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who oppose us are Vironese." His eyes sought out Maytera Marble

again. "I've lost my keys, Maytera. Is the garden gate unlocked? I

should be able to get into the manse that way."

She cupped her hands (hands that might have belonged to a bio

woman) around her mouth. "I'll open it for you, Patera!"

"Patera Gulo, proceed with the sacrifice, please. I'll join you as

soon as I can."

Clumsily, Silk vaulted from the floater, trying to put as much

weight as he could on his sound left leg; at once he found himself

sunounded by well-wishers, some of them in green Civil Guard

uniforms, some in mottled green conflict armor, most in bright

tunics or flowing gowns, and more than a few in rags; they touched

him as they might have touched the image of a god, in speeches

blurted in a second or two declared themselves his disciples,

partisans, and supporters forever, and carried him along like the

rush of a rain-swollen river.

Then the garden wall was at his elbow, and Maytera Marble at the

gate waving to him while the Guardsmen swung the butts of the slug

guns to keep back the crowd. A voice at his ear said, "I shall come

with you, My Calde. Always now, you must have someone to

protect you." It was the captain with whom he had breakfasted at

four in the morning in Limna.

The garden gate banged shut behind them; on the other side

Maytera Marble's key grated in the lock. "Stay here," the captain

ordered a Guardsman in armor. "No one is to enter." He turned

back to Silk, pointed toward the cenoby. "Is that your house, My

Calde?"

"No. It's over there. The triangular one." Belatedly. he realized

that it did not appear triangular from the garden; the captain would

think him mad. "The smaller one. Patera Gulo won't have locked

the door. Potto got my keys."

"Councillor Potto, My Calde?"

"Yes, Councillor Potto." Yesterday's pain rushed back: Potto's

fists and electrodes, Sand's black box. Scrupulous answers that

brought further blows and the electrodes at his groin. Silk pushed

the memories away as he limped along the graveled path, the

captain behind him and five troopers behind the captain, passing the

dying fig in whose shadow the animals that were to die for Orpine's

spirit had rested, the arbor in which he had spoken to Kypris and

chatted with Maytera Marble, her garden and his own blackberries

and wilting tomato vines, all in less time than his mind required to

recognize and love them.

"Leave your men outside, Captain. They can rest in the shade of

the tree beside the gate if they like." Were they doomed, too? From

the deck of the floater he had talked of Sphigx; and those who

perished in battle were accounted her sacrifices, just as those struck

by lightning were said to have been offered to Pas.

The kitchen was exactly as he recalled it; if Gulo had eaten since

moving into the manse, he had not done it here. Oreb's water cup

still stood on the kitchen table beside the ball snatched from Horn.

"If it hadn't happened, the big boys would have won," he murmured.

"I beg pardon, My Calde?"

"Pay no attention--I was talking to myself." Refusing the captain's

offer of help, he toiled at the pump handle until he could splash his

face and disorderly yellow hair with cold water that he could not

help imagining smelled of the tunnels, soap and rinse them, and rub

them dry with a dish towel.

"You'll want to wash up a bit, too, Captain. Please do so while I

change upstairs."

The stair was steeper than he remembered; the manse, which he

had always thought small, smaller than ever. Seated on the bed that

he had left unmade on Molpseday morning, he lashed its wrinkled

sheets with Doctor Crane's wrapping.

He had told the crowd he would burn his tunic and loose brown

trousers, but although soaked and muddy they were still practically

new, and of excellent quality; washed, they might clothe some poor

man for a year or more. He pulled the tunic off and tossed it into the

hamper.

The azoth he had filched from Hyacinth's boudoir was in the

waistband of the trousers. He pressed it to his lips and carried it to

the window to examine it again. It had never been Hyacinth's, from

what Crane had told him; Crane had merely had her keep it, feeling

that her rooms were less likely to be searched than his own. Crane

himself had received it from an unnamed Idlanum in Trivigaunte

who had intended it as a gift for Blood. Was it Blood's, then? If so,

it must be turned over to Blood without fail. There must be no more

theft from Blood; he had gone too far in that direction on Phaesday.

On the other hand, if Crane had been authorized to dispose of it

(as it seemed he had), it was his, since Crane had given it to him as

Crane lay dying. It might be sold for thousands of cards and the

money put to good use--but a moment's self-examination convinced

him that he could never exchange it for money if he had any right to

it.

Someone in the crowd beyond the garden wall had seen him

standing at the window. People were cheering, nudging each other,

and pointing. He stepped back, closed the curtains, and examined

Hyacinth's azoth again, an object of severe beauty and a weapon

worth a company of the Civil Guard--the weapon with which he had

slain the talus in the tunnels, and the one she had threatened him

with when he would not lie with her.

Had her need really been so great? Or had she hoped to make

him love her by giving herself to him, as he had hoped (he

recognized the kernel of truth in the thought) to make her love him

by refusing? Hyacinth was a prostitute, a woman rented for a night

for a few cards--that was to say, for the destruction of the mind of

some forsaken, howling monitor like the one in the buried tower.

He was an augur, a member of the highest and holiest of professions.

So he had been taught.

An augur ready to steal to get just such cards as her body sold for.

An augur ready to steal by night from the man from whom he had

already bullied three cards at noon. One of those cards had bought

Oreb and a cage to keep him in. Would three have bought

Hyacinth? Brought her to this old three-sided cage of a manse, with

its bolted doors and barred windows?

He placed the azoth on his bureau, put Hyacinth's needler and his

beads beside it, and removed his trousers. They were muddier even

than the tunic, the knees actually plastered with mud, though their

color made their state less obvious. Seeing them, it struck him that

augurs might wear black not in order that they might eavesdrop on

the gods while concealed by the color of Tartaros, but because it

made a dramatic background for fresh blood, and masked stains

that could not be washed out.

His shorts, cleaner than the trousers but equally rain-soaked,

followed them into the hamper.

Rude people called augurs butchers for good reason, and there

was butchery enough waiting for him. Leaving aside his proclivity

toward theft, were augurs really any better in the eyes of a god such

as the Outsider than a woman like Hyacinth? Could they be better

than the people they represented before the gods and still represent

them? Bios and chems alike were contemptible creatures in the eyes