“Nice boy,” Max reiterated, and Tanya agreed. You could see it. “His mother always visits him on the set, just to make sure we're treating him right and he's behaving. He just graduated from film school at USC. He says he wants to be a director, after he makes a few more movies. A lot of them think that but never do it. I have a feeling he will. I'd better watch my ass.” Douglas and Tanya laughed.
The three of them found a table and three chairs to eat dinner together. Everyone had found somewhere to sit around the pool. The music on the sound system was soft and sexy, and seemed just right for the setting. Douglas was very sensitive to the right music, the right dinner, the perfect atmosphere for people to open up and get to know each other. Tanya was sitting on a chaise longue, and lay back after she finished eating. When she looked up, she saw the stars as Douglas watched her.
“You look beautiful, Tanya, and so relaxed and happy.” She had pulled a pale blue cashmere shawl over her shoulders, and it was perfect with her eyes, draped softly around her. “You look like a Madonna,” Douglas said, admiring her like a painting. “I love these days, before we start a film, when everything is beginning, when we have no idea what we'll capture yet, what magic will enthrall us. Once we start, our days are full of surprises, all of which are unknown right now. I love watching it unfold. It's like life, only better, because we control it.” That was always an important element to him, Tanya could sense that. Control was essential to him.
Jean Amber walked over to talk to them, eating an ice cream sundae and a cookie. There had also been soufflés made to order, and baked Alaska. Max said the flames always made him want to toast marshmallows over it, but they didn't last long enough. He looked like the sort of person who would do that, unorthodox, funny, comfortable with himself. He was known to have a fondness for whoopee cushions, which he used on the set during breaks. He had an outrageous sense of humor, which Douglas didn't. Douglas was far more serious, and thought the sets should be kept quiet and in control, and lunch breaks spent with people studying their next scenes in the script. He was like the headmaster, and Max the funny, warm, outrageous teacher who had a profound affection for kids. To him, no matter how old they were, the actors were all his children, and they loved that about him. They treated him like a father, and respected him profoundly, both for his skill with his craft which was incomparable, and his kindness, which was equal to it. Douglas was far tougher and had to worry about insurance and budget. He kept his eye on the shooting schedule, and rode actors and directors when things were getting out of hand. His movies were so tightly run and meticulously budgeted, he never let them get out of control. Max did often. He loved spoiling his actors, and thought they deserved it for hard work and a job well done. He was all in favor of cast parties, particularly one like this. Douglas did a hell of a job on that score.
The party lasted till nearly one, as people who had worked together before found each other with delight and amazement at their good fortune to be working on the same film again. They were like kids at camp, happy to find camp friends from the previous summer. Or regulars on cruise ships, who were thrilled to find people they had sailed with before. It was all a matter of luck who you found working with you on a movie. Douglas and Max were particularly good at building casts with talented, compatible people who worked well together. They both felt this one would, and Tanya was a welcome addition. Everyone she had met that night was thrilled to have her among them, and several had read her book, which genuinely touched her. Several of them told her which were their favorite short stories in the anthology, so she knew they had really read it, and weren't just saying it to be polite.
The general atmosphere that evening was one of warmth and excitement. Everyone was happy about this film. It was a star-studded cast, and everyone knew Max's directing was flawless. They all agreed they were lucky to be there, on this cast, and luckier yet to have been invited to Douglas's house for dinner. Everything about Hollywood had a dream-come-true quality to it. It truly was the Magic Kingdom, and they were the chosen people, the luckiest of all to have risen to the top in Hollywood, and luckier still if they stayed there. But for now at least they were riding high. There were a handful of top Hollywood actors and actresses in the movie. And there were no important guest stars who'd be showing up later. Max liked a cohesive cast that worked together in harmony for the duration of the entire film. That created an atmosphere of benevolent cooperation, which only happened if the cast was together constantly and knew each other well. They really became a family then, and Tanya could already feel it. It was happening. Someone had sprinkled fairy dust on them. It was beginning. In fact, it had begun.
Max offered to drive her back to the Beverly Hills Hotel afterward. He didn't mind, and Tanya hadn't brought her limo. She had been given one for the duration of her stay, but she felt guilty keeping the driver sitting there all night, when all she was doing was going back and forth to the hotel. She had planned to take a cab, which she mentioned to Max, as he put a finger to his lips and silently scolded her.
“Don't say that. Douglas will take your car away. And why not keep it? You need it.”
She said goodnight to Douglas after that, and thanked him for dinner and a lovely evening. She felt like a schoolgirl saying goodnight to the headmaster. He was in an animated conversation with Jean Amber, who was disagreeing with him vehemently, although goodhumoredly, about something. She was telling him how wrong he was.
“Can I settle an argument for you two?” Max volunteered, always happy to help.
“Yes,” Jean said staunchly. “I think Venice is much more beautiful than Florence or Rome. It's much more romantic.”
“I don't go to Italy for romance,” Douglas said, teasing her and loving it. He had no problem at all being surrounded by beautiful women. He had made a career of it. “I go for the art. The Uffizi is my idea of heaven. Florence wins hands down.”
“The hotel we stayed in there was awful. I was stuck there for three weeks on location.” She said it with the broad experience of a twenty-five-year-old, although one who had traveled widely, more than most, while making movies, but she saw little of the towns and cities where she worked. She never had time. They came to work on a movie, and left immediately after to go to another location. It was a very narrow focus on the world, but better than none. Tanya would have loved her kids to meet her, and hoped they would in time. She seemed like a lovely young woman, and she knew her children would be wildly impressed to meet her.
“I prefer Rome myself,” Max offered, confusing the matter further. “Great coffeehouses, good pasta, lots of Japanese tourists, and nuns. You see more nuns in Rome, and I love the old habits. You don't see them anywhere else.” Tanya laughed at his comments.
“I think nuns are scary,” Jean commented. “I went to Catholic school when I was a kid, and hated it. I didn't see any nuns in Venice.”
“Then clearly that's a point in its favor for you. I kissed some girl under the Bridge of Sighs when I was about twenty-one,” Max added. “The gondolier scared the hell out of me when he said that meant we'd be together forever. She had bad skin and really bad buck teeth, I had just met her. I think that traumatized me for Venice. It's amazing what colors your feeling about a city. I had a gallbladder attack in New Orleans once, and I've never wanted to go back since.”