The room was furnished with an ancient wood-veneer bedroom suite that I doubt could be called "antique." The pieces looked like the ones I've seen out on thrift-shop sidewalks in downtown Los Angeles: creaky, misshapen, smelling oddly of wet ash. There was a chiffonier, matching bed-tables, a dressing table with a round mirror set between banks of drawers. The bed frame was iron, painted a flaking white, and the spread was chenille in a dusty rose with fringe on the sides. The wallpaper was a tumble of floral bouquets, mauve and pale rose on a gray background. There were several sepia photographs of a man whom I imagined was Mr. Lowenstein; someone, at any rate, who favored hair slicked down with water and spectacles with round gold rims. He appeared to be in his twenties, smooth and pretty with a solemn mouth pulled over slightly protruding teeth. The studio had tinted his cheeks a pinkish tone, slightly at odds with the rest of the photo, but the effect was nice. I'd heard that Moza was widowed in 1945. I would have loved seeing a picture of her in those days. Almost reluctantly, I turned back to the task at hand.
Three narrow windows were locked on the inside, shades drawn. I moved over and peered out of one, catching a glimpse of backyard through screens rusted into the old wooden frames. I checked my watch. It was only seven. They'd be gone, at the very least, an hour, and I didn't think I needed to provide myself an emergency exit. On the other hand, there isn't any point in being dumb about these things. I went back to the door and opened it, leaving it ajar. Moza had turned off the TV set and I pictured her peeking through the front curtain, heart in her throat, which is about where mine was.
It was still light outside, but the room was gloomy even with the overhead light on. I started with the chiffonier. I did a preliminary survey, using my flashlight to check for any crude attempts at security. Sure enough, Lila had booby-trapped a couple of drawers by affixing a strand of hair slyly across the crack. I removed these beauties and placed them carefully on the hand-crocheted runner on top.
The first drawer contained a jumble of jewelry, several belts coiled together, embroidered handkerchiefs, a watch case, hairpins, a few stray buttons, and two pairs of white cotton gloves. I stared for a long time, without touching anything, wondering why any of it warranted a protective strand of hair. Actually, anybody snooping in Lila's things would probably start here and work down, so maybe it was just a ready reference on her part, a checkpoint each time she returned to her room. I tried the next drawer, which was filled with neat piles of nylon underpants in a quite large old-lady style. I ran an experimental finger down between the stacks, being careful not to disturb the order. I couldn't feel anything significant; no handgun, no unidentifiable boxes or bumps.
On an impulse, I opened the first drawer again and peered up at the underside. Nothing taped to the bottom. I pulled the whole drawer out and checked along the back. Hello! Score one for my team. There was an envelope encased in plastic, sealed flat against the back panel of the drawer and secured by masking tape on all four sides. I took out my penknife and slid the small blade under one corner of the tape, peeling it up so I could remove the envelope from the plastic housing. In it was an Idaho drivers license in the name of Delilah Sampson. The woman had a real biblical sense of humor here. I made a note of the address, date of birth, height, weight, hair and eye color, much of which seemed to apply to the woman I knew as Lila Sams. God, I had really hit pay dirt. I slipped the license back into the envelope, returned the envelope to its hiding place, and pressed the masking tape securely against the wood. I squinted critically at my handiwork. Looked untouched to me, unless she'd powdered everything with some kind of tricky dust that would dye my hands bright red the instant I washed them again. Wouldn't that be a bitch!
The back of the second drawer was also being used as a little safe-deposit box, containing a stack of credit cards and yet another drivers license. The name on this one was Delia Sims, with an address in Las Cruces, New Mexico, and a date of birth that matched the first. Again, I made a note of the details and carefully returned the document to its hiding place. I replaced the drawer, glancing quickly at my watch. Seven thirty-two. I was still O.K., but I had a lot of ground to cover yet. I continued my search, working with delicacy, leaving the contents of each drawer undisturbed.
When I finished with the chiffonier, I retrieved the two hairs and moored them across the drawer cracks again.
The dressing table revealed nothing and the bed-tables were unremarkable. I went through the closet, checking coat pockets, suitcases, handbags, and shoe boxes, one of which still contained the receipt for the red wedgies she'd been wearing the first time we met. There was a credit-card slip stapled to the receipt and I tucked both in my pocket for later inspection. There was nothing under the bed, nothing stashed behind the chiffonier. I was checking back to see if I'd missed anything when I heard a peculiar warbling from the living room.
"Kinsey, they're back!" Moza wailed, her voice hoarse with dread. From out on the street, I caught the muffled thump of a car door slamming.
"Thanks," I said. Adrenaline flooded through me like water through a storm drain and I could have sworn my heart was boinging up against my tank top as in a cartoon. I did a hasty visual canvas. Everything looked O.K. I reached the door to the hallway, eased out, and pulled it shut behind me, snatching the ring of skeleton keys out of my jeans pocket. The flashlight. Shit! I'd left it on the dressing table.
Murmurs at the front door. Lila and Henry. Moza was making nice, asking about dinner. I yanked the door open and did a running tiptoe to the dressing table, snagged the flashlight, and bounded, like a silent gazelle, back to the door again. I tucked the flashlight up under my arm and prayed that I was inserting the proper key into the lock. A twist to the left and I heard the latch slide into the hole. I turned the key back quietly, extracting it with shaking hands, careful not to let the keys jingle together noisily. I glanced back over my shoulder, at the same time looking for an escape route.
The hallway extended about three feet to the right, where the archway to the living room cut through. At the extreme end of the hall was Moza's bedroom. To my left, there was an alcove for the telephone, a closet, the bathroom, and the kitchen, with an archway to the dining room visible beyond that. The dining room, in turn, opened into the living room again. If they were heading back this way, I had to guess they'd come straight through the archway to my right. I took two giant steps to the left and slipped into the bathroom. The minute I did it, I knew I'd made a bad choice. I should have tried the kitchen, with its outside exit. This was a dead end.
There was a separate shower to my immediate left with an opaque glass door, bathtub adjacent. To my right was a pedestal sink, and next to it, the toilet. The only window in the room was small and probably hadn't been opened in years. By now, I could hear voices growing louder as Lila moved into the hall. I stepped into the enclosed shower and pulled the door shut. I didn't dare latch it. I was certain the distinct sound of the metallic click would carry, alerting her to my presence. I set the flashlight down and held on to the door from the inside, bracing my fingers against the tile. I sank down to a crouch, thinking that if someone came in, I'd be less conspicuous if I was hunkered down. The voices in the hall bumbled on and I heard Lila unlock her bedroom door.
The shower was still damp from recent use, scented with Zest soap. A washrag hanging over the cold-water knob dripped intermittently on my shoulder. I listened intently, but I couldn't hear much. In situations like this, you have to get into the Zen of hiding. Otherwise your knees ache, your leg muscles go into spasms, and pretty soon you lose all sense of caution and just want to leap out, shrieking, regardless of the consequence. I leaned my face on my right arm, looking inward. I could still taste the onion from my sandwich. I was longing to clear my throat. Also I needed to pee. I hoped I wouldn't get caught, because I was going to feel like such an ass if Lila or Henry whipped open the shower door and found me crouching there. I didn't even bother to think up an explanation. There wasn't one.