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‘As soon as this lever is thrown, a warning light comes on in the driver’s cab, and he stops the train. Unfortunately some people like to kill themselves this way. I don’t know why, but we get quite a few.’

Just like St Peter’s, thought Zen.

‘But why did the lights go off?’ he asked.

The guard indicated a double row of fuses and switches on the wall opposite, protected by a plastic cover which now swung loose on its hinges.

‘The fuse for the main lighting circuit was missing. We’ve swapped over the one for the air-conditioning thermostat, just to get the lights back on before the passengers started to panic. He must have done it himself, so he couldn’t see what was going to happen to him.’

The toilet door opened with a click and the blonde woman stepped out. She looked slightly flustered by so much male attention.

‘Has something happened?’ she asked.

Close to, her skin showed a slight roughness that made her seem older. Her pale blue eyes looked at Zen, who sniffed. Apart from her perfume, there seemed to be another new odour present — the smell of burning.

‘Did you hear anything?’ he said.

The flaxen hair trembled as she shook her head.

‘Just the roaring noise when the lights went out. Has someone…?’

The capotreno dismissed the woman with a wave and told two of his assistants to keep the passengers off the vestibule.

‘We’d better have a look on the track,’ he said.

The pendolino had never seemed more like an airplane to Aurelio Zen than when he stepped out of its lighted sanctuary into the howling storm outside. The Apennines form a continuous barrier running almost the entire length of the Italian peninsula, and the prevailing climatic conditions are often very different on either side. This man-made vent piercing the range thus forms a conduit for violent air currents flowing in one direction or the other as the contrasting weather systems try to find their level.

The high pressure was in Tuscany that day, so the wind was flowing north, battering the faces of the men as they walked back along the track. While they were still alongside the train, the lights streaming from the windows high overhead, Zen found the experience just about tolerable. But when they passed the final coach and struck out into the midst of that turbulent darkness which corroded the fragile beams of their torches, wearing them away, using them up, until they could hardly see the track in front of them, he was gripped by a terror so real it made anything else appear a flimsy dream of security, a collective delusion provoked by a reality too awful to be contemplated.

The noise was already deafening, but as they moved forward, breasting that black tide that threatened at every moment to sweep them away with it, it became clear that its source lay somewhere in front of them. The five men trudged slowly on, leaning forward as though pushing a laden sledge, their feeble torch beams scanning the ballast, sleepers and rails. The occasional patch of toilet paper, a soft-drink can or two, an ancient packet of cigarettes and a newspaper was all they found at first. Then something brighter, a fresher patch of white, showed up. One of the train crew picked it up and passed it to the capotreno, who held up his torch, scanning the line of heavy type at the top: UFFICIO CENTRALE DI VIGILANZA.

As the clamour up ahead grew ever more distinct and concentrated, the movement of the air became stronger and more devious, no longer a single blast but a maelstrom of whirling currents and eddies fighting for supremacy. Without the slightest warning a giant beacon appeared in the darkness behind them and swept past, forging south into the gale. As the locomotive passed, the darkness was briefly swept aside like a curtain, revealing the vast extent of the cavity where they cowered, deafened by the howl of its siren. Then the darkness fell back, and all other sounds were ground out by the wheels of a seemingly endless succession of unlighted freight wagons.

At length two red lights appeared, marking the last wagon. As it receded into the distance, the men started to move forward again and the original, primitive uproar reasserted itself, an infinitely powerful presence that was seemingly located somewhere in the heart of the solid rock above their heads. The train crew shone their torches upwards, revealing a huge circular opening in the roof of the tunnel. It was almost impossible to stand here, in the vortex of the vicious currents spiralling straight up the mountaintop thousands of feet above.

The capotreno beckoned to Zen, who lowered his ear to the man’s mouth.

‘Ventilation shaft!’

They found the body a little further on, lying beside the track like another bit of rubbish dropped from a passing train in defiance of the prohibition in several languages. One leg had been amputated at the thigh and most of the left arm and shoulder was mangled beyond recognition, but by some freak the face had survived without so much as a scratch. The Maltese cross glinted proudly in the lapel of the plain blue suit, and the fingers of the right hand were still clutching several pages of the transcript which now appeared to have claimed its second victim.

The power and influence of Milan — Italy’s rightful capital, as it liked to call itself — had never appeared more impressive to Aurelio Zen than they did as he strode along the corridors of the Palazzo di Giustizia late that afternoon. The office to which he had been directed was in an annexe built on at the rear of the main building, and its clean lines and uncluttered spaces, and still more the purposeful air of bustle and business, was as different as possible from other sites sacred to the judiciary. If Milan was capable of influencing, even superficially, an organization in which the bacillus of the ‘Bourbonic plague’ was preserved in its purest and most virulent form, then what couldn’t it do?

He rounded a corner to find a woman looking towards him from an open doorway. A helmet of lustreless black hair cropped at the nape framed her flat, open face, the bold cheeks and strong features blurred by menopausal turmoil like a damp-damaged fresco. She wore a slate-grey wool jacket with a matching skirt cut tight just below the knee.

‘Antonia Simonelli,’ she said. ‘Come in.’

He followed her into an office containing two teak desks. One, pushed into a corner, was almost invisible beneath a solid wall of stacked folders reaching up to within a metre of the ceiling. The other was completely bare except for a laptop computer. At the other side of the room, a large window afforded an excellent view of the gothic fantastications of the cathedral and the glazed roofs and dome of the Galleria Vittorio Emanuele.

The woman sat at the bare desk and crossed her long legs. Zen took the only other seat, a hard wooden stool.

‘I must apologize for the spartan furnishings,’ the woman said. ‘My office is in the part of the main building which is being renovated, and meanwhile I’m sharing with a colleague whose tastes and habits are very different from mine. Gianfranco likes the blinds drawn and the lights on, even in high summer. That’s his desk. I sometimes feel I’m going to go crazy just looking at it.’

Zen looked at the rounded peak of her knee and the tip of her grey suede court shoe, which rose above the sheeny expanse of the desktop like a tropical island in a calm sea.

‘He didn’t have any ID,’ he murmured.

The woman bent forward, frowning slightly.

‘I beg your pardon?’

Zen looked up at her.

‘The man on the train. He didn’t have any identification. But I suppose you do.’

He produced his own pass certifying him as a functionary of the Ministry of the Interior and laid it on the desk.

‘Anyone could walk in here,’ he remarked earnestly. ‘We’ve never met before. How would you know it wasn’t me?’

The woman regarded him fixedly.

‘Are you feeling all right?’ she asked guardedly.