"She's probably never set foot in Africa," I said, believing it; yet I could see her there, it was somewhere she would have gone. And the carved head: I looked at the photographs again.
"You know so much, where is she?"
"Dead. Or in a crazy house. Or married. I think she's married and quieted down and maybe right in this very city."
He considered a moment. "No," he said, and shook his head. "I'll tell you why. If she was in this city I'd have seen her. You take a man that likes to walk, a man like me, a man's been walking in the streets going on ten or twelve years, and all those years he's got his eye out for one person, and nobody's ever her, don't it stand to reason she's not there? I see pieces of her all the time, a flat little bottom, any skinny girl that walks fast and straight — " He paused, as though too aware of how intently I was looking at him. "You think I'm round the bend?"
"It's just that I didn't know you'd been in love with her. Not like that."
I was sorry I'd said it; it disconcerted him. He scooped up the photographs and put them back in their envelope. I looked at my watch. I hadn't any place to go, but I thought it was better to leave.
"Hold on," he said, gripping my wrist. "Sure I loved her. But it wasn't that I wanted to touch her." And he added, without smiling: "Not that I don't think about that side of things. Even at my age, and I'll be sixty-seven January ten. It's a peculiar fact — but, the older I grow, that side of things seems to be on my mind more and more. I don't remember thinking about it so much even when I was a youngster and it's every other minute. Maybe the older you grow and the less easy it is to put thought into action, maybe that's why it gets all locked up in your head and becomes a burden. Whenever I read in the paper about an old man disgracing himself, I know it's because of this burden. But" — he poured himself a jigger of whiskey and swallowed it neat — "I'll never disgrace myself. And I swear, it never crossed my mind about Holly. You can love somebody without it being like that. You keep them a stranger, a stranger who's a friend."
Two men came into the bar, and it seemed the moment to leave. Joe Bell followed me to the door. He caught my wrist again. "Do you believe it?"
"That you didn't want to touch her?"
"I mean about Africa."
At that moment I couldn't seem to remember the story, only the image of her riding away on a horse. "Anyway, she's gone."
"Yeah," he said, opening the door. "Just gone."
Outside, the rain had stopped, there was only a mist of it in the air, so I turned the corner and walked along the street where the brownstone stands. It is a street with trees that in the summer make cool patterns on the pavement; but now the leaves were yellowed and mostly down, and the rain had made them slippery, they skidded underfoot. The brownstone is midway in the block, next to a church where a blue tower-clock tolls the hours. It has been sleeked up since my day; a smart black door has replaced the old frosted glass, and gray elegant shutters frame the windows. No one I remember still lives there except Madame Sapphia Spanella, a husky coloratura who every afternoon went roller-skating in Central Park. I know she's still there because I went up the steps and looked at the mailboxes. It was one of these mailboxes that had first made me aware of Holly Golightly.
I'd been living in the house about a week when I noticed that the mailbox belonging to Apt. 2 had a name-slot fitted with a curious card. Printed, rather Cartier-formal, it read: Miss Holiday Golightly; and, underneath, in the corner, Traveling. It nagged me like a tune: Miss Holiday Golightly, Traveling.
One night, it was long past twelve, I woke up at the sound of Mr. Yunioshi calling down the stairs. Since he lived on the top floor, his voice fell through the whole house, exasperated and stern. "Miss Golightly! I must protest!"
The voice that came back, welling up from the bottom of the stairs, was silly-young and self-amused. "Oh, darling, I am sorry. I lost the goddamn key."
"You cannot go on ringing my bell. You must please, please have yourself a key made."
"But I lose them all."
"I work, I have to sleep," Mr. Yunioshi shouted. "But always you are ringing my bell…"
"Oh, don't be angry, you dear little man: I won't do it again. And if you promise not to be angry" — her voice was coming nearer, she was climbing the stairs — "I might let you take those pictures we mentioned."
By now I'd left my bed and opened the door an inch. I could hear Mr. Yunioshi's silence: hear, because it was accompanied by an audible change of breath.
"When?" he said.
The girl laughed. "Sometime," she answered, slurring the word.
"Any time," he said, and closed his door.
I went out into the hall and leaned over the banister, just enough to see without being seen. She was still on the stairs, now she reached the landing, and the ragbag colors of her boy's hair, tawny streaks, strands of albino-blond and yellow, caught the hall light. It was a warm evening, nearly summer, and she wore a slim cool black dress, black sandals, a pearl choker. For all her chic thinness, she had an almost breakfast-cereal air of health, a soap and lemon cleanness, a rough pink darkening in the cheeks. Her mouth was large, her nose upturned. A pair of dark glasses blotted out her eyes. It was a face beyond childhood, yet this side of belonging to a woman. I thought her anywhere between sixteen and thirty; as it turned out, she was shy two months of her nineteenth birthday.
She was not alone. There was a man following behind her. The way his plump hand clutched at her hip seemed somehow improper; not morally, aesthetically. He was short and vast, sun-lamped and pomaded, a man in a buttressed pin-stripe suit with a red carnation withering in the lapel. When they reached her door she rummaged her purse in search of a key, and took no notice of the fact that his thick lips were nuzzling the nape of her neck. At last, though, finding the key and opening her door, she turned to him cordially: "Bless you, darling — you were sweet to see me home."
"Hey, baby!" he said, for the door was closing in his face.
"Yes, Harry?"
"Harry was the other guy. I'm Sid. Sid Arbuck. You like me."
"I worship you, Mr. Arbuck. But good night, Mr. Arbuck."
Mr. Arbuck stared with disbelief as the door shut firmly. "Hey, baby, let me in baby. You like me baby.
"I'm a liked guy. Didn't I pick up the check, five people, your friends, I never seen them before? Don't that give me the right you should like me? You like me, baby."
He tapped on the door gently, then louder; finally he took several steps back, his body hunched and lowering, as though he meant to charge it, crash it down. Instead, he plunged down the stairs, slamming a fist against the wall. Just as he reached the bottom, the door of the girl's apartment opened and she poked out her head.
"Oh, Mr. Arbuck ... "
He turned back, a smile of relief oiling his face: she'd only been teasing.
"The next time a girl wants a little powder-room change," she called, not teasing at all, "take my advice, darling: don't give her twenty-cents!"
She kept her promise to Mr. Yunioshi; or I assume she did not ring his bell again, for in the next days she started ringing mine, sometimes at two in the morning, three and four: she had no qualms at what hour she got me out of bed to push the buzzer that released the downstairs door. As I had few friends, and none who would come around so late, I always knew that it was her. But on the first occasions of its happening, I went to my door, half-expecting bad news, a telegram; and Miss Golightly would call up: "Sorry, darling — I forgot my key."
Of course we'd never met. Though actually, on the stairs, in the street, we often came face-to-face; but she seemed not quite to see me. She was never without dark glasses, she was always well groomed, there was a consequential good taste in the plainness of her clothes, the blues and grays and lack of luster that made her, herself, shine so. One might have thought her a photographer's model, perhaps a young actress, except that it was obvious, judging from her hours, she hadn't time to be either.