Ken Bruen
Calibre
1
Shit from Shinola. You have to hand it to the goddamn Yanks, they have great verbals, man. I love the way they cuss.
I killed my first last Tuesday, I can’t believe it was so easy. Remorse? Not a fuckin’ trace. Only sorry I didn’t do it sooner.
I’m forty-four years old, and I guess I’m what you’d call a late starter. Or as them Yanks have it, a late bloomer. Thirty years I could have been mowing down the fucks and what was I doing?
Working.
A working stiff.
I think it was Bob Geldof who said work was the biggest con of all. I listen to The Rats with ‘I Don’t Like Mondays’ and I’ve got my soundtrack down. They nailed it. The silicon chip inside my head just switched to overload.
Been a long time coming.
My old man, Anthony Crew, worked in an asbestos factory all his life. The last ten years he spent coughing up blood and gook till his eyes bulged. His employers, did they cover the hospital bills? They did fuck-all.
The National Health Service did the best they could but he was fucked and gone; he was dead and didn’t know it, wouldn’t lie down. The Mick in him, those Paddies, tough sons of bitches. Every Sunday I went round his gaff, a council flat on Railton Road, and listened to him cough. James Joyce is buried in Switzerland near a zoo, and his wife, Nora Barnacle, said:
‘He liked to listen to the lions roar.’ Brixton is as close to a zoo as it gets. My dad, his face contorted to grotesque degrees of agony, and I wanted to kill some fucker.
Now I have:
Willeford
Woolich
Thompson.
My heroes. I’ve read crime fiction for over twenty years, can’t get enough, black as it’s painted. The classic hard-boiled, though, these guys are the biz.
Noir and out.
Shit-kickers par excellence. My bookcase is an homage to pulp:
James M. Cain
Hammett
Chandler.
Here’s a thing. I can’t read Chandler’s novels any more, but his letters, phew-oh, now you’re cooking. They’re on my bedside table, resting on my old man’s Bible. His book passed down through generations of navvies to land here in Clapham. Could be worse, could be Kilburn.
Might be yet.
Used to be if you were in a hotel and wanted a hooker, open the Gideon Bible back page, bingo. Not any more. I blame the Internet, all that cybersex and chat rooms, they’ve taken the zing out of dirt.
I’m not going to get caught. I’m due for another kill on Friday, a woman this time, keep the balance. The reason I won’t get caught is not just cos I’m smart but I have an edge.
I watch CSI.
STUDY IT.
So I’m au fait… With all the DNA fibres, signatures, trophies, crap. Two things in my corner, I’m random and I’m careful.
Hard to top.
They won’t.
I’ve read the true crime books, from Ann Rule through Joe McGinnis to Jack Olsen. Man I know my shit. Am I a psychopath? A sociopath? A paranoid schizophrenic? A narcissistic disorder? A blip on the human radar?
Who the fuck cares. What I am is good and angry, like Peter Finch in Network. You think you can label me, tame me?
Dream on, sucker.
I’m the pale rider of Clapham.
But hey, let’s get it down. I’m not into weird shit. None of that cannibalism or jerking off on bodies. Jeez, I hate that stuff. Truth to tell, I can’t even read about it. And child molesters? Don’t get me started.
Kids? Would I kill a kid? No way, Jose. Not unless he was in a boy band.
This is my reality TV. Killing for prime time.
Here’s another thing, hope you’re taking notes cos, like, I’ll be asking questions. Ever see that profiler shine they pedal? Me now, they’d typically pin as:
White (true)
Late twenties, early thirties (wrong)
Loner (mm… mmm)
Isolated (nope)
Impotent (hey!)
Narcissistic (well okay, I’ll give ’em that)
Low-paying job (nope)
No partner (wrong again)
Quiet (I’m a party animal).
You want to know how they catch serials?
Luck, dumb friggin’ luck. Bundy got stopped for a busted tail-light. I don’t have a damaged vehicle, no sirree. I’ve got cash; and if I ever get stupid, I’ll get a pick-up, a hound dog, and a shitpile of Hank Williams.
Music.
You ever hear of a killer into tunes? Apart from looney ones? I listen to music all the time.
But Time Out.
Not the mag, me. I’m beat. This writing isn’t as easy as the pulpists would lead you to think. I’m learning the craft from Chandler’s letters. All you ever need to know, he not only tells you how but why.
Oh and another reason the dumb fucks keep getting apprehended? Someone drops a dime. The Irish disease, like alcoholism, is ratting out. They invented Guinness but also the fink.
So don’t talk. You don’t talk, there’s nothing to rat out. ‘Loose lips sink ships.’
Gotta get some zzzz’s.
And I’m not lazy, whatever else I am. I’ll tell you everything.
2
Sergeant Brant was in the canteen. Slung over the back of his chair was a Driza-Bone jacket. He was licking the chocolate off a Club Milk; the sounds he made were deliberately loud, exaggerated, and having the desired effect. Cops at nearby tables were aware of him, powerless to shout:
‘For fucksakes!’
Brant was a pig, worked at it. He was heavily built with a black Irish face that wasn’t so much lived in as squatted upon. He was wearing a very expensive suit that whispered:
‘Serious wedge.’
He had numerous schemes running, all illegal, that kept him in a style ill-suited to a sergeant in the SE London Met. The brass knew he was dirty, he knew they knew, but proof remained elusive.
Superintendent Brown had tried for years to shaft him.
Unsuccessfully.
Brant was deeply tan. Another feature not common to cops. He’d wrangled his way onto a Police Exchange Scheme in Australia and spent two weeks sydney. To annoy his immediate superior, Chief Inspector Roberts, he now littered his speech with Strine, Oz slang. Roberts, seriously irritated by Brant’s chocola, moved his own tea aside, said:
‘We better get a move on.’
Brant now wished he’d dunked the last of his Club Milk in his tea, few things matched the melting chocolate rush. He reached in his jacket, took out a pack of Peter Jackson, a twenty-five box, as is the norm in Oz.
Plus a battered Zippo. All over the canteen were decals, roaring: SMOKING VERBOTEN.
Well, not in Kraut but with that tone. Roberts sighed as Brant cranked the lighter, an old inscription on the side, barely legible: 1968.
Brant smiled, not his usual wolverine but something near regret, shrugged it off, said:
‘I tell you, sir, the sheilas in Oz were seriously stacked.’
The alliteration was no accident, he’d worked on it, tuned to gain max vexation.
All in the timing. Whatever else, Brant knew the value of timing. Roberts sighed, went:
‘When are you going to get over Australia?’
Brant feigned hurt then:
‘With all due respect, sir, you don’t get over Oz. Ask Bill Bryson.’
Roberts could give a toss who Bryson was, still it was a change if not an improvement that for once Brant wasn’t pushing Ed McBain. The old Penguin editions, the Eighty-seventh Precinct mysteries, Brant had owned them all, every blessed one. Till The Umpire destroyed them. An old case, never closed. Lately, Brant was obsessed with writing, fancied himself an English Joseph Wambaugh, would go:
‘Money in crime…’
Pause.
Big delivery:
‘Writing.’
Then the previous McBain, Fat Ollie’s Book, had accelerated Brant’s vision of the cop/author. He’d even bought The Writers’ and Artists’ Year Book, was trawling through agents and likely publishers.