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Ann tilted her chin defiantly. “Kevin Coyle deserved what he got,” she said. “He’s unfair to women. He marks us too hard. He’s dismissive of the answers we give in class.”

“Oh, for God’s sake, Ann. Kevin’s unfair to everybody,” I said. “He marks everybody hard, and he’s dismissive of everybody. That doesn’t make it right, but that’s the truth. He’s an anachronism. When I was an undergraduate, the universities were full of profs like that.”

“We don’t have to take that kind of crap from men any more.”

“I know,” I said, “and amen to that. But I still don’t get it. Why did you target Kevin? He’s rude, he’s abrupt, he’s probably misanthropic. But he’s not a misogynist. Why did you get Maryse Bergman to lie about him? Why did you go after him?”

“You never get the point, do you?” She looked around to check if anyone was in hearing range, then she lowered her voice. “We needed an example. If we showed how bad he was, everybody would see that we needed women in the department.”

“There were women in the department,” I said.

“Women like you,” she said. “Women who were no better than men. Look at what happened yesterday. You’re given the honour of going to a funeral for a Red Riding Hood.”

“For Ariel Warren,” I corrected her quietly.

“Whatever. But when Ariel’s killer crashes the party with his father, you just leave with the men. Now you tell me, what does that make you?”

“A loyal friend?” I said.

“A traitor,” she said. “Not just to Ariel but to all women, and no matter what Maryse is saying now, what we did then was for all women. Our department needed gender parity.”

“And that was worth risking a man’s career?”

“It was worth everything,” she said.

“ ‘The last temptation is the greatest treason: to do the wrong deed for the right reason,’ ” I said.

She looked at me sharply. “What?”

“Solange has defected from your group, hasn’t she?”

“She had issues,” Ann said coldly. “And I have signs to make, so if you’ll excuse me…”

“I’ll excuse you,” I said. “But I won’t forgive you.”

She stepped close to me and placed the staple gun so that the business end was flat against my cheek. “Go fuck yourself,” she said. Then she turned on her heel, strode over to a stack of placards, and began stapling them to pickets.

Very scary. As I walked back into the library, I thought with gratitude of the solid complement of police officers who would be accompanying Ann on the march and who were charged with the duty of keeping her and the other Friends of Red Riding Hood from discovering just how scary they could be.

CHAPTER

13

Taylor and Bruce and Benny were waiting for me on the front step when I got home. Taylor had a new skipping rope, and she was making a lazy crack-the-whip movement with it through the grass so the cats could chase its iridescent rainbow handle. All three were blissed out, and I thought, not for the first time, that being a cat must be one of the alltime great gigs.

Taylor held out the rope to show me. “I got this for helping with garbage patrol.”

“Very fancy,” I said. “I used to get a new rope every spring.”

She looked at me with amazement. “Can you skip?”

“Can Wayne Gretzky score goals?”

“I don’t know,” she said, “can he?”

“Not so many any more,” I said. “But I haven’t retired. Why don’t you give Bruce and Benny a rest and let me have a turn?”

The moment I began to skip, the tensions of the day dropped away. Salvation through muscle memory. Taylor watched, saucer-eyed, as I not only skipped, but rattled through my store of old skipping songs.

When Angus pulled up, he took in the scene, jumped out of his car, and yelled, “You go, Mum.” And I did. I skipped until there wasn’t a breath left in my body and my heart felt as if it was about to exit through my chest wall. By the time the kids gave me a round of applause and I quit, my ears were singing, but I’d banished my memory of Ann Vogel and her staple gun, and increased my odds of getting through the evening.

“Okay,” I panted. “Show’s over. I’d better go in there and act like a mother. Taylor, since you’re the headliner today, you get to choose dinner. Make it simple. I’ve already done my star turn.”

“Sloppy Joes the way Nik Manojlovich makes them on TV. He’s so funny.”

“Good choice,” I said. “I can manage Sloppy Joes. Besides, they’re portable, and I thought we’d watch the news while we ate supper tonight. I want to tape you winning your prize.”

At 5:30 on the button, we were sitting in the family room with plates filled with Sloppy Joes, potato chips, and raw vegetables balanced on our TV tables, the perfect fifties family – minus the father. Unfortunately, our television wasn’t showing “Leave it to Beaver” or “Don Messer’s Jubilee.” The news began with brief accounts of the investigation into Ariel’s murder and the battle that had erupted between the Friends of Red Riding Hood and their popular host, Charlie D. There was a live shot of the concrete and glass boxes that housed the station’s deep-discount neighbours, then the camera closed in for a tight shot of the CVOX call letters, lingering on the lascivious Mick Jagger tongue that wagged from the red-lipped open mouth of the O. The first of the buses that had been scheduled to arrive in time for live coverage pulled up, and the Friends of Red Riding Hood piled out.

In all there were perhaps twenty-five protestors, and the NationTV reporter, a dark-haired beauty named Jen Quesnel, struggled to keep the report lively as the Friends handed out their placards and milled about, trying to decide on their next move. As Jen reported that the turnout was surprisingly small, Ann Vogel muscled her way into camera range and began a chant that was picked up by the others. The words were simple and cruel. “Show us your face, Charlie D. Show us your face.”

But nothing happened. Not even a bird disturbed the eerie calm at the entrance to the radio station. No buses arrived carrying reinforcements, and the meagre crowd of protestors, embarrassed by the ragged quality of its cry, grew silent. Caught in the middle of what was clearly a non-event, Jen Quesnel began to wrap up her story.

Throughout the newscast, Eli had been as motionless as if he were carved in stone. Now he relaxed. “It was a bust,” he said. “And I’m glad because what those people are saying is really shitty.” He darted a glance in my direction. “Pardon my language.”

“No pardon necessary,” I said. “What they’re saying really is shitty.”

Eli laughed. When he was happy, his face became animated and open. It was a sight in which I always took pleasure, but that night the pleasure was short-lived.

Suddenly, he leaned forward, his eyes riveted once more on the screen. “Charlie’s coming out,” he said. I turned my attention back to the television in time to see Charlie walk through the front doors of CVOX. He was alone, and he moved deliberately from the shadow of the building into the light. A slight figure in bluejeans and a T-shirt, he stood with his hands clasped behind his back. He made no attempt to cover his face or hide it.

Jen Quesnel ran over to him with her microphone. They exchanged glances, then she said, “So, Charlie, people want to hear what you’re thinking right now.”

Before he had a chance to answer, Ann Vogel leaned into the microphone. “Tell the truth, Charlie D. Tell the truth.”

Charlie shrugged his thin shoulders. “You already know it,” he said. “I loved a woman. She’s dead. The beauty in my life is gone. I don’t care what happens next.” Charlie turned to the crowd. “I’m here,” he said, raising his arms in a gesture of surrender. “Do what you want.”

For a few seconds, the camera stayed on Charlie; then it moved to Ann Vogel for a reaction shot. Her face registered disbelief, then anger.

“This is a trick,” she said. “We won’t let you get away with it.” She turned to her supporters. “Will we?” But her dispirited followers were already straggling towards the bus.