And Bee would put in her tuppenceworth and fade out again.
It was Bee who «ran» Latchetts, but the various interests involved were divided between the three Ashbys. Eleanor's chief concerns were the hacks and hunters, Simon's were hunters and show jumpers, and Bee's were the mares and the Shetland ponies. During Bill Ashby's lifetime, when Latchetts was purely a breeding establishment, the hacks and hunters in the stables had been there for family use and amusement. Occasionally, when there happened to be an extra-good horse in the stable, Bee, who was a better horsewoman than her brother, would come down from London for a week or two to school it and afterwards show it for him. It was good advertisement for Latchetts; not because Latchetts ever dealt in made horses but because the simple repetition of a name is of value in the commercial world, as the writers of advertisements have discovered. Nowadays the younger Ashbys, under Bee's supervision, had turned the stables into a profitable rival to the brood mares.
"Mr. Gates is asking if he can speak to you, sir," said the stable-man to Gregg. And Gregg excused himself and went back to the saddle room.
Fourposter came to the door of his box, stared coldly at Brat for a moment, and then nudged him jocosely with his Roman nose.
"Has he always been Jane's?" Brat asked.
"No," Bee said, "he was bought for Simon's fourteenth birthday. But Simon grew so fast that in a year or so he had outgrown him, and Jane at four was already clamouring to ride a 'real' horse instead of a Shetland. So she fell heir to him. If he ever had any manners he has forgotten them, but he and Jane seem to understand each other."
Gregg came back to say that it was Miss Ashby that Gates wanted to see. It was about the fencing.
"All right, I'll come," Bee said. And as Gregg went away: "What he really wants to see is Brat, but he'll just wait till to-morrow like the rest of the countryside. It's so like Gates to try to steal a march. Opportunism is his middle name. If you two go trying out any of the horses, do be back for tea. I want to go round the paddocks with Brat before it gets dark."
"Do you remember Gates?" Simon asked, opening the door of another box.
"No, I don't think so."
"He's the tenant of Wigsell."
"What became of Vidler, then?"
"He died. This man was married to his daughter and had a small farm the other side of Bures."
Well, Simon had dealt him the cards he needed that time. He looked at Simon to see how he had taken it, but Simon's whole interest seemed to be in the horse he was leading out of the box.
"These last three boxes are all new acquisitions, bought with an eye on the show ring. But this is the pick of the bunch. He's a four-year-old by High Wood out of a mare called Shout Aloud. His name is Timber."
Timber was a black without a brown hair in him. He had a rudimentary white star, and a ring of white on each coronet; and he was quite the handsomest thing in horseflesh that Brat had ever been at close quarters with. He came out of his box with an air of benevolent condescension, as if aware of his good looks and pleased that they should be the subject of tribute. There was something oddly demure about him, Brat thought, watching him. Perhaps it was just the way he was standing, with his forefeet close together. Whatever it was it didn't go with the self-confident, considering eye.
"Difficult to fault, isn't he?" Simon said.
Brat, lost in admiration of his physical conformation, was still puzzled by what he thought of as the butter-wouldn't-melt air.
"He has one of the best-looking heads I've ever seen on a horse," Simon said. "And just look at the bone." He led the horse round. "And a sweet mover, too," he said.
Brat went on looking in silence, admiring and puzzled.
"Well?" Simon said, waiting for Brat's comment.
"Isn't he conceited!" said Brat.
Simon laughed.
"Yes, I suppose he is. But not without cause."
"No. He's a good-looker all right."
"He is more than that. He's a lovely ride. And he can jump anything you can see the sky over."
Brat moved forward to the horse and made friendly overtures. Timber accepted the gesture without responding. He looked gratified but faintly bored.
"He should have been a tenor," Brat said.
"A tenor?" Simon said. "Oh, I see. The conceit." He considered the horse afresh. "I suppose he is rather pleased with himself. I hadn't thought about it before. Would you like to try him out, by the way?"
"I certainly would."
"He ought to have some exercise to-day and he hasn't had it so far." He hailed a stable-man. "Arthur, bring a saddle for Timber."
"Yes, sir. A double bridle, sir?"
"No; a snaffle." And, as the man went, to Brat: "He has a mouth like a glove."
Brat wondered if he was merely reluctant to submit that tender mouth to the ham hands of a Westerner with a curb rein at his disposal.
While Timber was being saddled they inspected the two remaining "acquisitions." They were a long-backed bay mare with a good head and quarters ("Two good ends make up for a middle," as Simon said) who was called Scapa; and Chevron, a bright chestnut of great quality with a nervous eye.
"What are you riding?" Brat asked, as Simon led Chevron back to his box.
Simon bolted the half-door and turned to face him.
"I thought you might like to have a look round by yourself," he said. And as Brat, surprised by this piece of luck, was momentarily wordless: "Don't let him get lit-up too much, will you, or he'll break out again when he has been dried."
"No, I'll bring him back cool," Brat said; and flung his leg across his first English horse.
He took one of the two whips that Arthur was holding out for his choosing, and turned the horse to the inner end of the yard.
"Where are you going?" Simon asked, as if surprised.
"Up to the down, I think," Brat said, as if Simon's question had applied to his choice of a place to ride in.
If that gate at the north-west corner of the yard didn't still lead to the short-cut to the downs, then Simon would have to tell him. If it still did lead there, Simon would have one more item to worry about.
"You haven't chosen a very good whip for shutting gates with," Simon said smoothly. "Or are you going to jump everything you come to?" You rodeo artist, the tone said.
"I'll shut the gates," Brat said equably.
He began to walk Timber to the corner of the yard.
"He has his tricks, so look out for him," Simon said, as an afterthought.
"I'll look out for him," Brat said, and rode away to the inner gate which Arthur was waiting to open for him.
Arthur grinned at him in a friendly fashion and said admiringly: "He's a fly one, that, sir."
As he turned to his right into the little lane he considered the implication of that very English adjective. It was a long time since he had heard anything called fly. «Fly» was "cute"-in the English sense, not in the American. Fly was something on the side. A fly cup. Something sly with a hint of cleverness in it.
A fly one, Timber was.
The fly one walked composedly up the track between the green banks netted with violets, his ears erect in anticipation of the turf ahead of them. As they came in sight of the gate at the far end he danced a little. "No," said Brat's hands, and he desisted at once. Someone had left the gate open, but since there was a notice saying PLEASE SHUT THE GAT neatly painted in the middle of it, Brat manoeuvred Timber into the appropriate position for closing it. Timber seemed as well acquainted with gates and their uses as a cow pony was with a rope, but never before had Brat had so delicate and so well-oiled a mechanism under him. Timber obeyed the slightest indication of hand or heel with a lack of questioning and a confidence that was new in Brat's experience. Surprised and delighted, Brat experimented with this new adaptability. And Timber, even with the turf in front of him, with the turf practically under his feet, moved sweetly and obediently under his hands.