And she began to descend the stairs very smoothly and quietly, with one hand trailing along: the banister. The only sound was the slapping of her sandals against her bare heels.
Jesse said, "Good to see you, Fiona."
She reached the hall and looked up at him. "It's good to see you too," she said.
"Done something new to your hair, haven't you?"
She lifted a hand, with her eyes still on his face, and touched the ends of her hair. "Oh! Maybe so," she told him.
Maggie said, "Well, I guess I'd better get back to-"
And Ira said, "Need help in the kitchen, Maggie?"
"Yes, please!" she sang out happily.
Fiona told Jesse, "I was just upstairs hunting my soapbox."
Maggie -hesitated.
"Soapbox?" Jesse asked.
"I tried your bureau drawer, but it's empty. All I found was mothballs.
Did you take my soapbox with you when you moved to your apartment?"
"What soapbox are you talking about?"
"My tortoiseshell soapbox! The one you kept."
Jesse looked over at Maggie. Maggie said, "You remember -her soapbox.'
"Well, no, I can't say as I do," Jesse said, and lie grabbed hold of his forelock die way he always did when he was puzzled.
"?ba kept it after she left," Maggie told him. "I saw you with it. There was a bar of soap inside, remember? That dear kind of soap you can see through."
"Oh, yes," Jesse said, letting go of Iris forelock.
"You remember it?"
"Sure."
Maggie relaxed. She flashed a bracing smile at Leroy, who had lowered her foot to the floor now and was looking uncertain.
"So where is it?" Fiona asked. "Where's my soapbox, Jesse?"
"Well, uh, didn't your sister take it?"
"No."
"I thought she packed it up along with your other things."
"No," Fiona said. "You had it in your bureau."
Jesse said, "Gosh, Fiona. In that case maybe it's thrown out by now. But look, if it means so much to you, then I'd be glad to-"
"But you kept it, because it reminded you of me," Fiona told him. ' 'It smelled like me! You closed your eyes and held my soapbox to your nose."
Jesse's gaze swiveled to Maggie again. He said, "Ma? Is that what you told her?"
"You mean it's not true?" Fiona asked him.
"You said I went around sniffing soapboxes, Ma?"
"You did!" Maggie said. Although she hated having to repeat it to his face. She had never meant to shame him. She turned to Ira (who was wearing exactly the shocked, reproachful expression she had expected) and said, "He kept it in his top drawer."
"Your treasure drawer," Fiona told Jesse. "Do you suppose I'd come all the way down here like any ordinary . . . groupie if your mother hadn't told me that? I didn't have to come! I was getting along just fine! But your mother says you hung on to my soapbox and wouldn't let Crystal pack it, you closed your eyes and took this big whiff, you've kept it to this day, she said, you've never let it go, you sleep with it under your pillow at night."
Maggie cried, "I never said-!"
"What do you think I am? Some kind of loser?" Jesse asked Fiona.
"Now, listen," Ira said.
Everyone seemed glad to turn to him.
"Let me get this straight," he said. "You're talking about a plastic soapbox."
"A plastic soapbox," Fiona told him, "that Jesse sleeps every night with."
"Well, there seems to be some mistake," Ira said. "How would Maggie even know such a thing? Jesse has his own apartment now. All he sleeps with that I've ever heard of is an auto greeter."
"A what?"
"Oh, never mind."
"What's an auto greeter?"
There was a pause. Then Ira said, "You know: the person who stands at the door when you go in to buy a car. She makes you give your name and address before she'll call a salesman."
"She? You mean a woman?"
"Right."
"Jesse sleeps with a woman?"
"Right."
Maggie said, "You just had to spoil things, Ira, didn't you."
"No," Ira told her, "it's the simple truth that's spoiled things, Maggie, and the truth is, Jesse's involved with somebody else now."
"But that woman's no one important! I mean they're not engaged or married or anything! She's no one he really cares about!"
She looked to Jesse to back her up, but he was studiously examining the toe of his left boot.
"Oh, Maggie, admit it," Ira said. "This is the way things are. This is how he's going to be. He never was fit husband material! He passes from girlfriend to girlfriend and he can't seem to hold the same job for longer than a few months; and every job he loses, it's somebody else's fault. The boss is a jerk, or the customers are jerks, or the other workers are-"
"Now, hold on," Jesse began, while Maggie said, "Oh, why do you always, always exaggerate, Ira! He worked in the record shop a full year, have you forgotten that?"
"Everyone in Jesse's acquaintance," Ira finished calmly, "by some magical coincidence ends up being a jerk."
Jesse turned and walked out of the house.
It made things more disturbing, somehow, that he didn't slam the door but let it click shut very gently behind him.
Maggie said, "He'll be back." She was speaking to Fiona, but when Fiona didn't respond (her face was almost wooden; she was staring after Jesse), she told Leroy instead. "You saw how glad he was to see you, didn't you?"
Leroy just gaped.
' 'He's upset at what Ira said about him, is all," Maggie told her. And then she said, "Ira, I will never forgive you for this."
"Me!" Ira said.
Fiona said, "Stop it."
They turned.
"Just stop, both of you," she said- "I'm tired to death of it. I'm tired of Jesse Moran and I'm tired of the two of you, repeating your same dumb arguments and niggling and bickering, Ira forever so righteous and Maggie so willing to be wrong,"
"Why . , . Fiona?" Maggie said. Her feelings were hurt. Maybe it was silly of her, out she had always secretly believed that outsiders regarded her marriage with envy. We're not bickering; we're just discussing," she said. "We're compiling oar two views of tilings."
Fiona said, "Oh, forget it. I don't know why I thought anything would be any different here," And she stepped into die living room and hugged Leroy, whose eyes were wide and startled. She said, "There, fliere, Ironey," and she buried her face in the crook of Leroy's neck. Plainly, Fiona herself was the one who needed consoling.
Maggie glanced at Ira. She looked elsewhere.
"Soapbox?" Ira asked. "How could you invent such a story?"
She didn't answer. (Anything she said might look like bickering.) Instead she walked away from him. She headed toward the kitchen in what she hoped was a dignified silence, but Ira followed, saying, "Look here, Maggie, you can't keep engineering other people's lives this way. Face facts!
Wake up and smell the coffee!"
Ann Landers's favorite expression: Wake up and smell the coffee. She hated it when he quoted Ann Landers. She went over to the counter and started dropping chicken parts into the paper bag.
"Soapbox!" Ira marveled to himself.
"You want peas with your chicken?" she asked. "Or green beans."
But Ira said, "I'm going to go wash up." And he left.
So here she was alone. Well! She brushed a tear from her lashes. She was in trouble with everybody in this house, and she deserved to be; as usual she had acted pushy and meddlesome. And yet it hadn't seemed like meddling while she was doing it. She had simply felt as if the world were the tiniest bit out of focus, the colors not quite within the lines-something like a poorly printed newspaper ad-and if she made the smallest adjustment then everything would settle perfectly into place.
"Stupid!" she told herself, rattling the chicken parts far the bag.
"Stupid aid nosy-bones!" She slammed a skillet onto the stove and poured in too much oil. She twisted a knob savagely and then stood back and waited for the burner to heat. Now look: Droplets of oil were dotted across the front of her best dress, over the mound of her stomach. She was clumsy and fat-stomached and she didn't even have the sense to wear an apron while she was cooking. Also she had paid way too much for this dress, sixty-four dollars at Hecht's, which would scandalize Ira if he knew. How could she have been so greedy? She dabbed at her nose with the back of her hand.