She enters once and for all encumbered with her paraphernalia which she deposits by the wall near the door, thinking: it should be easier than this. Indeed, why bother at all when it always seems to turn out the same? Yet she cannot do otherwise. She is driven by a sense of duty and a profound appetite for hope never quite stifled by even the harshest punishments: this time, today, perhaps it will be perfect … So, deliberately and gravely, not staring or turning her head either one way or the other, she crosses the room to the far wall and with a determined flourish draws open the tall curtains, flooding the room with buckets of sunlight, but her mind is clouded with an old obscurity: When, she wants to know as she opens wide the glass doors to let the sweet breath of morning in (there are birds, too, such a song, she doesn’t hear it), did all this really begin? When she entered? Before that? Long ago? Not yet? Or just now as, bracing herself as though for some awful trial, she turns upon the bed and flings the covers back, her morning’s tasks begun. ‘Oh!’ she cries. ‘I beg your pardon, sir!’ He stares groggily down at the erection poking up out of the fly of his pajama pants, like (she thinks) some kind of luxuriant but dangerous dew-bejeweled blossom: a monster in the garden. ‘I was having a dream,’ he announces sleepily, yet gravely. ‘Something about tumidity. But it kept getting mixed up somehow with —’ But she is no longer listening. Watching his knobby plant waggle puckishly in the morning breeze, then dip slowly, wilting toward the shadows like a closing morning glory, a solution of sorts has occurred to her to that riddle of genesis that has been troubling her mind: to wit, that a condition has no beginning. Only change can begin or end.
She enters, dressed crisply in her black uniform with its starched white apron and lace cap, leans her mop against the wall like a standard, and strides across the gleaming tile floor to fling open the garden doors as though (he thinks) calling forth the morning. What’s left of it. Watching her from behind the bathroom door, he is moved by her transparent earnestness, her uncomplicated enthusiasm, her easy self-assurance. What more, really, does he want of her? Never mind that she’s forgotten her broom again, or that her shoe’s unbuckled and her cap on crooked, or that in her exuberance she nearly broke the glass doors (and sooner or later will), what is wonderful is the quickening of her spirits as she enters, the light that seems to dawn on her face as she opens the room, the way she makes a maid’s oppressive routine seem like a sudden invention of love. See now how she tosses back the blankets and strips off the sheets as though, in childish excitement, unwrapping a gift! How in fluffing up the pillows she seems almost to bring them to life! She calls it: ‘doing the will of God from the heart!’ ‘Teach me, my God and King, in all things thee to see,’ she sings, ‘and what I do in any thing, to do it as for thee!’ Ah well, he envies her: would that he had it so easy! All life is a service, he knows that. To live in the full sense of the word is not to exist or subsist merely, but to make oneself over, to give oneself: to some high purpose, to others, to some social end, to life itself beyond the shell of ego. But he, lacking superiors, must devote himself to abstractions, never knowing when he has succeeded, when he has failed, or even if he has the abstractions right, whereas she, needing no others, has him. He would like to explain this to her, to ease the pain of her routine, of her chastisement — what he calls his disciplinary interventions — but he knows that it is he, not she, who is forever in need of such explanations. Her mop fairly flies over the tiles (today she has remembered the mop), making them gleam like mirrors, her face radiant with their reflected light. He checks himself in the bathroom mirror, flicks lint off one shoulder, smoothes the ends of his moustache. If only she could somehow understand how difficult it is for me, he thinks as he steps out to receive her greeting: ‘Good morning, sir.’ ‘Good morning,’ he replies crisply, glancing around the room. He means to give her some encouragement, to reward her zeal with praise or gratitude or at least a smile to match her own, but instead he finds himself flinging his dirty towels at her feet and snapping: ‘These towels are damp! See to it that they are replaced!’ ‘Yes, sir!’ ‘Moreover, your apron strings are dangling untidily and there are flyspecks on the mirror!’ ‘Sir.’ ‘And another thing!’ He strides over to the bed and tears it apart. ‘Isn’t it about time these sheets were changed? Or am I supposed to wear them through before they are taken to be washed?’ ‘But, sir, I just put new—!’ ‘What? WHAT—?!’ he storms. ‘Answering back to a reproof? Have you forgotten all I’ve taught you?’ ‘I–I’m sorry, sir!’ ‘Never answer back if your master takes occasion to reprove you, except—?’ ‘Except it be to acknowledge my fault, sir, and that I am sorry for having committed it, promising to amend for the time to come, and to … to …’ ‘Am I being unfair?’ he insists, unbuckling his belt. ‘No, sir,’ she says, her eyes downcast, shoulders trembling, her arms pressed tight to her sides.
He is strict but not unkindly. He pays her well, is grateful for her services, treats her respectfully, she doesn’t dislike him or even fear him. Nor does she have to work very hard: he is essentially a tidy man, picks up after himself, comes and goes without disturbing things much. A bit of dusting and polishing now and then, fold his pajamas, change the towels, clean the bathroom, scrub the floor, make his bed: really there’s nothing to complain about. Yet, vaguely, even as she opens up the garden doors, letting the late morning sunshine and freshness in, she feels unhappy. Not because of what she must do — no, she truly serves with gladness. When she straightens a room, polishes a floor, bleaches a sheet or scrubs a tub, always doing the very best she can, she becomes, she knows, a part of what is good in the world, creating a kind of beauty, revealing a kind of truth. About herself, about life, the things she touches. It’s just that, somehow, something is missing. Some response, some enrichment, some direction … it’s, well, it’s too repetitive. Something like that. That’s part of the problem anyway. The other part is what she keeps finding in his bed. Things that oughtn’t to be there, like old razor blades, broken bottles, banana skins, bloody pessaries, crumbs and ants, leather thongs, mirrors, empty books, old toys, dark stains. Once, even, a frog jumped out at her. No matter how much sunlight and fresh air she lets in, there’s always this dark little pocket of lingering night which she has to uncover. It can ruin everything, all her careful preparations. This morning, however, all she finds is a pair of flannelette drawers. Ah: she recognizes them. She glances about guiltily, pulls them on hastily. Lucky the master’s in the bathroom, she thinks, patting down her skirt and apron, or there’d be the devil to pay.
Something about scouring, or scourging, he can’t remember, and a teacher he once had who called his lectures ‘lechers.’ The maid is standing over him, staring down in some astonishment at his erection. ‘Oh! I beg your pardon, sir!’ ‘I was having a dream …,’ he explains, trying to bring it back. ‘Something about a woman …’ But by then he is alone again. He hears her in the bathroom, running water, singing, whipping the wet towels off the racks and tossing them out the door. Ah well, it’s easy for her, she can come and go. He sits up, squinting in the bright light, watching his erection dip back inside his pajamas like a sleeper pulling the blankets over his head (oh yes! to return there!), then dutifully shoves his feet into slippers, stretches, staggers to the open garden doors. The air is fragrant and there’s a morning racket of birds and insects, vaguely threatening. Sometimes, as now, scratching himself idly and dragging himself still from the stupor of sleep, he wonders about his calling, how it came to be his, and when it all began: on his coming here? on her coming here? before that, in some ancient time beyond recall? And has he chosen it? or has he, like that woman in his dream, showing him something that for some reason enraged him, been ‘born with it, sir, for your very utility’?