“Look, champ, I carried a large policy but two years ago we were stony and I had to borrow to the hilt on it. I couldn't meet the payments and they had to cut down the insurance. Francine wouldn't mind my dying—if I had the full policy again. She's trying to get me reinstated. I guess I couldn't pass a new physical.”
“All those books, how could you be broke?” Brown asked, getting into the Jaguar.
“Don't talk like a hick, champ. Writers never make real money. In the last census the income of the average professional writer was substandard. In a way we're like pugs: a few writers are in the top brackets, a few more make a fair living—and most writers need a working wife to keep above water. Anyway, we were building this house that year.” Matt started the car, the motor purring with power. “Hank, we're really equipped for decent living here. When you come out I'll take you tuna fishing—I have a hell of a fine sea boat and... damn I never had a chance to show you the boat, the beach. This was some visit. When you come out we'll do nothing but fish and bull about the old gang. I won't do a drop of work, won't think about my damn cobra gimmick. We were all so full of purpose, so sure of life in those days. Sometimes I wonder if it wasn't all a kind of binge. Tell me, do you ever hear of Nick and old Pete? What's become of Hazel the pretty kid with the haunting eyes?”
They talked about 'old times' while waiting for the train, an awkward conversation since neither could recall much about any one person. Brown again refused a check, said he would phone about the weekend the moment he knew about his time. When the train pulled out, Matt drove down a deserted side road and parked. He ran around to the car trunk and eagerly opened a large cardboard carton—the real reason he'd gone to Hampton.
Through the mail, and under a pen name, he had ordered a complete skin-diving outfit: mask, fins, spear gun and two compact air tanks that fastened over the back. A month ago, after he had tried a friend's outfit, there had been a bitter fight with Francine over buying one. “That's all your heart needs!” she had said.
“Nonsense. I won't go down more than 50 feet. We'll buy two and both of us can explore the bay.”
“Forget it, Matt. Or better yet, let's call the doctor and have him tell us it's okay?”
Now Matt fingered the gadgets like a happy kid. He thought, It will be a cinch, hide it in the sail locker in the boat house, she never opens that. I'll only use it at night or when Fran is away. I can stay under for nearly an hour. My God, they're always talking about the British ships sunk here in 1776—-be something if I find them. Maybe treasure! Has anybody used skin diving as a plot gimmick yet? Must have been used.
When he reached the house Joel Hunter was sleeping on a beach mat on the front lawn, a shaker of cocktails sweating in the sun beside him. Wilma was dozing in a chair, a yellow scarf flung over her eyes. The dog was curled up in the shade of the chair. For a second Matt grinned down at Wilma, mentally taking off her bathing suit—as he had, in his mind, so many times before. Couple of years, he thought, she'll be a pot. But right now... mine for the asking. What the hell am I afraid of?
He walked on into the house, walking softly. Upstairs he heard May working. Quietly he walked to the veranda, opened a closet—Fran's tackle box was gone. Matt glanced at the pines which screened the view (and the wind) of the bay. He looked at his wrist watch and nodded to himself. Crossing the rear lawn, he opened the trunk of the Jaguar, and glancing around like a ham actor, took out the cardboard box, and headed through the pines toward the boat house.
He suddenly came up on Francine, walking toward the main house. She was wearing a floppy straw hat that they had bought in Haiti and an old Italian sports shirt over her bathing suit. She was holding her fishing gear. Matt asked with real annoyance, “Where did you come from?”
“I forgot my spinning reel and... what's in the box?”
“Nothing much. Tools, oarlocks... a few things I ordered last week,” Matt said, walking past her, shielding the box with his body.
“We don't need oarlocks. Come back here, Matt.”
He kept walking. She said, “You louse, you have a case of gin in there!” Francine turned to run after him. She fell over a root, and unable to break the fall because her hands were full of tackle, she cracked her head on a large rock imbedded at the side of the rough path. The big hat didn't even touch the rock but her skull and the stone made a dull sound.
Matt dropped the box, raced back to her. He said, “Honey, are...?” as he started to lift Francine, then let the body fall again. Her head hit the stone once more—hardly any sound this time—and Matt jumped back in horror: he knew she was dead.
Matt was dazed. He stared at the body and couldn't believe what he saw. He knelt beside her and felt the back of her neck. He massaged the pulse-less wrists, turned Francine over gently and started to put his hand under her bathing suit to feel for a heart beat, but the unseeing open eyes stopped him. She wasn't stunned or hurt, she was dead.
Matt was numbed, shocked, grief-stricken: he began to weep—a little. And under all these emotions there was another one pushing its way to the top of his mind—relief. For a second the tears came, and he seemed to be kneeling in prayer and crying. But the more he stared at her body, the stronger an entirely new thought grew—one which filled him with fear and horror. He mumbled half aloud, Joel would break under any kind of questioning and Wilma—she'd hold it over me the rest of my life. No, there's only one thing to do and I have to do it damn fast—make it look “Nobody will ever believe this was an accident! The Hunters heard me say I'd kill Francine a short time ago... 'She tripped and hit her head on a rock....' No, no, oh, my God no! I wouldn't believe that myself. I'm in a hell of a jam unless... unless what? Can I make the Hunters forget they heard me threaten her? more like an accident.”
He stood up, studied the body, the ground: he was thinking clearly, the top-flight mystery writer looking for a plot witch. The rods weren't touched. Her canvas shoes hadn't been torn by the root. He pulled back the floppy hat: there was a suggestion of blood on her lips and nose but no blood on either the rock or the ground. Her forehead was discolored and of a queer shape, like a cracked egg. Matt turned the hat down over her eyes.
“Don't understand why there isn't any blood,” Matt told himself, “But it's a break. Now... Fran must have told the Hunters she was going fishing. Okay, she stood up to cast, lost her balance, struck her head on the side of the boat, fell over and drowned? No, that's out, any medical examiner could prove she was dead before she hit the water. Suppose she's found hanging over the side of the boat, just her face resting on the water? That would hold up, hitting the side of the boat would be the cause of death, not drowning. Sure, she stood up to cast, lost her balance, hit her head. Would such a blow cause death? Hell, it had to, it did! What's my alibi? Do I need one? May probably heard me drive up in the car even if the Hunters didn't. But no reason for May to check the time I arrived. As for the Hunters, they're half-bagged, shouldn't be hard to confuse them on a time lapse of a half hour. Can I work that corny bit of changing and rechanging the clocks I used in the old pulps? I'll think of... damn, wonder if anyone else is fishing in this end of the bay? Although I can swim out and back underwater with my outfit!”
Matt picked up the cardboard box and ran to the boat-house—the bay was empty. He ran back and picked up Fran-cine, carried her down to the little rowboat beached on the sand. He raced back and picked up the fishing gear, carefully studied the ground in the shade of the pine trees. He ran back, his heart pounding. He quickly put an old reel on Francine's rod, hooked and baited the line. Matt thought: Damn, good I posted all the land around here, little chance of anyone seeing me—although always a chance of some dumb kid being in the woods. I don't have to worry about fingerprints, I've often used her tackle. Now—what made her trip? A shoe lace caught on the broken duckboards. Poor Fran, always after me to fix them. Then her head would hit about... here. Would it make a dent in the wooden gunwale?” I think so. But have I the guts to bang Fran's head against the boat?