They walked along Oxford Street a little way.
'Do you want to eat?' he said, as they came to the head of Poland Street. 'We could go to the Red Fort.'
'No thanks. I hate eating late.'
'For Christ's sake, let's not argue about a bloody film.'
'Who's arguing?'
'You're so infuriating-'
'That's something we've got in common, anyhow,' she returned. Her neck was flushed.
'You said this morning -'
'What?'
'About us not losing each other-'
'That was this morning,' she said, eyes steely. And then, suddenly: 'You don't give afuck, Jerry. Not about me, not about anybody.'
She stared at him, almost defying him not to respond. When he failed to, she seemed curiously satisfied.
'Goodnight...' she said, and began to walk away from him. He watched her take five, six, seven steps from him, the deepest part of him wanting to call after her, but a dozen irrelevancies - pride, fatigue, inconvenience - blocking his doing so. What eventually uprooted him, and put her name on his lips, was the thought of an empty bed tonight; of the sheets warm only where he lay, and chilly as Hell to left and right of him.
'Carole.'
She didn't turn; her step didn't even falter. He had to trot to catch up with her, conscious that this scene was probably entertaining the passers-by.
'Carole.' He caught hold of her arm. Now she stopped. When he moved round to face her he was shocked to see that she was crying. This discomfited him; he hated her tears only marginally less than his own.
'I surrender,' he said, trying a smile. 'The film was a masterpiece.
How's that?'
She refused to be soothed by his antics; her face was swollen with unhappiness.
'Don't,' he said. 'Please don't. I'm not...' (very good at apologies, he wanted to say, but he was so bad at them he couldn't even manage that much.)
'Never mind,' she said softly. She wasn't angry, he saw; only miserable.
'Come back to the flat.'
'I don't want to.'
'I want you to,' he replied. That at least was sincerely meant. 'I don't like talking in the street.'