The lieutenant’s face was flushed. "All right,” Davis said. He closed his eyes. "All right.” He took a deep breath. Another.
When he opened his eyes, he said, "It’s gone.”
“You’re positive.”
“Yes, sir.”
“You cannot be lying to me.”
“I know. I’m not.”
The end of the pistol wavered, and for a moment, Davis was certain that the lieutenant was unconvinced, that he was going to squeeze the trigger, anyway. He wondered if he’d see the muzzle flash.
Then the pistol lowered and the lieutenant said, "Good man.” He holstered the gun and extended his hand. "Come on. There’s a lot we have to do.”
Davis caught the lieutenant’s hand and hauled himself to his feet. Behind the lieutenant, he saw the charred place that had been the Shadow, Lee’s torn and blackened form to one side of it. Further back, smoke continued to drift out of the spot in the trees where Han had lain. The lieutenant turned and started walking towards the trees. He did not ask, and Davis did not tell him, what he had seen with his eyes closed. He wasn’t sure how he could have said that the image behind his eyelids was the same as the image in front of them: the unending sky, blue, ravenous.
For Fiona, and with thanks to John Joseph Adams
One for the Road
by Stephen King
Stephen King is the bestselling, award-winning author of many classics, such as The Shining, The Dark Tower, The Stand, and The Dead Zone. His novel Salem ‘s Lot is one of the classics of the vampire genre. His latest novel, Duma Key, was published in early 2008, and a new short fiction collection, Just After Sunset, was released last fall. A new book collecting several stories and novellas of King’s that have been adapted for film, along with commentary by King-Stephen King Goes to the Movies-came out earlier this year. Other projects include editing Best American Short Stories 2007, and writing a pop culture column for Entertainment Weekly.
In his landmark study of horror literature, Danse Macabre, King argued that, in order to be effective, fictional, supernatural monsters must tap into and express in powerful metaphorical terms our actual fears about the real world.
For residents of Maine, one very real worry is that your vehicle will fail you in the snow and you will freeze to death before help arrives. Classic folklore imagined the brooding mists of Transylvania as malignant, corporeal beings. Here King does the same for the whiteouts of Cumberland.
These vampires are avatars of winter, chilling in every respect.
It was quarter past ten and Herb Tooklander was thinking of closing for the night when the man in the fancy overcoat and the white, staring face burst into Tookey’s Bar, which lies in the northern part of Falmouth. It was the tenth of January, just about the time most folks are learning to live comfortably with all the New Year’s resolutions they broke, and there was one hell of a northeaster blowing outside. Six inches had come down before dark and it had been going hard and heavy since then. Twice we had seen Billy Larribee go by high in the cab of the town plow, and the second time Tookey ran him out a beer-an act of pure charity my mother would have called it, and my God knows she put down enough of Tookey’s beer in her time. Billy told him they were keeping ahead of it on the main road, but the side ones were closed and apt to stay that way until next morning. The radio in Portland was forecasting another foot and a forty-mile-an-hour wind to pile up the drifts.
There was just Tookey and me in the bar, listening to the wind howl around the eaves and watching it dance the fire around on the hearth. "Have one for the road, Booth,” Tookey says, "I’m gonna shut her down.”
He poured me one and himself one and that’s when the door cracked open and this stranger staggered in, snow up to his shoulders and in his hair, like he had rolled around in confectioner’s sugar. The wind billowed a sand-fine sheet of snow in after him.
“Close the door!” Tookey roars at him. "Was you born in a barn?”
I’ve never seen a man who looked that scared. He was like a horse that’s spent an afternoon eating fire nettles. His eyes rolled toward Tookey and he said, "My wife-my daughter-" and he collapsed on the floor in a dead faint.
“Holy Joe,” Tookey says. "Close the door, Booth, would you?”
I went and shut it, and pushing it against the wind was something of a chore. Tookey was down on one knee holding the fellow’s head up and patting his cheeks. I got over to him and saw right off that it was nasty. His face was fiery red, but there were gray blotches here and there, and when you’ve lived through winters in Maine since the time Woodrow Wilson was President, as I have, you know those gray blotches mean frostbite.
“Fainted,” Tookey said. "Get the brandy off the backbar, will you?”
I got it and came back. Tookey had opened the fellow’s coat. He had come around a little; his eyes were half open and he was muttering something too low to catch.
“Pour a capful,” Tookey says.
“Just a cap?” I asks him.
“That stuff’s dynamite,” Tookey says. "No sense overloading his carb.”
I poured out a capful and looked at Tookey. He nodded. "Straight down the hatch.”
I poured it down. It was a remarkable thing to watch. The man trembled all over and began to cough. His face got redder. His eyelids, which had been at half-mast, flew up like window shades. I was a bit alarmed, but Tookey only sat him up like a big baby and clapped him on the back.
The man started to retch, and Tookey clapped him again.
“Hold onto it,” he says, "that brandy comes dear.”
The man coughed some more, but it was diminishing now. I got my first good look at him. City fellow, all right, and from somewhere south of Boston, at a guess. He was wearing kid gloves, expensive but thin. There were probably some more of those grayish-white patches on his hands, and he would be lucky not to lose a finger or two. His coat was fancy, all right; a three-hundred-dollar job if ever I’d seen one. He was wearing tiny little boots that hardly came up over his ankles, and I began to wonder about his toes.
“Better,” he said.
“All right,” Tookey said. "Can you come over to the fire?”
“My wife and my daughter,” he said. "They’re out there… in the storm.”
“From the way you came in, I didn’t figure they were at home watching the TV,” Tookey said. "You can tell us by the fire as easy as here on the floor. Hook on, Booth.”
He got to his feet, but a little groan came out of him and his mouth twisted down in pain. I wondered about his toes again, and I wondered why God felt he had to make fools from New York City who would try driving around in southern Maine at the height of a northeast blizzard. And I wondered if his wife and his little girl were dressed any warmer than him.
We hiked him across to the fireplace and got him sat down in a rocker that used to be Missus Tookey’s favorite until she passed on in ‘74. It was Missus Tookey that was responsible for most of the place, which had been written up in
Down East and the Sunday Telegram and even once in the Sunday supplement of the Boston Globe. It’s really more of a public house than a bar, with its big wooden floor, pegged together rather than nailed, the maple bar, the old barn-raftered ceiling, and the monstrous big fieldstone hearth. Missus Tookey started to get some ideas in her head after the Down East article came out, wanted to start calling the place Tookey’s Inn or Tookey’s Rest, and I admit it has sort of a Colonial ring to it, but I prefer plain old Tookey’s Bar. It’s one thing to get uppish in the summer, when the state’s full of tourists, another thing altogether in the winter, when you and your neighbors have to trade together. And there had been plenty of winter nights, like this one, that Tookey and I had spent all alone together, drinking scotch and water or just a few beers. My own Victoria passed on in ‘73, and Tookey’s was a place to go where there were enough voices to mute the steady ticking of the deathwatch beetle-even if there was just Tookey and me, it was enough. I wouldn’t have felt the same about it if the place had been Tookey’s Rest. It’s crazy but it’s true.