BURY YOUR DEAD
ALSO BY LOUISE PENNY
The Brutal Telling
A Rule Against Murder
The Cruelest Month
A Fatal Grace
Still Life
LOUISE PENNY
BURY YOUR DEAD
MINOTAUR BOOKS
NEW YORK
Table of Contents
Title
Copyright
Dedication
Acknowledgments
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty–One
Chapter Twenty–Two
Chapter Twenty–Three
Chapter Twenty–Four
Chapter Twenty–Five
Chapter Twenty–Six
This is a work of fiction. All of the characters, organizations, and events portrayed in this novel are either products of the author’s imagination or are used fictitiously.
BURY YOUR DEAD. Copyright © 2010 by Three Pines Creations, Inc. All rights reserved. Printed in the United States of America. For information, address St. Martin’s Press, 175 Fifth Avenue, New York, N.Y. 10010.
www.minotaurbooks.com
Grateful acknowledgment is given for permission to reprint the following:
“Morning in the Burned House” by Margaret Atwood © 1995.
Published by McClelland & Stewart Ltd. Used with permission of the publisher.
“Vapour Trails” by Marylyn Plessner © 2000.
Published by Stephen Jarislowsky. Used with permission of the publisher.
Library of Congress Cataloging-in-Publication Data Penny, Louise.
Bury your dead : a Chief Inspector Gamache novel /
Louise Penny. — 1st ed.
p. cm.
ISBN 978-0-312-37704-5
1. Gamache, Armand (Fictitious character)—Fiction. 2. Police—
Québec (Province)—Fiction. 3. Murder—Investigation—Fiction. 4.
Québec (Province)—Fiction. I. Title.
PR9199.4.P464B87 2010b
813'.6—dc22
2010026415
First Edition: October 2010
10 9 8 7 6 5 4 3 2 1
This book is dedicated to second chances—
Those who give them
And those who take them
ACKNOWLEDGMENTS
Michael and I spent a magical month in Quebec City researching Bury Your Dead. Québec is a glorious place, and the old wal ed city is even more beautiful. I hope I’ve managed to capture how it felt to walk those streets every day and see not just the lovely old stone buildings, but see my history. Canadian history. Alive.
It was very moving for both of us. But Quebec City isn’t a museum. It’s a vibrant, modern, thriving capital.
I hope I’ve captured that too. But mostly I hope Bury Your Dead contains the great love I feel for this society I have chosen as home. A place where the French and English languages and cultures live together. Not always in agreement, both have suffered and lost too much to be completely at peace, but there is deep respect and affection.
Much of the action in Bury Your Dead takes place in the Literary and Historical Society library, in old Quebec City. It is a stunning library, and a stunning achievement to have created and kept this English institution alive for generations. I was helped in my researches by the members, volunteers and staff of the Lit and His (as it is affectionately known).
Because this is a work of fiction I have taken liberties with some of the history of Québec, and the Literary and Historical Society. Especial y as it concerns one of its most distinguished members, Dr. James Douglas. I realize some wil not be pleased with my extrapolating, but I hope you understand.
I also need to make clear that I have met the Chief Archeologist of Québec many times and he is charming, helpful and gracious. Not at al like my fictional Chief Archeologist.
The majority of the history in the book concerns Samuel de Champlain. I have to admit, to my shame, I wasn’t al that familiar with him before starting my researches. I knew the name, I knew he was one of the founders of Québec and therefore Canada. I knew his burial place is a mystery. No one has found it. And this has confounded archeologists and historians for decades. This mystery is at the center of my mystery.
But it demanded I learn about Champlain. To do that I read a fair amount and spoke with local historians, chief among them Louisa Blair and David Mendel. I was also helped by a wonderful book cal ed
Champlain’s Dream, by Professor David Hackett Fischer, of Brandeis University. Professor Hackett Fischer actual y came to Quebec City during our stay and when we heard this Michael and I decided to hear him lecture. It struck us (belatedly) as odd that the venue would be a government conference room.
When we arrived we sat at the far end of the large table. A very nice young woman approached and asked, in perfect French, who we might be. We, in not so perfect French, explained that I was an English Canadian writer doing research on Champlain and had come to hear the professor speak. She thanked me and a few minutes later a man came by, shook our hands and escorted us to the head of the table.
Then everyone stood and the Minister of Culture arrived along with other high government officials.
Final y Professor Hackett Fischer came in and was seated right in front of us.
Way too late Michael and I figured out this was a private briefing of high Québec government officials—
and us. When they realized who we were, instead of showing us the door, the government officials gave us the best seats and much of the conference was held in English.
This is Québec. Where there is great kindness and accommodation. But there can also be, in some quarters, great suspicions—on both sides.
That is part of what makes Québec so fascinating.
I’d like to thank Jacquie Czernin and Peter Black, of the local CBC Radio, for their help with contacts. And Scott Carnie for his help on some tactical issues.
For those of you who love, as I do, the poetry of the Great War, you’l recognize that I paraphrase a stunning poem by Wilfred Owen cal ed “Dulce et Decorum Est.”
Bury Your Dead owes a great deal to my wonderful agent Teresa Chris and editors, Hope Del on, Sherise Hobbs and Dan Mal ory. Their kind words and critical eyes bring out the best in the book and in me as a writer.
Final y, I’d like to mention that the Literary and Historical Society is a gem, but like most libraries it now functions on little money and the good wil of volunteers both Francophone and Anglophone. If you’d like to join, or visit, please contact them at: www.morrin.org.
This is a very special book for me, on so many levels, as I hope you’l see. Like the rest of the Chief Inspector Gamache books, Bury Your Dead is not
about death, but about life. And the need to both respect the past and let it go.
BURY YOUR DEAD
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