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“I have always wanted to fly through a thunderstorm!” Master Li shouted happily.

“Magnificent!” Miser Shen and I yelled as one.

It really was spectacular, and we were rather disappointed when the storm passed and the moon and stars came out. Wind whistled around our ears and a river gleamed like silver far below us. The Bamboo Dragonfly flew steadily on, and flames and smoke spurted out behind us as we drifted gently across the deep purple sky of China; a tiny spark that flickered beneath the glow of a million billion trillion stars.

Miser Shen dozed off, and then Master Li, and I rode through the night staring up at the stars and down at the moonlit earth far below. The sensation of flight was far different from that which I had experienced in my dreams, and to tell the truth, I far preferred dream flight. Then I was like a bird, using the wind like the current of a stream, delighting in almost total freedom, but now I was simply a passenger riding in a basket beneath whirling blades, and I silently chided myself for being too cloddish to appreciate properly an experience that was very close to being miraculous. Master Li was also chiding himself, as I learned when he began to mutter in his sleep, but for a different reason.

“Fool,” he muttered. “Blind as a bat. Use your head.” Then he shifted restlessly and scratched his nose. “Why not on the island, waiting at the end of the bridge?” he muttered angrily. “Stupid! Makes no sense.”

He fell silent again, and it occurred to me that if he was dreaming about the Hand That No One Sees, he had a good reason to think that it made no sense. Assuming that the Hand guarded the duke's treasure trove, as the tide had guarded the first one, why not put the monster on the island silently and invisibly waiting at the other end of that narrow bridge? Anyone who approached the treasure would simply be serving breakfast in bed to a hungry spider.

“Children,” Master Li muttered, restlessly turning and shifting. “Games. Stupid or childish? A little boy?”

He sighed and his breathing grew more regular, and then I heard nothing but deep snores. Miser Shen was dreaming too, and a tear was trickling down the sharp curve of his nose. He was making faint sounds, and I leaned close.

“Ah Chen,” he whispered, “your father is here.”

He said no more, and finally I too fell asleep. When I awoke I discovered that we were flying through pink and orange clouds, pale against a turquoise sky, and the morning sun was shining upon mountain peaks all around us as Li Kao and Miser Shen used their tunics to guide the Bamboo Dragonfly through a narrow pass where fantastic trees precariously perched, spreading their branches to capture wisps of clouds and to weave them into the patterns of dreams, like the landscapes of Mei Fei. I yawned and spread my tunic behind me like a rudder, and we passed so close to one high jagged peak that I let go with one hand and reached out and scooped up a handful of snow, which tasted delicious. Then we sailed through the pass and began to fly over a beautiful green valley, where tiny wisps of smoke drifted up from fields where farmers were burning weeds, and the breeze was fragrant with wet earth and trees and grass and flowers.

Around mid-morning the tubes of Fire Drug began to sputter and fizzle. The palm-leaf blades whirled slower and slower, and we began to descend toward a small village nestled beside a broad river. You may be sure that peasants gathered from miles around to watch the gradual descent of a fire-breathing bird from Heaven. We hovered above the village square, and the Fire Drug produced one final spurt of flame and puff of black smoke, and then we settled lightly to earth. The crowd gaped at three Chinese gentlemen, tastefully attired in loincloths and money belts, who stepped grandly from the basket clutching umbrellas.

“My surname is Li and my personal name is Kao, and there is a slight flaw in my character,” said Master Li with a polite bow. “This is my esteemed client, Number Ten Ox, and this is Old Generosity, formerly known as Miser Shen. We hereby donate the incredible Bamboo Dragonfly to your delightful village. Build a fence around it! Charge admission! Your fortunes shall be made. And now you may direct us to the nearest wineshop, for we intend to stay drunk for a week.”

Miser Shen would have liked to do just that, but by some incredible stroke of luck our flying machine had brought us very close to the Cavern of Bells. It was only a short distance downstream, so we bought a boat and shoved off into the current, and two days later Miser Shen pointed ahead.

“Stone Bell Mountain,” he said. “The entrance to the Cavern of Bells is at the water's edge, and we should be able to sail right inside.”

Li Kao nudged my arm.

“Ox, I have heard that the duke's tax trip takes him past Stone Bell Mountain,” he whispered. “If the painting in the Cavern of Bells is as Miser Shen described it, then the Duke of Ch'in may have more than a casual interest in the place.”

I remembered his earlier warning, and I peered around fearfully for two-hundred-foot armor-plated winged water moccasins as our little boat glided through the dark entrance. But then I cried out in wonder and delight. It was like sailing into one of those beautiful undersea palaces in Buddhist fairy tales. Sunlight from the entrance struck emerald water that glittered like green fire, and then the rays bounced up the stone walls that were studded with crystals that sparkled with every color of the spectrum. It was a world wrapped in rainbows. The strangest rocks that I had ever seen pointed up through the water and down from the roof. They were like spears, but turned around so that the thick handles pointed out. Li Kao had never visited the cavern before, but he had read a great deal about it.

“The bell stones,” he said. “When the water rises, it strikes the stones on the bottom, which ring like bells, and the vibration causes the stones on the ceiling to respond with bell sounds of their own. The phenomenon is called sympathetic resonance. Deeper in the cavern are other stones formed from soft rock, through which tiny holes have been worn, and when the water rushes through the holes it provides more music to accompany the bells. Su Tung-po has written an interesting monograph on the subject.”

We reached a wooden pier and tied our boat to one of the posts. A flight of stone steps led up to the great hall of the cavern, where a shrine had been set up. We appeared to be the only visitors, and the shrine was tended by four monks. Three of them wore black robes, and the fourth wore crimson, and the one in crimson came trotting up. He was a tiny fellow with a high squeaking voice.

“May Buddha be with you,” he said with a deep bow. “I am the custodian of the Temple of the Peddler, and my three brother monks belong to a different order nearby. In the passage to your left you will find the sacred painting of the deity of the Cavern of Bells. It is very ancient and very mysterious, and neither I nor my predecessors truly understand it. It is undeniably divine, and I live in hopes that some day a visitor will be able to explain it to me. May you be the wise visitors I seek,” he said with another bow. “Will you forgive me if I do not accompany you? My brothers and I are slowly going mad as we attempt to balance our subscription books.”

The little monk pattered back to join the others, and we walked down the passageway that he had indicated. At the end of it there were flickering torches that framed something upon the wall, and Miser Shen pointed to it.

“The painting that I spoke of,” he said, while Li Kao and I stared at ghosts.

There could be no question about it. The painting depicted an old peddler with his back to us who was facing the murdered maiden whose ghost we had seen at the Castle of the Labyrinth. To her left stood the murdered maiden whose ghost had appeared on the island, and to her right stood a third girl who could have been their sister.