I shook my head. ‘No, I’m sorry, Mirza. I wish I did. Mama and I, we both tried so hard to remember. But he only ever read them once or twice after he’d written them, so all we could remember was how it felt to hear him reciting those words with the ink still fresh on the pages.’
‘Yes. It’s the same with me. Your mother told me it was the same with her. You know it’s the one proof of God’s existence I find myself hoping for — words resurrected from ash.’
‘When did she tell you?’
‘Hmm? Oh, I don’t know. Sometime after the Poet’s death. I did keep trying, Aasmaani. You have to acknowledge that. I kept trying to pull her out of that listlessness she fell into. Usually she’d just hang up when she heard my voice or refuse to see me, but sometimes I’d get a sentence or two out of her.’ He shook his head. ‘What a waste.’
‘The burnt poems?’
‘Your mother.’ He touched his flabby cheeks again. ‘I always knew I was a coward. But there were all those people who were turned to flame by his death, who wrote and marched and resisted, above all, resisted all those tyrannies he’d fought against. And I would have sworn your mother would have been foremost among their ranks. But no. She and I, we were the two who loved him most and we were the two who failed him most spectacularly when he died.’
‘I loved him, too.’ At that moment I knew it to be true, however complicated that truth might have been, however mixed in with jealousy.
‘Yes. I suppose you must have. It was hard not to.’
‘What did you love about him?’
Mirza looked at me as though I were a child again, asking a question that revealed nothing so much as my ignorance. ‘I loved him. That’s all there is to it. I loved him the way I’ve never loved anyone else.’
I wiped the ring of coffee on the saucer, wiped the bottom of the coffee cup. ‘And who hated him, Mirza? Hated him enough to do what was done to him?’ Hated him enough to imprison him all these years?
A great weariness took over Mirza’s face. ‘That’s what we like to believe, isn’t it? That he had to die in such a brutal fashion because of some great reason. Some great fear. Some great hate. That’s the only way we can accept it, isn’t it? How often do you replay it in your mind, Aasmaani? How do you see it happening?’
I shook my head. ‘Replay what? See what?’
‘His death.’ He was whispering now. ‘I see it every day, even now. I see it as avoidable.’ He smoothed the tablecloth between us with his fingers which still retained something of their old elegance. ‘I see some low-ranked government lackeys picking him up, taking him for a drive, just to scare him. The way they do with journalists all the time. His new book of poems was nearly done. That wasn’t a secret. So some thugs pick him up just to have a talk. Just to scare him out of publishing. It had happened before. He’d got a few punches and a lot of threats and came home to write a poem about the whole thing. But this time, this time something happened differently.’ He kept smoothing the tablecloth though there was nothing to smooth. ‘He mocked them, that’s what I think. His tongue could be a scythe when his compassion didn’t get in the way. I think he mocked them. Mocked their clothes, their occupation, their car, their manhood. Mocked their looks. Mocked their attempts to frighten him. Mocked violence. And one of them picked up something heavy, something that could bludgeon, and hit him, just to shut him up. And then hit him again. And again. And kept on. And the thing about keeping on, Aasmaani — whether you keep on hitting or you keep on obsessing or keep on lying or keep on deceiving — at a point that’s all you can do. Keep on. Keep on. Sever his tongue, break each unbroken bone—’
‘Mirza. Stop it. Stop it. Stop it.’ I took his hand in mine, and squeezed tight. He drew a deep breath, and for a moment we were equals, with nothing in common but our pain, with everything in common because of our pain.
‘Why did he have to be so arrogant? Why couldn’t he just have pretended to be scared? They would have let him go. We would all still be whole. The Poet, your mother, you, me. We would all still be whole.’
‘It might not have happened that way, Mirza.’
‘Then how? How do you see it happening?’
I shook my head. ‘I don’t know what happened.’
‘But how do you imagine it?’
‘I don’t.’
There was a sound of footsteps. The waiter, coming up the stairs with Mirza’s food. Mirza waved him away.
‘You don’t imagine it? In all these years you haven’t imagined it?’
‘No.’
‘That scared of what it did to your mother?’
‘Meaning what?’
‘Meaning, if thinking about it could drive her mad, mightn’t it do the same to you?’
‘Drive her mad?’
‘Yes. Drive her mad. Imagining his death and knowing that if she hadn’t insisted on coming back to Karachi it wouldn’t have happened. If she hadn’t insisted on coming back because of you he wouldn’t be dead. If it wasn’t for her and you he wouldn’t be dead.’
I took a long sip of coffee. ‘Well. Things keep coming back to Lady Macbeth. Is that how you imagine her final two years here, Mirza? Years in which you almost never saw her. You think she floated around in a white nightgown, holding a candle above her head, sleepless with guilt, whispering, can all the seas of Arabia wash this blood from my hand?’ I tried to put the coffee cup down, but it kept missing the middle of the saucer and hitting the edges. On the third attempt, I managed it.
Then I looked up at him. ‘She didn’t come back for me, Mirza. I was never reason to stay or to return for either of them. Neither were you. That’s what kills us.’
‘Their shadows kill us, Aasmaani. The shadows we cower in. They asked, how do we change the world? How do we take on dictators without sacrificing the metre of a line? How do we keep from surrendering this nation? And you and I, their heirs, what do we ask? Where did my mummy go? Did my father-figure love me? We look at the mess of our lives, we look at the mess in which we live, and we say they failed us. We say it because that is so much easier than saying we are the ones who have failed. God, Aasmaani, what is this world we’re living in? How did we let it get like this? They would never have let it get like this.’
The roots of war are seeped in oil, so we join an oil company. A city we love becomes suspicious of the people of our religion so we leave that city. We don’t resist the abuses of power, we just make it clear we’re smart enough, aware enough, to understand our powerlessness. And at some level we believe that makes us admirable.
‘Mirza, things keep on. Like you said. They keep on and they keep on. Macbeth again. Remember, Omi always used to say the key to understanding Macbeth is understanding that he doesn’t keep killing to retain power. He keeps killing because he’s just following the momentum of that initial thrust of a dagger through Duncan’s heart. So the world keeps on. The momentum is more than you or I can fight against.’
‘Enough with Macbeth. You know, I don’t even think the Poet much liked the play. He was commissioned to translate Shakespeare, so he chose the shortest play.’ He laughed shakily. ‘We keep trying to construct meaning out of things. Why was he killed? Why did she become the way she became? Why did he choose Macbeth? We want grand reasons. We always want grand reasons. It was the shortest play. That’s it. That is it. Yes. I stopped believing in grandness when the Poet died. Greatness and grandness, stopped believing in them. And you? What do you believe in, Samina’s daughter, when you look around at this world in which the only grandness that exists is the grandness of opposing extremisms? What did they teach us, after all, that would be of any use in this stinking mess of a world?’