We had in common such terrible childish secrets, in the tin house: you can fuck your mother, and wish your father dead.
There is more to it. More than you guessed or wormed out of me in your curiosity and envy, talking when the lights were out, more than I knew, or wanted to know until I came to listen to you, unable to stop, although the shape of your feet held by the sweat in your discarded socks, the doubt whether the money in the two-finger-pocket with the button missing at the waist of your jeans always went where the watchman trusted it to — these venial familiarities of the body’s exuding or the mind’s deviousness were repugnant to although loyally not criticized or revealed by me. So it was when my brother Tony pinched stamps from my father’s desk and sold them at a cent or two in excess of the post office price to the servants round about who wrote to their homes in Malawi and Moçambique, or when he gave himself away by farting with anguish whenever he lied, poor little boy. — The Saturday morning Tony drowned I saw him bringing his friends to swim and I told him not to show off and dive. He promised, but I could smell him.
Still more to it than you knew. My Swede, that Marcus whose name you didn’t bring up because you thought it would be painful for me was of no importance, whether he went away or stayed. What was there between us — as the language of emotional contract puts it? That’s easy. He wanted to make a film about my father, in Stockholm. It was going to be a collage of documentary evidence of events and fictional links, with an actor playing the part of my father. I had to look at photographs of Swedish actors and say which I thought would come closest to suggesting Lionel Burger. Because of course Marcus could never see him. Not even as he was then, in prison. We went together one weekend to a Transvaal dorp, for me to show the sort of environment in which my father grew up. We also went together to Cape Town because my father was at the medical school there as a student. That wasn’t the reason the Swede gave to the principal. He got into the School to take some footage by telling everyone he was making a film about South Africa’s wonderful heart transplants. But the real reason for going to Cape Town was not even the one we concealed, the real reason was to make love at the sea. He had that sexual passion for nature I imagine is peculiarly Northern. Something to do with too much cold and darkness, and then the short period when there is no night and they don’t sleep at all. He called it ‘dragon-fly summer’, just like one long, extraordinary, bright day in which to live a complete life-cycle.
We take nature more easily, the sun’s always here. Except in prison; even in Africa, prisons are dark. Lionel said how the sun never came into his cell, only the coloured reflection of some sunsets, that would make a parallelogram coated with delicate pearly light, broken by the interruption of the bars, on the wall opposite his window.
The Swede had buttocks tanned as his back and legs — all of a unity, as if his body had no secrets. He was beautiful. And whether or not I am, he felt the same about me and could coax from me — that is the only way to describe the pride and appreciation, the simplicity of his patience and skill — three orgasms, one after the other, each pleasuring spreading to the limits of the spent one like the water touching to its own tidemarks on the sand. This had never happened to me before. And he wrote to me, when Lionel died. He said he would try to show a rough cut of the unfinished film if the Scandinavian anti-apartheid group held a memorial meeting. He had offered to try through his wife’s connections to get a passport for me, abroad, if ever I could leave. Perhaps, from his safety, from his welfare state where left-wing groups were like mothers’ unions or Rotary Clubs, and left-wing views did not imply any endangering action, being the lover of Lionel Burger’s daughter for a month or two was the nearest he would ever get to the barricades. I don’t mind. What else was I?
I told you how my ‘engagement’ to Noel de Witt was a device to enable him to be kept in touch with when he was in prison. You said with that insistent prurience with which people are curious about that with which they want nothing to do, You mean the underground Communist movement. They used you to keep in touch with him?
Yes of course, it was the obvious, an excellent idea, everyone decided.
— In that house?—
Yes of course, our house; it was natural, no one could suspect otherwise. Noel was one of my father’s known associates, he practically lived with us anyway, nothing extraordinary in his supposed to be going to marry Lionel Burger’s daughter. And his fiancée had the same privileges as a prisoner’s wife has — visits, letters and so on. Without me he would have had no one; he was half-Portuguese, his mother prohibited entry to South Africa because she was a Frelimo sympathizer who had been arrested by the Portuguese at one time, his father disappeared somewhere in Australia. Who would there have been to bring him books and writing paper? My mother and father knew what these things mean when you’re inside — the sight of a face that signals the outside still exists, a face whose associations assume that others are carrying on with what has to be done. And even the ingenuity, the blandly-outwitting joke played on the Director of Prisons, who cannot refuse permission for an ‘engaged’ girl to see her boy, the warders who feel a sneaking empathy even with a Commie when he gazes at his girl across the barrier in the visiting room — that gave confidence. That was one of the satisfactions you didn’t have on the list of our pleasures in that house — outsmarting the police. Noel entered gaily into the spirit of the thing. When he noticed the ring that had appeared on my finger for the first visit, he kept asking me whether I was quite sure I liked it? Quite, quite sure? — with all the basking persuasiveness of one who has chosen, he knows, exactly what his darling would want. The ring I wore my mother got from Aletta Gous, remembering that Aletta would rummage for just the right thing — a mean little round diamond thrust up on a mound of filigree steel-coloured metal, indispensable piece of equipment for the dorp betrothal. I don’t think it was a fake; somewhere in the nineteen-thirties Aletta had been a young girl in a country town and had nearly married the young man who ran his father’s garage and was an usher in the church of a Dutch Reformed sect called the Pinksters. When she outcast herself by running away to the city and taking part in street-corner meetings of the Communist Party, perhaps she flaunted her jaunty contempt for the broken bourgeois convention by keeping its flimsy shackle.