A gurgling sound, water is flowing down the stone steps in places. Now and then a dim light flashes a few times.
The curtains open noisily. A woman's bare back appears in front of the curtains. She opens the window, and outside is a mass of gray rooftops. Farther off, one after the other, are endless balconies and apartments of old buildings. The dark blue sky is unusually clear, but it could be morning or dusk. The woman turns and leans on the laced wrought-iron railing outside the window, wearily. Her face and body are in the dark and only her eyes glint, like a cat's eyes in the dark. A bracelet on the wrist of her hand that grips the railing also has a faint glint. A car speeding by brings with it the rumbling of the waves.
Seagulls circle the sea, screeching, as if they have found something and are following the rising and falling of the waves. The waves are huge, and between the crests are expanses of smooth, deep blue sea.
Underfoot is withered grass, swaying in the strong wind, soundlessly. He is walking on a mountain slope and he goes behind the ruins of a wall where a few young people are waiting for him. One of them is wearing glasses, and the thick lenses for severe shortsightedness look like fish eyes. Another, a young woman with short hair and dark complexion, is eating melon seeds. She spits out the shells that float and then drop into the clumps of grass. Seeing him arrive, without a word, they head down the slope together. Below is a cluster of houses, a bell tower, and a football field.
In the underground cellar that has filled with seawater, the mattress soaked in murky water slowly floats up. The faint rumble of cars driving past sounds like the wind.
The young people go into a long corridor where sections of sunlight broken by pillars appear unusually bright. It is a classroom with the doors and windows wide open but empty of people. It is filled with tables and chairs that pass them, one by one, as their footsteps sound after they have passed.
At the end of the corridor is a room. The door is shut but there is a sign. They come to a halt and look at the sign that has nothing written on it, hesitate, seem to be having a discussion, then knock on the door. It opens instantly, soundlessly. Inside the room, teachers are sitting at desks as if they were students, all busy marking homework. While they are wondering whether to ask someone, a young teacher appears behind them. She is as young as she was in those times, only her face is pale and she looks to be made of wax. Fatigue shows all over her face; her eyes are puffy and have grayish shadows. She says she will escort them to the principal and also says she is delighted that, so many years after graduating, they have come to visit their old school. She says she remembers the class, back then they were all children but full of mischief. As she talks and jokes, her voice is coming from a paper person. Of course she remembers the time when there was a cruel struggle right on those very desks. Someone had started banging on a desk and everyone unthinkingly followed, so that every desk was banging. As she mounted the dais, textbooks under her arm, her rounded eyes swept the class, but she couldn't isolate the ringleader. Confused, she threw down her textbooks and ran out in tears. Everyone was scared stupid, then suddenly it was quiet and nobody made a sound.
There is a red-colored cross on the door of the medical clinic in the passageway. She points to the window. The small, dark room is piled with junk as well as some musical instruments – erhu, pipa, gongs, and drums – all of them covered in dust. He knows that this used to be where students were kept after class as punishment for failing to hand in homework. Those passing the window can see that miserable desk scarred with knife cuts and covered in ink stains and pencil marks.
He stares at the desk for some time and, from where he is looking, there clearly emerge, one on top of the other, pencil drawings of little people and little crooked houses as well as Chinese characters carved with a penknife. Some of the character strokes have been inked in, and some inked characters where the ink couldn't be scrubbed clean had been penciled in and again carved with a penknife. It is a jumbled picture but it conjures up fantasies.
The sound of water dripping, dripping in the cellar filled with seawater, dripping on the floating mattress, dripping and soaking the sheet. And the ink black seawater keeps rising, soundlessly. The floating mattress hits a soggy wall, bounces, and changes direction.
The principal, who has a dark, ruddy complexion, a big Adam's apple, and a husky voice, tells them the history of the school. His low drone reverberates around the ridgepole and rafters of the big temple-like ceiling above the auditorium, filled with long wooden benches. Bells start ringing, and the sparrows fly off in fright.
Below the ceiling are several Taoists clad in long gray cotton gowns, their hair in topknots. Heads bowed and hands clasped in front, the one in the lead swinging a horsetail whisk, they are chanting scriptures around a coffin.
The lid of the coffin is open and he almost guesses that the corpse in the coffin, with its head wrapped in the shroud, is himself. Apparently confused, he turns and looks around, although he doesn't know what it is he is looking for. However, he sees behind him two big heavy doors that are half-open, and outside in the sun, on the stone steps, a little wooden bucket with peeling paint. A lizard is crawling on the stone step in front of the wooden bucket.
He walks out of the auditorium, or maybe it was originally a temple that had been converted into a school auditorium, or maybe it was in fact a temple hall. In the shadows of the covered walkway stands an old stone tablet with parts missing. It looks like the wild-grass calligraphy of Mi Di, but the inscription in very standard regular script reads: "Written by Meng Chun in the ding-mao year of the reign of Yuanyou of the Great Song Dynasty." Long ago, ink rubbings were made of it, but later the main piece of calligraphy was engraved over and now can barely be made out and is completely undecipherable.
He walks out into the sun. A boy in a vest and shorts, riding on a brand-new Dinglan junior bicycle, passes by. He asks the boy something. The boy stops and, with a foot on the grass, points ahead, then speeds off.
He walks on ahead and passes a piece of neatly trimmed lawn. Past the lawn, in a mass of weeds, are the shiny handlebars of a bicycle. He goes over to have a look, and covered with weeds in the ditch is the frame of a Dinglan bicycle.
He strides quickly up the hill, begins to run, and then runs faster and faster, panting hard, but in his mind he seems more and more to understand that he is surely pursuing the self of his childhood. On the top of the hill is a sour-date tree, though not a very tall one, with its small leaves trembling in the wind.
The child is running in his direction from behind the hill but stops in front of the sour-date tree and looks about with a worried look. Then, probably discovering something, he dashes off somewhere else. Not far from the top of the hill is a small, sparse forest where between two trees a white bed sheet is drying; something seems to be moving behind the sheet, and the child charges headlong into the sheet but gets wrapped in it and can't get free.
The mountain wind is toying with the sheet. Out of breath and with great difficulty the child manages to lift the sheet and get out, only to find yet another sheet hanging between two trees and flying about.
The child stares for a while, then quietly walks over to it. There seems to be the shape of a person behind the sheet. This time the child carefully and gently lifts a corner of the sheet. Nothing is there, but nearby, another sheet is hanging between two trees. Instinctively, the child looks behind himself.