With a little boy’s purposeless curiosity, I followed after them, and stood on the wooden porch, my small hands sunk deep into the pockets of my faded blue overalls, watching them go.
They’d come in a dusty red pickup truck with black-wall tires and a rusty grille, an old model, scarcely seen anymore, with the headlights mounted on the front fenders, like frog’s eyes. Kelli sat on the passenger side, of course, the window rolled down so that I could see her slender arm as it dangled outside the door. When it pulled away, she glanced back at me, her face still locked in an odd concentration, earnest and unsmiling.
It is the absence of that smile that most haunts me now, and each time I recall it, I remember how serious she appeared even at that early age, how guarded and mistrustful, and how, years later, at the instant of her destruction, all the trust and belonging she had come to feel during the previous year must have seemed to explode before her eyes.
Within an instant, she was gone.
I remained on the porch, my hands still in my pockets, toying with one of the assortment of dime-store clickers I’d collected over the years. I was always clicking them, using them, as I realize now, to click away boredom, loneliness, fear. At night I clicked away the darkness. Alone in my backyard I clicked up imaginary friends. I suppose that as I stood on the store’s front porch that afternoon, I half believed that with a single innocent and fantastic click I could bring Kelli Troy back to me.
Such a wonder does not exist, of course. Only memory does, the standing miracle of life. And so, despite the passage of over thirty years, the slightest thing can still return her to me. Sometimes, for example, I will glance out my office window, fix my eyes upon the gray upper slope of Breakheart Hill, and recall the many times I’d wanted to take her up that same hill and lie down with her. I had dreamed of it quite often during the time I knew her, and it was always the same dream, delicate enough, and tender, but unmistakably sensual as well. I would take her to the crest of Breakheart Hill, lower her upon a dark red blanket, and as the music swelled to a thrilling height, we would come together in that passionate embrace I’d seen in countless movies, a touch I had never felt, though many times imagined.
But nothing like that ever happened on Breakheart Hill. Something else did. Something that continually weaves through my consciousness, slithering into my mind from this corner or that, but always returning me to the past with a terrible immediacy, as if it had all happened yesterday and I was still reeling from the shock.
At times it begins with Sheriff Stone standing before me, his eyes slowly scanning the bare concrete walls of the little office where I worked on the high school newspaper. At other occasions it has begun with the sound of my father calling to me from the mountain road, his tall figure veiled in thick gray lines of rain. It has begun with my being ushered into a musty, cluttered room, an old woman’s voice coming from behind, ancient, gravelly, and unspeakably ironic in what she says to me. Thank you, Ben, for doing this.
At still other times it comes to me in a dream of that last day. It is midafternoon, and a breeze is rustling through the grass of my front yard. Across the way, my neighbor’s son blows a dandelion into the shimmering air, and suddenly in my mind I see Luke’s old truck come to a stop on the mountainside. He takes off his blue baseball cap and wipes his brow. He says, “You sure?” She says, “Don’t worry, Luke.” Then she smiles at him and gets out of the truck. He lingers a moment, reluctant to leave her. “Go on, Luke,” she tells him. He nods, jerks into gear, then pulls away, the old truck lumbering down the hill toward town, a puff of blue smoke streaming from its dusty tailpipe. She watches him from her place at the edge of the mountain road, her hand lifted in a final wave, her bare arm weaving like a brown reed against the green wall of the mountain. She smiles slightly, as if to reassure him that she is safe from harm. Then she turns away and heads down the slope toward Breakheart Hill, disappearing finally into a web of trees.
Sometimes the dream ends there, too, with a faint smile still lingering on her lips. At other times, however, it goes on irrevocably, step by step, all the way to the instant when I see her body as it crashes through the dense forest growth, her legs torn by briar and shrubs, her face slapped mercilessly by low-slung branches. She runs desperately, dazed and terrified, her body bent forward as she rushes back up the steep grade of Breakheart Hill. At times she stumbles, her fingers clawing madly at the rocky ground until she pulls herself to her feet again and struggles forward, staggering up the slope, toward the point where the high ridge levels off at the mountain road, where she hopes Luke, by some miracle, may have returned for her. She is almost there when she falls, exhausted, unable to move. In the last moments, I see her face pressed hard against the ground, her snarled hair littered with bits of leaves. I see the shadow fall over her, watch her face twist around surreally, rotating slowly into an impossible angle. It is then that her eyes lift toward me. They are filled with a dark amazement, staring at me questioningly until the lights within them suddenly blink out.
And I wake up. I recognize my house, the wife who sleeps trustfully beside me, the adoring daughter whose picture hangs on the wall a few feet from my bed. In the darkness, I glance about silently, my eyes taking in the surrounding room. Everything appears steady, ordered, predictable, the night table in its proper place, the mirror where it has always been. Beyond the window, the street remains well lighted, the road straight and sure. All that lies outside of me, the whole external world, seems clean and clear compared to the boiling muck within. My house, my family and friends, the little valley town I have lived in all my life, I can maneuver my way among all these things as smoothly as a fish skirts along the bottom of a crystal stream. It is only within me that the water turns murky, thickens and grows more airless each time I relive that long-ago summer day.
But I relive it anyway, my mood darkening with each return, a descent that confuses those who have lived with me these many years, particularly my wife, who senses that on those occasions when I grow distant and walled in, it is because something inexpressible has tightened its grip on me. Oddly enough, it is also at those moments when she seems to renew her attraction for me, as if, at its heart, gravity were romantic, that perhaps even more than youth or beauty, it has the power to rekindle love. And it is at that instant, perhaps more than any other, as my wife lies naked at my side, that Kelli Troy returns to me. Not as a body lying in a rippling pool of vines, but as she was while she was still herself, young and vibrant, filled with the high expectations that ennobled and inflamed her. And I see her on the mountainside, her body sheathed in green, balanced like a delicate white vase on the crest of Breakheart Hill.
I think that it is in this pose that Luke most often sees her, too, a vision that inevitably prompts one of the many questions that have lingered in his mind through the years, and which from time to time, when we are alone together, he will voice suddenly, his eyes drifting toward me as he speaks. What was Kelli doing on Breakheart Hill that day? What was she looking for in those deep woods alone?
CHAPTER 2
BUT THAT AFTERNOON, AS WE SAT ON THE PORCH TOGETHER, Luke had a different question, one that, in its own peculiar way, I found far more threatening.
“Have you ever told Amy about what happened on Breakheart Hill?” he asked.
He meant my daughter, who is now the same age Kelli was in May of 1962. She was sitting only a few yards away, curled up in a lawn chair, reading silently beneath the shade of the large oak tree that towers above the yard.