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She didn't reach All Saints until well after eleven- thirty, but there were still signs of activity at the site. Lights, mounted on stands and on the wall of the church itself, poured illumination on the scene. A trio of technicians, Kavanagh's so-called removal men, stood outside the tarpaulin shelter, their faces drawn with fatigue, their breath clouding the frosty air. She stayed out of sight and watched the scene. She was growing steadily colder, and her scars had begun to ache, but it was apparent that the night's work on the crypt was more or less over. After some brief exchange with the police, the technicians departed. They had extinguished all but one of the floodlights, leaving the site - church, tarpaulin and rimy mud - in grim chiaroscuro.

The two officers who had been left on guard were not over-conscientious in their duties. What idiot, they apparently reasoned, would come grave-robbing at this hour, and in such temperatures? After a few minutes keeping a foot-stamping vigil they withdrew to the relative comfort of the workmen's hut. When they did not re-emerge, Elaine crept out of hiding and moved as cautiously as possible to the ribbon that divided one zone from the other. A radio had been turned on in the hut; its noise (music for lovers from dusk to dawn, the distant voice purred) covered her crackling advance across the frozen earth.

Once beyond the cordon, and into the forbidden territory beyond, she was not so hesitant. She swiftly crossed the hard ground, its wheel-ploughed furrows like concrete, into the lee of the church. The floodlight was dazzling; by it her breath appeared as solid as yesterday's smoke had seemed. Behind her, the music for lovers murmured on. No one emerged from the hut to summon her from her trespassing. No alarm-bells rang. She reached the edge of the tarpaulin curtain without incident, and peered at the scene concealed behind it.

The demolition men, under very specific instructions to judge by the care they had taken in their labours, had dug fully eight feet down the side of All Saints, exposing the foundations. In so doing they had uncovered an entrance to the burial-chamber which previous hands had been at pains to conceal. Not only had earth been piled up against the flank of the church to hide the entrance, but the crypt door had also been removed, and stone masons sealed the entire aperture up. This had clearly been done at some speed; their handiwork was far from ordered. They had simply filled the entrance up with any stone or brick that had come to hand, and plastered coarse mortar over their endeavours. Into this mortar - though the design had been spoiled by the excavations - some artisan had scrawled a six-foot

cross.

All their efforts in securing the crypt, and marking the mortar to keep the godless out, had gone for nothing however. The seal had been broken - the mortar hacked at, the stones torn away. There was now a small hole in the middle of the doorway, large enough for one person to gain access to the interior. Elaine had no hesitation in climbing down the slope to the breached wall, and then squirming through.

She had predicted the darkness she met on the other side, and had brought with her a cigarette lighter Mitch had given her three years ago. She flicked it on. The flame was small; she turned up the wick, and by the swelling light investigated the space ahead of her. It was not the crypt itself she had stepped into but a narrow vestibule of some kind: a yard or so in front of her was another wall, and another door. This one had not been replaced with bricks, though into its solid timbers a second cross had been gouged. She approached the door. The lock had been removed - by the investigators presumably - and the door then held shut again with a rope binding. This had been done quickly, by tired fingers. She did not find the rope difficult to untie, though it required both hands, and so had to be effected in the dark.

As she worked the knot free, she heard voices. The policemen - damn them - had left the seclusion of their hut and come out into the bitter night to do their rounds. She let the rope be, and pressed herself against the inside wall of the vestibule. The officers' voices were becoming louder: talking of their children, and the escalating cost of Christmas joy. Now they were within yards of the crypt entrance, standing, or so she guessed, in the shelter of the tarpaulin. They made no attempt to descend the slope however, but finished their cursory inspection on the lip of the earthworks, then turned back. Their voices faded.

Satisfied that they were out of sight and hearing of her, she reignited the flame and returned to the door. It was large and brutally heavy; her first attempt at hauling it open met with little success. She tried again, and this time it moved, grating across the grit on the vestibule floor. Once it was open the vital inches required for her to squeeze through she eased her straining. The lighter guttered as though a breath had blown from within; the flame briefly burned not yellow but electric blue. She didn't pause to admire it, but slid into the promised wonderland.

Now the flame fed - became livid - and for an instant its sudden brightness took her sight away. She pressed the corners of her eyes to clear them, and looked again.

So this was Death. There was none of the art or the glamour Kavanagh had talked of; no calm laying out of shrouded beauties on cool marble sheets; no elaborate reliquaries, nor aphorisms on the nature of human frailty: not even names and dates. In most cases, the corpses lacked even coffins.

The crypt was a charnel-house. Bodies had been thrown in heaps on every side; entire families pressed into niches that were designed to hold a single casket, dozens more left where hasty and careless hands had tossed them. The scene - though absolutely still - was rife with panic. It was there in the faces that stared from the piles of dead: mouths wide in silent protest, sockets in which eyes had withered gaping in shock at such treatment. It was there too in the way the system of burial had degenerated from the ordered arrangement of caskets at the far end of the crypt to the haphazard piling of crudely made coffins, their wood unplaned, their lids unmarked but for a scrawled cross, and thence - finally - to this hurried heaping of unhoused carcasses, all concern for dignity, perhaps even for the rites of passage, forgotten in the rising hysteria.

There had been a disaster, of that she could have no doubt; a sudden influx of bodies - men, women, children (there was a baby at her feet who could not have lived a day) - who had died in such escalating numbers that there was not even time to close their eyelids before they were shunted away into this pit. Perhaps the coffin-makers had also died, and were thrown here amongst their clients; the shroud-sewers too, and the priests. All gone in one apocalyptic month (or week), their surviving relatives too shocked or too frightened to consider the niceties, but only eager to have the dead thrust out of sight where they would never have to look on their flesh again.

There was much of that flesh still in evidence. The sealing of the crypt, closing it off from the decaying air, had kept the occupants intact. Now, with the violation of this secret chamber, the heat of decay had been rekindled, and the tissues were deteriorating afresh. Everywhere she saw rot at work, making sores and suppurations, blisters and pustules. She raised the flame to see better, though the stench of spoilage was beginning to crowd upon her and make her dizzy. Everywhere her eyes travelled she seemed to alight upon some pitiful sight. Two children laid together as if sleeping in each other's arms; a woman whose last act, it appeared, had been to paint her sickened face so as to die more fit for the marriage-bed than the grave.