I decide to share this piece of nostalgia with the waitress, since there are only three other people in the restaurant and she’s not busy. “It makes me feel old,” I say, “but I can remember a time when the bananas and walnuts would have been inside the pancakes.”
“Whatever,” she says, demonstrating a disregard for cultural history. “You want coffee?”
“Not until after the Olympics,” I say.
“Whatever.”
I head over to the prison at nine-twenty, carrying the pancakes around like a beach ball in my stomach. I’ve got a feeling I’m going to be taking them with me wherever I go for a while.
Waiting for me at the gate are Richard Wallace and Pete Stanton. I’m a little surprised to see Pete, since Richard hadn’t mentioned bringing him, but I suppose a police presence is called for, especially if Randy is going to implicate someone in the murders.
“Good morning, guys,” I say.
They don’t return the greeting. “Andy, I tried to reach you, but you had already left.”
There is probably a scheduling foul-up; such things are very common in the prison bureaucracy. “Scheduling change?” I ask.
“Andy, Clemens is dead.”
It is as if he hit me in the face with a four-thousand-pound medicine ball. “What happened?”
“Somebody slit his throat this morning, outside the mess hall. I’m sorry, Andy.”
All I can think of is Randy’s daughter, who will never get to know what a great guy he was and how much he loved her. When she’s old enough to understand, I’m going to look her up and tell her.
Pete puts his arm on my shoulder and speaks for the first time. “Come on, Andy, the warden is waiting to see us.”
They lead me inside, and by the time we get to the warden’s office, my sadness is beginning to share space with my certainty that this cannot be a coincidence. Randy has been in this prison for four years, never once having a problem or altercation of any kind, and the day he is going to talk to us about the murders, he is himself killed.
“There was a commotion in the hallway,” says the warden. “A fight, some yelling, everybody milling around. Clemens wasn’t involved, but it was probably staged so that he could be killed without anyone seeing it happen.”
“So more than one person was involved?” I ask.
“Definitely. It was an organized effort.”
“Suspects?” Richard asks.
“Plenty of suspects, but no evidence. But I can tell you, if something like this happens in here, it’s very likely that Dominic Petrone wanted it to happen.”
Dominic Petrone is the head of what passes for the North Jersey mob, an organization that is still functioning quite effectively. He and Randy Clemens are from different worlds. There is no way Dominic had ever heard of Randy, nor had any kind of grudge against him. If he ordered Randy’s death, it is because he was told that Randy was about to say something that could hurt him.
It has to come back to Linda Padilla and her alleged mob ties. And if it does, and if the mob is somehow involved in these murders, then my client is actually innocent. Too bad my other client had to die for me to realize it.
I drive back to the office, replaying in my mind the last visit I had with Randy. I remember the wariness in his eyes as he looked around the room, the way something caused him to briefly stop as he was leaving. He knew that what he had to say was dangerous, but he was so anxious to find a way out of the prison that he was taking that chance.
I also think back to the words he used, trying to remember them exactly. He referred to the victims besides “the rich one” as “window dressing.” Among the many things I don’t know are how Randy came to know this and why the killer needed “window dressing” at all.
Marcus is waiting for me at the office when I get back, sitting stoically as Edna regales him with stories of her latest triumph. She’s managed to combine and satisfy her two interests in life, crossword puzzles and finance, by discovering various business publications with financially themed puzzles. Marcus isn’t saying anything, which could mean he’s interested or not interested or asleep.
In any event, his characteristic muteness is doing nothing to dampen the conversation. Edna peppers her sentences with phrases like “Right?” and “You understand?” and “You know?” and seems to pretend that Marcus is answering, as she nods and continues.
He has returned from Cleveland, having gathered as much information as he could. There wasn’t much to learn: Daniel was a widely respected member of the press who had no criminal record whatsoever and no known tendency toward violence. The community, from politicians and business leaders on down, supported him through the ordeal. Counterbalancing that, in addition to the detective’s hunch, are some of Margaret’s acquaintances, who say that their marriage was troubled and that she was considering leaving him.
Marcus’s hunch is the same as that of the Cleveland police: He thinks Daniel may have either killed her or had it done. Like the detective, he can’t come close to proving it. It’s just that the inheritance, the troubled marriage . . . these are things that arouse Marcus’s detective instincts. The presumption of innocence is not a concept that Marcus holds dear.
Laurie and Kevin arrive for a meeting on how we will approach the investigation of Linda Padilla. They are stunned to hear about Randy. Neither knew him, so while they are sympathetic, it’s natural that they focus on the impact this might have on our case.
Randy’s death enhances the credibility of the information he was going to provide. Kevin and Laurie share my view that there is almost no chance that his murder was a coincidence. He was going to name names, and we can only assume that the owners of those names, be it Petrone or anyone else, took steps to make sure that didn’t happen.
I call in Edna to ask her to report on the results of an assignment I had given her, which was to watch as much televised coverage of the Padilla killing as she could find.
There has been a recent tendency, probably since Princess Diana died, for television networks to cover funerals in their entirety. I’m at a loss to know what news value there is in showing people grieving and singing upbeat, gooey songs, but it must generate good ratings. I want to go on record and say that if anyone sings “You Light Up My Life” at my funeral, I will die of embarrassment. Actually, Sam Willis will probably song-talk it.
The plus side of the coverage, at least from our point of view, is that it is easy to get a handle on who were the important people in Padilla’s life. These are the people we will talk to, and Edna does a very good job of filling us in.
I give out assignments for each of us to cover. There is simply never enough time to prepare for a trial, and I want us moving quickly and efficiently. The meeting then breaks up, and Laurie stays behind.
“Sondra is doing okay,” she says. “But her recovery will take a while.”
“How long will she be in the hospital?”
“She can leave in a few days,” she says, “but she needs to rest for at least six weeks.”
“Where will she do that?”
“My house.”
I’m not surprised, but not happy to hear this for selfish reasons. Will Laurie be willing to leave her alone and spend nights at my house? Will she still feel comfortable having me stay over at hers? Is she starting down a path that is going to be filled with frustration?
“Are you sure that’s a good idea?” I ask. It’s a wimpy, completely ineffective question, unlikely to make her snap her fingers and say, “You know, I don’t think it is. Let me tell her to go back on the streets.”
She nods. “I do. But this is my thing, Andy. You don’t have to be part of it.”